No question, my Indiana years were special

As I’ve been seeing in this sweep through my journals, not all of my experiences in Bloomington wound up in my poetry and fiction.

Back when I switched my college major from journalism to “something that would expand my mind,” as one influential editor advised me, I chose political science because so much news coverage focuses on government and its impact. Somehow, I fell under the spell of Vincent Ostrom, especially his federalist perspectives of a compound republic and ground-upward rather than top-down action. My earlier posts reflect how this turned into a personal relationship, even before I was invited to join what’s now known at IU as the Ostrom Workshop.

His wife Elinor, better known to us as Lynn, was just beginning to teach at IU when I was an undergrad and I didn’t find the opportunity to enroll in her courses. (The fact the department scheduled her classes at 7:30 am was an additional problem for night-owl me, as I was as the time.) Despite obstacles erected because of her gender, she soon became a popular teacher and by the time I returned to campus, was a rising star. What I saw on my return was how naturally she functioned as the central figure in running our collaborative workshop, and how utterly amazing she was all around. It should be no surprise that she became not only the first woman but also the first political scientist to win the Nobel Prize in economics. Yes, the dismal science.

While I have never run for political office or served in a governmental role — I’m of the camp that believes doing so would compromise the neutrality or objectivity at the heart of serious journalism — I have carried many of the lessons from that training through the remainder of my life.

One is the ability to critically read a text, period. It serves well in literature, theology, proposing a course of action, as well as editing. A corresponding step then asks which assumptions can be relaxed or even removed from the paper under examination.

Another lesson involves management and associative structures. Many similarities exist in operating public, for-profit, and non-profit organizations. They are what make a civilization function. They were especially helpful when I was navigating the steps in the management ladder of corporate journalism in my moves to come.

The next question regarding any field of organization, of course, is how do we make it work better?

~*~

In this review of the experience, I’m surprised to see a parallel in the youthful enthusiastic personnel at the Workshop to the idealistic newsroom staff in my novel Hometown News.  Most of the events shaping that book, be warned, come in the years ahead.

~*~

As I look back, I see how crucial this year-and-a-half became in my life.

My evolution from yogi to Quaker began, for one thing, though an overlap would continue for another year or two.

Through a circle headed by three very fine poets, my personal voice in that vein took shape, accompanied by appearances in literary reviews across the nation.

Kat and I settled into a life that was largely pleasurable and fulfilling. I’ll leave the details for you to decipher in my novel Nearly Canaan. The middle novella in The Secret Side of Jaya, “Miller at the spring,” was also inspired by this period but written 40-some years later and recast in the Ozarks.

There was a curious semester when Nicki and Kat were enrolled in the same weaving class in the art department. Did my ex-lover know my wife was a classmate? Eventually, they became acquainted and that led to a face-to-face of the three of us, allowing me some resolution to the past.

And I felt freer to move forward.

~*~

Vincent had grown up on a mink farm near Mount Baker in Washington state, and he was quite encouraging in our move to the Northwest. Living in the interior desert, I would finally understand the intricacies of water legislation and management, which had been one of his specialties. Another arose from being a writer of the Alaska state constitution, a place that also had close connections to Washington state.

After packing up and moving westward, I never returned to Indiana, apart from the brief drive crossing on the toll road in the north on our return to Ohio after the Pacific Northwest.

I’d say the book was closed, yet the writing and revision were actually still ahead.

~*~

From Spiralbound Hoosier, with commentary from now.

 

I never saw her in a skirt until her wedding

At the small-town paper, Marcy made all the difference. She was also a future Pulitzer Prize winner.

With her camera she cut through all the crap to find something of real value in the people.

Her signature touch often blended humor and compassion while giving a glow to black-and-white images of daily life. What she found added up into a larger statement over time.

Photographer Burt Stern was one of her inspirations of the hard work to strip an event down to a simple, direct image and underlying message, albeit his were often of commercial intent.

In those days, please remember, ours were mostly black and white shots, though her darkroom technique did wonders with the grays.

I noted her remark about a coworker’s husband who had no concept of aesthetics – a photographic silhouette, to him, meant something went wrong. He saw everything as “good” or “bad” reduced to a scale of “I like” or “don’t like.”

Yes, “good people” (like us) versus “bad people,” who may simply be different rather than evil.

It’s been a problem across much of humanity, though consumerism cashes in on it.

