As one friend said

It’s like we’re living with no destination. We can go out for a walk but can’t stop casually at the store or the library or café. Maybe wave to neighbors through a window.

To call what we’re doing “monastic” misses the mark. After all, monks live in communities, working and praying together. And being single, as he is, still doesn’t mean monkish.

We can’t hug or even touch anybody outside of our household, not if we’re maintaining quarantine.

Humans are social animals, after all.

At the moment, the one thing that makes sense doing is prayer.

Ten things to look forward to in ‘normal’

To put the U.S. coronavirus crisis in perspective, consider that its toll has surpassed the 58,220 deaths of American servicemen in the Vietnam war. And to think, it would have been much worse if we hadn’t hunkered down, even as the virus continues to multiply.

Yes, I know it’s premature to expect our social lives to be returning to “normal” anytime soon, but let’s keep the hope alive.

Here are ten things I’ll say we’re missing.

  1. Worship. Gathering together, not just solo meditation. Followed by hugs and handshakes. Even weddings and funerals are on hold. Don’t overlook regional board meetings, annual sessions, community suppers, or big festivals, either.
  2. Live public events. Let’s start with concerts, theater, dancing and dance, sports of all sorts, both as players and fans. Add festivals, graduations, political rallies, public lectures, governmental meetings. The things that bring us together as a community.
  3. Swimming and the gym. For me, this includes the daily banter with fellow swimmers I’ve come to know and the lifeguards, too. It’s like workout partners and trainers at the gym, so I’ve heard. Long walks just aren’t the same.
  4. Eating out and meeting for a drink. Let’s throw in catching up with a friend over a cup of cappuccino or stopping off somewhere while off on that stroll. A phone call is a poor substitute.
  5. Shopping. Yes, we can still go to the grocery (kind of), but many other places are closed. As for yard sales, where we find some of our best stuff without them? I’ll put banking in person here, as in being able to walk into the lobby.
  6. Beaches, parks, playgrounds. I couldn’t even harvest seaweed for garden mulch this year. Seriously.
  7. Health care and grooming. How much can we put on hold? OK, I don’t need a barber these days, but my cardiologist would like some blood work at the lab and our rabbits need their nails trimmed, which has been happening at the high school’s animal sciences center, or was.
  8. Travel and transport. As I posted about not going to Boston recently or noting friends stuck without cars (and we can’t really offer them rides, either). Add to that airlines, not that I was planning on flying. But we really would like to get away from the house for a weekend breather.
  9. Libraries and museums. Special sanctuaries.
  10. Community care. Things like the soup kitchen and fundraisers. And places with public restrooms when I’m out on those long walks.

Schools I’ll set aside as a whole special category.

What are you especially missing these days?

 

Does Covid-19 spell the death of local newspapers, too?

Jack Shafer of Politico magazine recently aired his argument against including newspapers in stimulus aid for companies hurt by what he calls the coronavirus apocalypse. As his title says, “Don’t waste stimulus money on newspapers. You wouldn’t put a dead man on a ventilator, would you?”

It’s a harsh assessment, coming not from a right-wing fanatic but someone who values the experience of reading the news on paper. He knows all too well the precarious state of the news industry even before the Covid-19 devastation, and I hate to admit I have to agree with him.

If you want to see my take on some of the deep systemic financial problems, just turn to my novel Hometown News, available as an ebook.

For a little perspective, you have to realize you can’t even purchase blank newsprint for the cost of your local paper, and that’s without anything on it or delivery to your doorstep or favorite store or the box on the corner.

Shafer is not talking about the handful of national papers that are thriving, thanks to a surge of online subscribers during the Trump nightmare. He’s talking about the local papers across the country, many of them now owned by hedge funds and similar short-view gaming investors. The kind of enterprise that has gone from family ownership with roots in the community to a global conglomerate that sees money in liquidation, as in who-are-you-all-anyway and why-do-you-matter when it comes to the locals.

Well, with oil companies lining up for relief aid, newspapers definitely should be higher on the list. But I digress.

In some ways, the papers are a canary in the mine shaft, or a dinosaur looking into the eyes of an approaching train, if you care to mix metaphors. Remember what happened to the railroads, after all, when the Interstates were built … with public money. Again, I digress.

The biggest question for me is what happens to local communities if and/or when the local papers expire.

