Think of this as a referendum. No nation can be great if its soul is ugly. Stand up for factual truth rather than unsupported claims.
As the bumper sticker says:
Love this bumper sticker. And to think, these days it’s a political statement.
When it comes to election results in most of the locales I’ve lived in, I’ve awakened to find myself in the minority. Sometimes, discouraged, I’ve wondered if it’s even made sense to show up to cast my ballot.
On the other hand, believe me, being victorious can feel unbelievably vindicating.
That said, let me argue that casting your vote is not about winning. It’s about taking a stand.
Here are ten reasons you need to do it – especially if you live in the United States today.
- It’s witness. The Bible presents a sequence of prophets and faithful individuals who have publicly done what’s right, no matter what. There’s good reason to have a multiparty system and its loyal opposition. Voting is one way of strengthening your own convictions.
- It’s protest. In the current political climate, persecuted people and other nations need to know that not all Americans accept the tragic and reckless actions our government has been taking. History needs to know there have always been people of integrity, even when the current turns toward fascism.
- You’re a reader. That means you’re better informed than the average Fox channel viewer. At the least, you cancel his vote. (Whew!) Better yet, you one-up him. (Yay!) Go for it.
- As an informed voter, you can know who the big PAC money is supporting and cast your ballot against their candidates. Remember, in the end, the PACs want you to pay your taxes for their benefit. Defend yourself.
- Some good people are running. Contrary to nihilistic conservative voices, not all candidates are crooks – in fact, that argument begins to sound like a mea culpa. Win or lose, honorable candidates need support in knowing they’ve done the right thing in campaigning. Otherwise, you’ve endorsed corruption and we’ll all pay dearly. You wouldn’t want that, would you?
- Officeholders often feel alone when it comes to being true to their own moral values They need individuals to confirm their intuition. You can sway them in the direction events take, even into the next term.
- Public policy decisions affect real actions for good or bad. You can back a candidate who’s going to solve problems rather than make more. And please, don’t settle on blank promises like “create new jobs” – ask what it actually means in detail. A job at Walmart won’t put much food on the table or pay the rent, not where I live, and will likely wipe out someone else in the process. Frankly, I’d rather have the someone else. Yada yada. Also listen for what they leave unsaid. Anyone remember hearing anything about taking over the Internet in our last national balloting?
- Nurture future leaders. I’m encouraged to see talented fresh faces stepping up to the challenge across the nation. They need a boost. And we need theirs. Confirm their idealistic aspirations.
- Screw the bastards. You can vote against incumbents and register your complaint, at the least. Rotten apples are destroying the barrel and need to be purged. This may be our last chance to trash them and wash the container. Don’t lose it. Let the good win out, please. Just look at what the partisan takeover of the Supreme Court is doing to the nation’s workers.
- Defend your liberty. In essence, not voting is the same as not having the right to vote. Think about that. It’s time to come to the defense of your essential rights or else lose them. Democracy is being assaulted by reactionary forces.
What reasons would you add?
My newest novel, Daffodil Uprising, is a thorough revision of the earlier Daffodil Sunrise. Nearly half of the original book has been excised and replaced by twice that amount of new material, for good reason.
Here are ten of the big differences.
- The events and characters are now seen through the eyes and snarky voice of Kenzie’s daughter a generation later. They are Cassia’s discoveries about her father’s college years in the turbulent 1960s, pro and con.
- As the subtitle says, the focus is on the making of a hippie. The college and its good-old-boy network of abusive power and greed earn much of the blame.
- Kenzie’s growth as a budding photographer gets fuller attention, along with his artistic advances. It’s his basic reason for coming to Daffodil, after all.
- His girlfriend is a much more complex and troubled creature. She has good cause to be chafing in her relationship with him. And he, in contrast, is so truly naïve. Something’s got to give.
- Most of the characters have been renamed and are more uniquely defined. They and their actions have new grounding in everyday life.
- Kenzie’s buddies are no longer a pack of emerging radicals in action but rather a lineup of widely varied boyz stumbling along in a confounding environment. His dorm’s underground traditions are handed down through a band of quirky seniors and juniors who serve as wise elders and guides to neophyte freshmen like Kenzie. It’s a colorful crew – one that teaches him as much or more than his professors, in fact.
- The narrative’s giddy, upbeat, and sometimes sophomoric youthful optimism is now countered by darker forces of oppressive greed, violence, and despair. Bad drug trips and protest bombings accompany the scene.
- There’s now an element of Goth. This is a college campus, after all. Why should Hogwarts be all that different?
- There’s also a strand of the paranormal. You ever live in a creepy old apartment building or have the subject of a term paper start talking back to you?
- The work now stands in fuller correlation with What’s Left, a generation later, and the two other novels that follow him after college.
For details, go to Smashwords.com.
From our perch today, it’s hard to believe that a Broadway musical like “South Pacific” could have been a bold statement on behalf of racial tolerance a half century ago.
I’m encouraged, of course, to see a Quaker connection.
First, even though the novelist James A. Michener, whose book was the basis of the show, had served in the U.S. Navy during World War II, he was raised by a Quaker adoptive mother and attended Quaker-affiliated Swarthmore College. In other words, he had been exposed to both pacifist and racial equality values.
Second, as Vanity Fair writer Todd S. Purdom notes in “The Road to Bali-hai,” is that librettist Oscar Hammerstein’s wife’s niece Jennifer attended the George School, another Quaker institution, one where Michener also taught briefly. The Hammersteins’ own son Jimmy also went there, as did a young family friend named and future Broadway great Stephen Sondheim. (And to think how vigorously earlier Quakers denounced theater as vain entertainment!)
Purdom’s article contains another telling point. The hit song “I’m Gonna Wash that Man Right Out of My Hair” was originally a flop. In the preview performances before the Broadway opening, director and co-author Josh Logan was perplexed to see it wasn’t connecting until he realized that star Mary Martin had the women in the audience so abuzz about whether she was actually washing her hair onstage that nobody ever heard the lyrics themselves. He fixed that by having her belt out the first stanza before working her hair.
I wonder about how many other small changes in any art form spell the difference between boffo hit and mundane shelving.
A similar tweak in “Wonderful Guy” changed the song to a soliloquy with the word “you” substituted for “they.” As Logan recalled, “That night they tore the house apart.”
As I was saying about small changes or a simple touch? Never underestimate the importance of revisions in art. Or maybe life itself.
Michener, by the way, wrote of his experience on the Electoral College elections with the telling title on his political science volume, Presidential Lottery: The Reckless Gamble on Our Electoral System.
He was so prescient there.