It has to be the story you’re drawn to

If you’re dreaming of writing a book, here’s some perspective.

  1. “Write what should not be forgotten.” — Isabel Allende
  2. “The story must strike a nerve in me. My heart should start pounding when I hear the first line in my head. I start trembling at the risk.” — Susan Sontag
  3. “Run your own race. Don’t worry about how fast someone else writes, how much another author makes, how many followers another author has. Write what makes you excited, and the enthusiasm will come through on the page.” — Christina Lauren
  4. “Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, not your games with language, which will be the most compelling and seductive element in your style.” — Stephen King
  5. “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” — Toni Morrison
  6. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L’Engle
  7. “I always write in the morning. I was pleased to hear lately that Rousseau, too, after he got up in the morning, went for a short walk and sat down to work. In the morning one’s head is particularly fresh. The best thoughts most often come in the morning after waking while still in bed or during the walk.” — Leo Tolstoy
  8. “The author, in his work, must be like God in the Universe, present everywhere and visible nowhere.” — Gustave Flaubert
  9. “You can’t fake quality any more than you can fake a good meal.” — William S. Burroughs
  10. “I notice that you use plain, simple language, short words and brief sentences. That is the way to write English — it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep.” — Mark Twain

Some of them seem to think it has to be book-length. Short and sweet can be compelling, too.

 

Have you ever got stuck playing with rubber stamps?

My hand these days may not be as reliable for sketching or painting as it once was, but my eyes are still alert. In our downsizing on our remote island in Maine, as I chanced upon our collected rubber stamps and inks, I started playing. Add to that some related artistry.

Do take a look for the results at my free digital bookstore, Thistle Finch editions.

The albums are Inked. Stamped, Pressed, Visual Twists, and Shore Things (collages arising from beachcombing findings).

You might even what to download and print some of the images. I humbly think they’re great.

 

Along with a sunny apple ranch

While my novels Nearly Canaan and Secret Side of Jaya contain many details from my Yakima Valley years, the experience also prompted a proliferation of poetry.

Works available as free PDF downloads at my Thistle Finch editions site include the poetry broadsides Whistling Jack (a common name for a high-country marmot) and Just Like That (regarding elk) as well as the poetry chapbooks Grilled Salmon, Sagebrush Diamond Hitch, Turquoise & Silver, and Universal Range.

The orchards, mountains, forests, rivers, and Pacific currents all astonished my Midwestern sensibilities.

Welcome to another Rabbit Hole on the Internet.

Right under our feet or the hill

As my journals record, my return to southern Indiana took me well beyond the college campus. I’ve already mentioned my explorations of the wooded Leonard Springs and its cave system just beyond our house at what was then the fringe of the college town. Let me remind you that my Thistle Finch editions blog has free PDF downloads of the related chapbook of my resulting poems as well as a photo album I put together from online gleanings to refresh my memory.

Related photo lookbooks slash storyboards are Ghost Towns, Iconic Farmers, Mills by the Springs, and Wonders Under the Ground, assembled to assist in my revisions for what is now “Miller at the Springs” in my novel Secret Side of Jaya.

Poetry chapbooks originating in this period include Cornflower Eye, Blurring Into Smoke, and Green Wonder, all available as free PDF downloads,

I did encounter a lot in a short year-and-a-half, even beyond my paying employment. I do would how my writing would have evolved if I had been able to remain in place.

Welcome to another Rabbit Hole on the Internet.

 

Back to a personal refuge

A recent post here told you of my early encounters with the Leonard Springs. The then largely unknown wooded ravine soon served as a kind of personal refuge for me just beyond our house. It became a microcosm of something much larger in my emerging awareness.

For the chapbook of poems originating in those explorations as well as a supporting photo album, go to my Thistle Finch editions free digital bookstore. Do take a look.

Welcome to another Rabbit Hole on the Internet.

Plowing and planting what I could

While much of my Great Black Swamp residency has been distilled into my novels Nearly Canaan and Secret Side of Jaya, it also infused an outpouring of poetry. By the time I arrived, the land had long been drained and turned into some incredibly rich farmland. Something, apparently, had been drained from the people as well.

