This self-publishing field means an author is typically deeply involved in all parts of the project rather than just the writing itself.
In my Smashwords releases, I initially hired a book designer to do the covers, but my current releases have all been created by me. (Someday, I really would like to have an artist design the front, but for now, I’m sticking to photos or existing stock artwork. We’re on a strict budget.)
Still, finding an appropriate image can be a challenge.
Has anyone else had this experience? You come across a picture that clicks and select it – and then you go back into your manuscript to make the visual fit better with the text?
For me, that happened with the portrait I settled on for Promise – the model gave me a clearer vision of my character Jaya. (That novel’s now part of Nearly Canaan.)
More recently, with Yoga Bootcamp, the handstand dog reminded me to keep the story lighthearted and humorous in my final revision. Did my decision to nickname the swami Big Pumpkin and Elvis come after the pooch was on board? I don’t recall now, but it certainly wouldn’t surprise me.
Do tell me about your favorite book cover. Does it influence how you see the story? If you’re a writer, has the art on your book led to revisions?
By the way, I do hate it when the character on the cover is shown, say, as a blonde but is described in the story as a brunette. That sort of thing.
We’re at a point of downsizing. On a limited budget, at that.
Here’s what’s on my list of considerations.
A pleasing work area: In my case, that’s the writing studio. For my wife (the foodie), the kitchen and pantry plus utility space. And in both, abundant wiring.
A good view: In our dream, we’re looking at the ocean, but a lake or mountain might do.
Wood heat: At least as backup. We’ve been very happy with our efficient Jotul wood stove. Besides, it’s good backup during power outages.
Adequate insulation and heating/cooling: We’re set on New England, after all. Cold drafts are expensive and annoying. And summer is really only six weeks.
Easy maintenance: I’m not a hobby do-it-yourselfer, and I have other ways to spend my time than amateur house repair. Our budget needs to keep calls to construction-industry tradesmen minimal.
Smart use of space for our needs: Think affordable IKEA. Bigger is not necessarily better.
Sufficient and efficient storage: Closets are a recent addition to New England houses. Take it from there. In our case, this would also include expansive bookshelves and a large garden shed.
A three-season porch: Elbow-room, if you want, especially for entertaining guests in all but deep winter or tackling special projects.
Minimal snow plowing: Even a short driveway can be difficult to clear if there’s nowhere to pile the snow. A long driveway can be expensive to keep clear and, for that matter, decently paved. As for parking?
Hot tub? Well, this is a dream list and there is that three-season porch.
For whatever reasons, a writer’s workspace holds a fascination. Many readers envision a kind of magical chamber somewhere, and we writers often dream of the perfect setup, though Annie Dillard’s concrete block room with no outside distractions may be the better option. Mark Twain even had a billiard table in his, on the top floor, no less.
These days, mine’s under the slopping ceilings in the north end of our third floor. A single window, rattling in winter and letting bugs in through the edges of the screen through the summer, is the sole connection to the outside world, apart from rain or squirrels pounding on the roof above.
There are days, though, when I do wish it had dormers on each side, not just to open the headroom up, either, but to allow me to figure out what’s going on when I hear something. Did someone just pull up in the driveway, that sort of thing.
Not that I could justify the expense anytime soon.
What one touch would you like to add to your own living or work space?
The transformation of the former newspaper plant downtown continues. What had been an essentially blank wall against the children’s museum and park is opening up to take advantage of its views that include the bend in the river.