Boston Revels is an organization – maybe I should say institution – devoted to keeping community tradition alive through music, storytelling, dance, and the like. It has affiliates in nine other cities.
Here are 10 examples of its activity:
- The annual Christmas production. Revels packs Harvard’s historic Sanders Theatre for 17 performances of its holiday show. Each year, there’s a new theme – Renaissance Italy, Wales, Spain’s Camino de Santiago, Victorian England, Canada’s Acadians combined with Louisiana’s Cajuns, for instance – along with some crowd pleasers that can never, ever, be omitted. It’s a great way to introduce children to theater and live music and dance, but adults are all enthralled by the action. These shows sell out quickly. And one thing I value especially, there’s no mention of Santa Claus.
- The CDs. Revels recordings become quite a library of world music.
- George Emlen. The now retired music director of 34 years seemed to know all of his musicians by name – and something about their families, too. He was a wonderful, caring conductor, composer, pianist, organist, and arranger building on a unique sound for the company and helping shape the annual productions. Working in his chorus was a lot of fun. I remember hearing him converse in Mandarin with one of our altos after one rehearsal. And to think, he’d once earned his living as a blacksmith!
- George founded the Revels Singers, a community chorus that includes a lot of people who’ve performed in the Christmas productions. (That part’s by highly competitive auditions – thank goodness we’re open to all.) We sing quite a range, from the earliest written harmony in its Eastern European roots to South African and American shape-note and Shaker to, well, recently we were immersed in Gospel music. Our repertoire spans nearly 30 languages, and we sound incredible.
- Megan Henderson. Amazingly, we found a new music director who could be a reincarnation of George. As she says, We all love George.
- The friendships that emerge. It’s an incredible group. Sometime I might even tell you about Mike, whom I join for half of my weekly commute. He drives the Boston traffic part.
- Our gigs. Among Revels other events throughout the year are some for our chorus. Performances are always a revelation for me, music-making quite different from rehearsals. Each one has been memorable.
- Our rehearsal space. We meet in the social hall of an 1895 church in Watertown, a room with bright acoustics. The adjacent sanctuary has marvelous stained glass, including five windows by the Louis Tiffany studio, and a four-manual Aeolian-Skinner pipe organ that was left untouched in the ’60s and ’70s, when many others were reworked to match a change in tonal tastes. This one’s still mellow and sweet.
- Patrick Swanson. The artistic director of the operation, he developed the theatrical dimension, taking the Christmas shows from the hodge-podge of the earliest day into the sophisticated themes they now develop. It’s amazing what he and his team can do within the confines of the open Sanders stage, which was built more for lectures and maybe chamber music than for theater or dance. He has a sharp eye for detail and watches over all like a hawk.
- The children’s chorus. Performing with them is a delight.
What’s one of your own special group activities?