Among the free PDF poetry broadsides available at my Thistle Finch blog are Toward Tiffin, Farmer Disking His Fields, and Prairie Wind. Once again, I must confess to being quite fond of micropoems as well as “found” poems. Poetry can be a state of mind as well as craft, wherever you are.

In addition, you’ll also find a free poetry chapbook, Furrow, and two photo albums, Prairie Depot and Vast Plains. It is hard to envision such a landscape if you haven’t traveled across the American Midwest of Great Plains.

Do take a look.

Welcome to another Rabbit Hole on the Internet.

 

More wisdom on the practice of writing

Again, I’ll argue that this round of insights is applicable to much more than serious writing.

  1. “I would write a book, or a short story, at least three times ― once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one’s fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to reform it. Revision is one of the exquisite pleasures of writing.” ― Bernard Malamud
  2. “My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.” ― Anton Chekhov
  3. “There are three rules for writing a novel. Unfortunately, no one knows what they are.” ― Somerset Maugham
  4. “Not that the story need be long, but it will take a long while to make it short.” ― Henry David Thoreau
  5. “No author dislikes to be edited as much as he dislikes not to be published.” ― Russell Lynes
  6. “You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury
  7. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” ― Jane Yolen
  8. “Find your best time of the day for writing and write. Don’t let anything else interfere. Afterwards it won’t matter to you that the kitchen is a mess.” ― Esther Freud
  9. “I go out to my little office, where I’ve got a manuscript, and the last page I was happy with is on top. I read that, and it’s like getting on a taxiway. I’m able to go through and revise it and put myself ― click ― back into that world.” ― Stephen King
  10. “Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.” ― Mark Twain

 

For more on yoga back in the day, when it came with its own natural inebriation

In my early journals review, I set apart two sequences from my ashram entries for presentation as Chronicle PDF downloads at my Thistle Finch editions blog. Remember, they’re free. One is Early Yoga, drawing on my initial experiences with the mysterious woman swami who came up to our town to teach classes. The other is Dark-Haired Beauty, a captivating fellow yogi, also from that introduction. In addition, the poetry broadsides Ahamsukhi and Ashram are available, as well as a photo album Ashram Memories. My, how young and green we were.

Do take a look.

Welcome to another Rabbit Hole on the Internet.

Perhaps Peter Max captured the visual reality

My Binghamton sojourn reflections at my Thistle Finch editions free digital bookstore also include a Chronicles set of notes, Escapes to Cornell, and the photo lookbooks/storyboards Somewhere North of the Big Apple, reflecting my novel Pit-a-Pat High Jinks, and Dark Transit, for Subway Visions. In my life, these could have been the rings of Saturn.

Do take a look.

Welcome to another Rabbit Hole on the Internet.

 

Some of this applies to readers, too

More advice and observations from novelists and other writers.

  1. “You just have to go on when it is worst and most helpless ― there is only one thing to do with a novel and that is go straight on through to the end of the damn thing.” ―  Ernest Hemingway
  2. “We have to continually be jumping off cliffs and developing our wings on the way down.” ― Kurt Vonnegut
  3. “The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. ‘Finish your first draft and then we’ll talk,’ he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.” ― Dominick Dunne
  4. “Editing might be a bloody trade, but knives aren’t the exclusive property of butchers. Surgeons use them too.” ― Blake Morrison
  5. “Half my life is an act of revision.” ― John Irving
  6. “I’m all for the scissors. I believe more in the scissors than I do in the pencil.” ― Truman Capote
  7. “It is perfectly okay to write garbage ― as long as you edit brilliantly.” ― C. J. Cherryh
  8. “I’ve found the best way to revise your own work is to pretend that somebody else wrote it and then to rip the living shit out of it.” ― Don Roff
  9. “Only kings, presidents, editors, and people with tapeworms have the right to use the editorial ‘we’.” ― Mark Twain
  10. “So the writer who breeds more words than he needs, is making a chore for the reader who reads.” ― Dr. Seuss