Sticking to what you like means taking the easy way out, rather than aiming for greatness or achievement. Many of the things I value in my own life started out as dislikes – opera, contemporary classical music, asparagus, lamb, meditation, beer …

I suspect she was the inspiration to make the protagonist in the novels that became Subway Visions, Daffodil Uprising, Pit-a-Pat High Jinks, and What’s Left a photographer rather than a writer. It was a step away from glorifying the writing trade. Besides, I had seriously considered becoming a visual artist but settled on writing instead.

“The camera itself creates and destroys illusion.” (Source long since lost.)

 

Within the journalism trade

When it comes to mass media, the real power brokers are the big advertising agencies that foot the bills or at least allocate the payments. Forget “liberal media,” the rig of the game is elsewhere.

Here are some of my early journal entries along the topic.

  • Journalists are not eunuchs, or shouldn’t be. Those are the propagandists.
  • More people know the latest Alka-Seltzer ad than what Scotty Reston wrote last night.
  • The people of Fostoria hate the paper; they pick at the people who write for us, isolate them, castigate them. Within the city our only hope for recruits is among those outsiders who, like Teresa Beatty, simply don’t care about the neighbors. Yes, paradoxically, among the surrounding areas, our virtues are appreciated.
  • Another difficulty is in our correspondents; they want to write only about their interests, will not take assignments or cover feature-news … In writing only what they want, they miss the cream …
  • The R-T is a sinking ship. I see no hope … the paper cannot meet the city residents’ level of expectation without losing half of its circulation, the half that matters, beyond the city limits …
  • These “news” items they send in: “such-and-so met at the home of so-and-so and discussed the topic of (insert title). Mrs. A was in charge of refreshments, Mts. B was program chairman, Mrs. C was greeter, and Mrs. D was hostess. X, Y, and Z were elected.”
  • I used to think that if people were interested in the event, they would have been there and already know the outcome. Now I suspect they really don’t know where they were till they read it in print.
  • So much potential here, nobody in our five-state (but not five-star) circulation area touches: so many “off news” angles, one could win it all. [Thinking now of Marcy’s touch / specialty / inspiration …] [Also, of Kurt’s later … and wishing we hadn’t lost contact.]
  • Monday, an unsigned letter at work today, man who didn’t like anything: if we’d put out the kind of paper he wants, he wouldn’t like it: there would be nothing for him to rage about.
  • Some people exist on their dislikes.
  • Living devils, caught in their own hells.

“I used to think I had some control, but I’m finding out more and more that I have no control over the film. The film is gonna come out the same way,” depending on the performers, scriptwriters, prevailing moods, and other factors. “The material is being filtered through me, so it’s gonna wind up having my shape. And for me to think I can unshape it is crazy.” – Robert Altman, producer and director

My feelings after “having my own paper” on the prairie

“I hate to admit it, but everybody’s got the same news.” – Chicago Tribune Managing Editor Maxwell McCrohen on promoting features and columnists. He broadened the definition of “news.”

 

Regarding my Endless Prairie project

Prairie as a symbol of America [make that U.S. and Canada], the middle or bread basket or heartland. I kept trying to envision the openness, wonder, even terror when white pioneers found her, back before she was ripped apart for farming. Even the Interstate highways coast-to-coast. The middle land of Protestants without heritage, too blind to see clearly the potential of balance and healing before them.

Somehow, that poetry project never found root.

 

Is this too harsh? Even on a bad day?

A few asides on the small town where I was dwelling.

John Quinn, who grew up in Fostoria: “Small, flat, uninteresting. Platt-Deutsch. Smelly. Thick-skulled Catholic diluted with third-removed Yankee.”

B.L. Reid: “An ethnic polyglot with many Germans and a sprinkling of Irish and one unusual strain, a tribe of Belgians. To the time of the First World War, three out of four sermons a month in the Catholic church were preached in German. The Belgians were the glassworkers and conducted the local industry. A small opera house was visited by traveling musicians and players. Pretty public parks were much frequented by the Germans and Belgians, often observing their transplanted holidays in their native costumes. The Belgians formed a fine concert band and Belgian funerals, led by the band and followed by mourners on foot, were a familiar and impressive sight.”

Radio “newsman” Mel Murray, in his own voice, used my newspaper column as his “editorial” this morning on WFOB, two days after the concert I had reviewed. Obviously, he wasn’t there.

