I promised my first lover I’d never write about her, meaning in my books. And I promised another that no matter what, I’d always leave the door open.
So while neither of them is outwardly present, my novels originate in heartbreak. There, I’ve said it. And also in hope.
Yes, I promised her I would never write about her, even though I’m pretty sure she’s never read anything I’ve written in the past 54 years.
It’s not that she didn’t cast a shadow over the story, but rather that her spot on the stage is abstracted into a more universal figure, perhaps even an archetype. Details from later lovers have also been woven in to the point a composite female emerges.
How could I deny the passionate devotion or yearning? Like so much else of the hippie outbreak, it could be embarrassing today.
I did ceremonially burn the letters I had kept until moving to Dover. It was a long fire.
~*~
It’s unlikely that my life would have gone in the direction it did if she hadn’t appeared in my life.
The hippie side, definitely.
And my yoga, while she veered off with the Sufis.
I didn’t realize just how rich they were or how much of my ancestral farmland they were buying up. Her parents were still quite supportive of me, anyway.
I still needed someone to fill her place in my novel Daffodil Uprising.
~*~
Much of what followed turns up in Pit-a-Pat High Jinks, including my first Summer of Love.
I’m curious to hear their side of the story. Most likely, I was pretty pathetic. I certainly was naïve and not the most savvy romantic. Like what did I really have to offer anyone? In my revisions, I was able to include details from twenty-some years later, my second Summer of Love, but Peace and Love had more grittier aspects than the dippy love songs present. Let’s turn to the blues.
For me, at least, the experiences turned out to be very confusing.
At one stage in the later drafts, as I tried to come to grips with the conflicting accounts of one character’s past she had revealed to me (the real-life person, not the abstracted figure in the story), I actually broke down weeping as I sensed she had been a victim of sexual abuse from at least several directions. No wonder her accounts to me hadn’t added up.
We did reconnect online, but I didn’t dare broach the possibility. Was she even aware of them or was she still in denial. There was no way to ask, though. Besides, she barely recalled me, though she had been a big thing for me.
~*~
The love life definitely came into play with Nearly Canaan, though the abstraction underwent greater transposition. Ages and genders changed, for one thing. Tracking real life, the relationship turned into marriage now mirrored in the marriages around the central couple.
I was really dashed when one literary agent said she didn’t like the character based on my now ex-wife, someone I still saw on a pedestal. Back to the drawing board, along with some therapy sessions for a clearer understanding. My remarriage helped me recast much of this, too.
If only I could have kept this within the bounds of a Romance genre, I might have had a bestseller. Right?