One of the conundrums I’m left with in my new novel, What’s Left: What if you don’t like her father, her deceased Baba, as she recovers him? (Or recovers from him.) Is it essential to your enjoyment of the story?
Thanks to everyone who responded to my earlier invitation for comments regarding a few possible covers for my newest novel.
The survey ended in mixed results and prompted some heated in-house discussion, ultimately sending me back to the drawing board for a more compelling design.
Just what do we want as a cover, anyway? Are people’s faces a help or a distraction? Does a jacket work best if it somehow reflects a scene in the story, as my earlier mock-ups attempted to suggest? Or is reaching for a less constrained, emotional reaction more effective?
As you see, I’ve opted for the later. Here the image invokes a sense of being broken out from a protected shell and falling through space. It’s also appropriate for a family that owns a restaurant – food being a theme running throughout the story. Will this cover encourage a browser to open the book to discover, in effect, just what happens to the yolk? Where it will land?
That, of course, is my goal. To see if it fits, go to Smashwords, where you can order your own Advance Reading Copy for free. The offer will expire after 90 days, when the first edition comes out at $4.95, so act now.
Your early reactions will be most welcome in preparing for that release.
an elephant with flowers painted around the eyes and painted toenails four zebras sipping water * * * luxurious green tent on safari white bone ornaments through noses armed for the hunt and cocktails already served three African bushmen in a field of wrinkled flesh eyelid (the elephant) the rain is needed, sticky or no […]
I could imagine myself an orchestral conductor, but there are many things that must be trusted to the players themselves. Something like Rubato, within a musical phrase, comes to mind. And then, in a flash, it’s passed. Reflect on that with these poems.