First, of course, is that the public loses an essential watchdog on grassroots level politics. Believe me, local officials act differently when they know they’re under scrutiny. It will cost you dearly when they’re not.

Covering their meetings and the impact takes time, knowledge, ability, and courage. If you’re simply blogging in your spare time, you can be bullied or miss the follow-up phone calls. ‘Nuff said there. We’re facing a threat to ground-level democracy, OK? How many of us can really afford a lawyer?

Second, though, is the loss of local identity. I think most newspapers have fallen down here, failing to raise distinct columnists you just have to read first thing in the morning, but that’s not the only problem. How important is your neighborhood and the general area to you, anyway? Do you even know your neighbors?

A third problem involves the local economy. For one thing, there’s been a huge shift in local retailing, from mom-and-pop stores to the big-box intruders at the mall or Miracle Mile and then online, as in Amazon. The mom-and-pops are the lifeblood of newspaper revenue. Those glossy inserts pay next to diddly. And when’s the last time you saw anything from that monster Amazon or even Craig’s list, which is killing the classifieds?

The obvious shift would be from on-paper publication altogether to online presence only, but no newspapers have figured out how to manage this. It requires subscriber-paid content. Web users are way too used to getting everything for free.

By the way, I hope television and radio are not included in the assistance packages. Yes, they, too, are suffering loss of ad revenue and audience. Rotsaluck. Their news coverage, meanwhile,  often rips off a lot of newspaper stories and then act as if they actually had reporters there. Who will take up the slack? Again, rotsaluck.

Which leads me to one more thought. Sports radio. That once hot-in-the-ratings screaming format that pushed broadcasting from music to talk and then to professional, mostly, athletics – with regional loyalties and identity. What’s happening there, now that nobody’s playing?

Where are you getting your community news?

As the supply chain breaks down

First, it’s chicken, as we discovered trying to reserve thighs for the local soup kitchen. Our usual supermarket can’t guarantee us it can have them for Thursday.

(Let’s not start a run on the stores, though. They should be smart enough to be limiting purchases to one per customer or so by now.)

Next will be pork, apparently, followed by beef.

Blame the Covid-19 outbreaks out in the big-producer lands. Workers too sick too work.

I’m wondering about eggs, though many of those are grown locally. I hope.

What do you suppose those protesters out in Michigan are going to do about this?

Two more years of THIS?

We were wrapping up yet another committee session on Zoom and trying to look ahead to our next one when one member made an unsettling comment.

Said he, “I don’t expect to be out of this (self-isolation) for another two years, not until they have the vaccine in place.”

He’s a retired medical professional, and the other (now unretired) one in our group didn’t correct him.

It’s a gloomy prognostication, not just personally, I’ll admit as senior with a pre-existing condition, but as one considering its dire social consequences as well.

I was going to say the quip hit like a ton of bricks, but considering that the emotional impact had more of a slow motion effect, I’ll say like a ton of hay (hey, a ton is a ton, right?).

So much for dashing our hopes.

I think I’ll go listen to “Casey at the Bat” again, the poem with the phrase “but there is no joy in Mudville.” As if we’ll ever again have baseball, either.

Your turn to whine! I’m all ears.

Ten more takes from the Met’s nightly free streaming

One bright spot in for me in this Covid-19 self-isolation has been the Metropolitan Opera’s nightly streaming of a Live in HD performance from its archive. As I mentioned in a March 23 posting, these are free and available until 3:30 the next afternoon. Better yet, the series is continuing. I’ve now seen more operas this way than I’ve seen live and in concert combined.

As I mentioned in “Spending nights at the opera on my laptop,” watching these performances is quite different from listening to them on the radio, and some of the things that stand out for me are the extraordinary level of the acting, by not just the principal singers but everyone on stage, leading to the important presence of the chorus in its role as actors and not just voices, and the brilliance of the opera’s dancers, who I’ll argue are highly underappreciated – they even move much of the set around during some productions. Yes, and those sets and costumes are amazing, even with all of the excessive luxury, expense, and unbelievable perfection that the video cameras catch even when those in the audience are oblivious at their distance. This is as close to the ideal, overall, as anyone could ever expect in live theater.

The backstage videos and interviews have also deepened my appreciation. Many kudos.