The people of this town gossip and bitch to each other but when it comes time to stand up, run away. They all want somebody else to stand up for their view, yet are afraid of anything different or new. They seem to be sleeping on their feet.

“Findlay’s only got nickel millionaires, but here, shit, these pishers may got money but they stick it up their ass.”

Nickel millionaires, sez the trashy town’s foot doctor.

[Findlay was headquarters of Marathan Oil and Cooper Tire & Rubber; Fostoria had none.]

~*~

The town sat at the nexus of four major railroads , the B&O, C&O, New York Central, and Nickel Plate lines. They were a constant presence. Photo by Nathaniel Railroad via Wikimedia Commons.

~*~

This piss-hole of a city! So much negativity, jealousy, and hatred it’s a struggle for anyone to remain alive long – negativity that could kill a horse

This place is still a swamp, not even an idea to look up to.

Everything’s got to be good or bad. Their minds can’t handle anything more. Their minds don’t work anywhere near as fast as their hatreds do.

They keep electing crooks just like themselves.

Reporter Tom, a West Virginian, observing how these Midwestern towns build statues of their founders and then live in the shadows: They think they’re friendly, chattering all day, cutting down each other, not a good word to say, a whole damned town of gossips, women and men …

As I saw it, the thing about this place is there’s nothing to look at, no lofty ambitions like a mountaintop, not even a holy man with a begging bowl.

There wasn’t even a river running through it or a lovely lake or pond to ponder. Just the railroad tracks and truck traffic.

 

Did He rise? Hear it, ye nations!

Music written with distinctive shapes for each pitch became a way of training American amateurs to sing harmony in a choir. Fa-so-la plus mi, rather than do-re-mi, for starters. Known as shape-note singing, it led to a distinctive style of hymn performance called Sacred Harp, especially popular in the South. Here’s a bit from the Easter Anthem by colonial New England composer and tanner William Billings. I learned the piece with Mennonites and can attest that shape notes can be so much fun.

 

Situating the experiences and place

We can wonder how much of the history I could have captured if I had owned a camera. The images I’m digging up for this series help some, but skirt much of the grittier realities I faced.

Binghamton panorama in a Jeremy Purdom photo via Wikimedia Commons.

The city itself was already well into Rust Belt decline and probably would have been intolerable apart from the hippie-era adventure of living in a college-town slum.

This was my introduction to the East Coast, and my first time of living in proximity to mountains, albeit the Allegany foothills of the Apalachin range (New York spellings). I was still spellbound. The region was called the Southern Tier, to the west of the Catskills and south of the Finger Lakes. The city,- or Tri-Cities when neighboring Johnson City and Endicott were included, was generally working-class and infused with a spectrum of ethnic minorities.

Historic map via Wikimedia Commons shows the emerging city at the conjunction of the Susquehanna and Chenango rivers.

The city was nestled into the valley and once had water-powered mills along the riverbanks.

The factories were long gone by 1970, when I lived two blocks away. The dam and bridge, closed to traffic, however, remained.

The Susquehanna itself was a fascinating river, as I present in my chapbook of poems carrying its name.

A typical highway scene in Broome County, New York, by Dougtone at Wikimedia Commons. Those foothills were quite different from what I had known growing up.

 

Typical comments from our cruise ship visitors

In season, we like interacting with the passengers from visiting cruise ships. Eastport does limit the ships to no more than one a day, and most of the ships come after the summer season and many of our retailers had traditionally closed up. For the restaurants and stores, the ships more than doubled the retail season and often provide the best days of the year. What a relief!

So here’s a sampling.

  1. There are no yachts! This is a real working harbor!
  2. Where can I find a lobster dinner? Or a fresh lobster roll.
  3. It’s so lovely. (Or, quaint. Or, charming.)
  4. Is this typical weather? (Think of June with temps in the lower 50s.)
  5. What are the winters like? Is snow a problem? How much snow do you get?
  6. Your garden looks great.
  7. This is an island?
  8. Do you have schools?
  9. That’s Canada?
  10. It’s not like other ports, we feel welcome.

 Some inquire about lighthouses or the Bay of Fundy.

The crew members, meanwhile, want to know how to get to the IGA and Family Dollar, where they stock up on snacks and junk food. They quickly establish a kind of ant trail moving in both directions.