That said, let me note ten more distinctive things that are jumping out for me as I watch:

  1. The oath. Or, in far fewer instances, a vow. I hadn’t notice this before, but in at least 90 percent of opera, the entire drama revolves around a sworn declaration – often forced upon someone, as in a deathbed scene, but sometimes from youthful outbursts. Watch for this, as I am now. And then, swear not, as Jesus counseled. It always leads to trouble.
  2. The physicality of the singers. Gone are the days of lining up the big voices and the chorus behind them. Nowadays, they’re running and jumping and dancing while singing the most incredibly difficult music, even when they get a break to drop back on their backs. Look, to sing like this you need a LOT of breath (try to follow them as they sing and see where they pause to inhale) and then think about all of the other demands on their air. Got me? It’s amazing.
  3. The swordfights. Remember, this is live, with no room for a retake. And it’s convincing.
  4. Dancing or miming the overture or prelude. The opening music has often seemed like a spacer to establish the mood while latecomers arrive. Something like a mini-symphony, to spotlight the instrumentalists, before we get to the real stuff. Some of the newer productions, however, are raising the curtain by the time the conductor enters the orchestra pit and feature dancing or acting during the introductory music. It’s like showing a movie scene before rolling the credits, and even more impressive. Why haven’t we always done it this way?
  5. Updating the action. Trying to reset the historical setting of the story is always tricky, but when it works, it’s brilliant. Note the Met’s “Rigoletto,” move to gambling Las Vegas, which we’ve not yet viewed. But everything I’ve seen so far along these lines has been brilliant. “Macbeth” as a ‘ 50s rebellion definitely fits, once we take it out of Scotland. As does Mozart’s “Cosi fan Tutti” in Coney Island, though I wish they had swapped the couples at the finale – this production had room for that feminist power reintrepretion.
  6. Appreciating the subtitles. I love that these are contemporary translations, unlike the tortured Victorian-era lines I tried to follow way back when. As an exacting editor, I appreciate their high quality (only one or two places I’d object as a grammarian), My sole qualm has been in religious references when these drop into “Biblical” language, the “thee” instead of “you” line of speech, even in Drudic and Hindu instances.
  7. On-stage touches. Everytime I see flames in a scene, I wonder how they got that bit past the fire marshal. Not just cigarettes or cigars (hope they don’t inhale, it’s bad for the voice) to candles and torches and fireplaces and conflagrations that level a village. The use of puppetry is incredibly effective, as we’ve seen especially in “Butterfly.” And then there are the wigs, even for the chorus. (More than 2,000 a season, as we learned in a backstage interview.)
  8. The animals. Yes, dogs, horses, donkeys, and more … on stage!
  9. The collegiality of the cast. The days of the infamous prima donna is largely gone. Singers today are generally professional and respect the work of others, even when they tackle the same roles. It’s apparent in the interviews.
  10. Conducting. It’s not the same as leading a symphony, and I find these maestro’s motions much harder to follow. For one thing, they’re way ahead of the beat. Even so, the Met band is glorious, a far improvement over the rough-edged ensemble before James Levine’s tenure. The audience doesn’t start applauding as soon as a big singer ends an aria, either, but waits for the final orchestral note fades.

Is there anything that’s making this period of shelter-in-place somehow special?

 

I’d love to take a train ride but …

My wife mentioned that she’s seeing a lot of deals from Amtrak, and that had me thinking how overdue I am for a trip on the Downeaster to Boston or the other way up to Portland, Maine, or beyond. As a senior, I even get to ride at half-price.

Of course, Covid-19 came into the picture, and I started flashing through the factors.

If the train’s not crowded, I’d have plenty of social distance. I could also carry hand sanitizer and even wear my colorful homemade mask to reduce risk of exposure.

I’ve been wanting to go to a Boston Symphony concert, finally see their new music director in action, but then I paused, realizing all of those concerts have been cancelled.

My considerations moved on to a visit at Harvard’s famed Fogg art museum, which had reopened after extensive renovations. Well, reopened is the wrong word. For the time being, it’s closed again. Hope the renovations hold.

Ditto, too, for a fine meal, maybe even in the North End’s Little Italy a few blocks from North Station. Forget that during the coronavirus shutdowns.

So it looks like that getaway is off, maybe till autumn? Or sometime next year?

This is getting boring. Or something like that.

As the random blahs kick in

So this general shutdown or shelter-in-place or self-isolation, call it want you want, is dragging on and will likely do so. Any novelty’s worn off. I miss my old routine and acquaintances. Can I assume I’m speaking for everyone?

My wife and I are lucky to live in a big enough old house so that we’re not always tripping over each other except in the kitchen. (Not that you care.) We have a big yard, too, which this time of year is beginning to demand gardening attention, getting me outside in the dirt and, well, mud. We also have access to a lovely carriage trail we can follow through a nearby woods to the top of a hill, giving us some decent exercise almost daily.

But I’ve definitely reached the state of blah, even when it’s not one of those dull wet deeply gray days. No, as I draft this, it’s partly sunny outside my window.

So here I am, up in one end of the third-floor attic, while my wife’s “working from home” with an online meeting on the first floor. I hate to walk through that. You know, the little square showing her face in the upper right-hand corner? Anyone else know the feeling? I’d move her to another room, but she’s comfortable in that particular spot. We try to adjust.

I can’t imagine being cooped up in a tiny apartment, much less with kids, though I’m sure that’s the case for many. Even a mobile unit in a trailer park would be way too confining.

What’s shut down goes beyond much of what most of us are seeing. Look, it even includes playgrounds! The one around the corner saved my sanity with the younger one more times than I can count. Let me sympathize with every parent during this duration.

But let’s try to be aware of the wider impact.

Continue reading “As the random blahs kick in”

A tidbit from a digital committee meeting

Or should that be a committee’s digital meeting?

As we were considering the possibility of extending an online workshop to our Quaker fellowship, to replace an in-person one we had cancelled, some of us sighed and admitted feeling Zoom’ed out.

That’s the phrase they used.  Zoom’ed out. Bet it’s quickly popping up around you, too. The way Google went from a way of looking (as in googly eyes) to an online search engine (capitalized) to a verb reflecting generic online usage, as in “googling,” even when you do it on Bing or DuckDuckGo.

Zoom isn’t the only platform being used for virtual meetings. Go To Meeting is also popular, and Skype is still there for one-on-ones, among others. Feel free to mention alternatives.

So, now that we’ve recently added “coronavirus” and “Covid-19” as new words in our common vocabulary, we’re about to add one more.

Any of you feeling Zoom’ed out yet?

Even a local ‘soup kitchen’ suffers under Covid restrictions

My Quaker Meeting is part of two local ecumenical groups, one of them providing free twice-a-week community suppers for people in need. Our dinner guests are the homeless, especially, and others living in subsidized housing, but nobody asks questions as we welcome anyone who simply shows up. Each congregation cooks and serves its own menu on a monthly rotation. We Quakers do barbecued chicken thighs, mashed potatoes, and cole slaw, with pulled pork as the previous feature. Hey, it’s yummy and something nearly everyone likes. I love the rare times we have leftovers.

Even though the event is commonly called a soup kitchen, none of us serve soup anymore. The term simply points back to the tradition’s origins. The Methodists do lasagna. The Greek Orthodox do American chop suey and Greek salad. You get the idea.

So when our hosts at the Episcopal church decided to close their hall during the duration of the Covid-19 crisis, a concern for the dinner’s guests led to an exemption. The various congregations could still use the kitchen, but all the food would be takeout, something restaurants were later also ordered to do, while sit-down dining was prohibited.

It’s not the same, of course. We’re getting less than half of the turnout, but many are asking for two meals, to share with others, as well as an extra for the next day. So we’re happily dishing out about the same amount of food.

What we’re really missing is the community interaction. Many of the regulars enjoyed this as a time to socialize without having to spend precious cash on a place to sit. Better yet, this place was free of alcohol. Many would come early and stay till closing time, when an AA group prepared for its own meeting.

Another factor in shifting to takeout is that many of the volunteers are retirees in a Covid-19 susceptible range. Many of them are staying self-isolated, reducing the pool of workers. Usually, with everyone on board, it’s a kind of party, but when everything falls on just a few, things can be stressful. We’ll see.

But I do wonder if that’s what tipped one congregation to call in some caterers. That, or a desire to help our suffering local restaurants, too.

One other influence to consider is transportation. Our region is served by two public bus systems, both of them shut down by the coronavirus, and that may be keeping some of the regulars from getting to the church social hall.

What similar sorts of adjustments are you seeing where you live?