Somehow it’s happened.
I’ve lived in this house longer than anywhere else.
Along with this tickety boo woman.
You never know what we'll churn up in cleaning a stall
Somehow it’s happened.
I’ve lived in this house longer than anywhere else.
Along with this tickety boo woman.
As I said at the time …
And you think I’ve raised a lot of questions already? Just wait till I begin pondering my wife! I’d start there, if I thought I could make any sense of it without all of the previous history and experiences, good and not so good. Yes, she and I both believe it would have been much better if we’d met, say, 12 years earlier … We would have been younger and more flexible, in many ways, than we were when our lives enmeshed. Or did I mention there are many parts of this getting older I just don’t like, all in addition to balding? She’s a most remarkable woman, incredibly talented and frustrating, highly opinionated and conflicted, too. We’ll just have to see where this all goes, especially in the transitions we see coming ahead.
Enough! What I am simply trying to do here is look under or around the all-too-often light give-and-take you and I have enjoyed and known, this time to more clearly see and identify the “differences” you so early noted while I so blithely remained ignorant or in denial. Through everything, though, you remain very special, mysterious, and yes, magical, in my life.
After all of this, for the record, it’s not snowing here – yet. And I’m off to the office, again.
As one funeral director ended our call on a night when I was the obituary editor a few months ago, “Stay well” – or better yet, as I’d add, “Stay faithful to all you are and believe.”
Fondly and ever gratefully yours.
In many Quaker meetings, we have little idea of what other Friends do outside of the meetinghouse. Maybe it’s simply an unfortunate consequence of contemporary life as we live and work at distances from one another and find our schedules anything but simple.
Bridging that gap remains a challenge, especially if we intend, in the words of George Fox, to “know one another in that which is eternal.”
At Dover Monthly Meeting in New Hampshire, we’ve chanced upon what has become an annual event that other members of the Fellowship of Quaker Artists might want to expand on. For four years now, we’ve had an annual Arts and Letters Night – an opportunity for individuals of all ages to share something of their creative lives with the larger faith community. For us, it’s usually come on a Friday or Saturday night in March – a time when we in snowy winter landscapes are ready to start stirring again. (Hopefully, when the worst of the winter weather is behind us.)
While Dover Meeting is large enough to have a number of serious artists of various stripes within its community, other Friends might find the idea to be something more suitable for Quarterly Meeting or a similar occasion. Like Meeting for Worship itself, each gathering has been unique.
Visual artists bring their work into the meetinghouse beforehand. Much of it goes up behind the facing bench (in the “elders’ gallery”), but other pieces have been displayed on easels or even been passed around the gathered circle. Work has ranged from painting to prints to weaving and textile crafts to photography to furniture-making and sculpture – including one child’s Sculpee creations. One year, an attender ran home to bring back examples of commercial designs she was doing for paying customers – and her work was indeed impressive.
We’ve encouraged these pieces to be kept on display through Meeting for Worship the following First-day, so that everyone may have an opportunity to view them – or even revisit them.
The “letters” part of the equation has had Friends reading publicly from their original poems, short stories, or journals – or from pieces they’ve found especially moving.
We’ve also had music – ranging from one violinist’s performance of the “Meditation” from Thais to original songs – as well as children demonstrating their Tae-Kwon-Do martial arts patterns. Lately, we’ve had videos, including one a Friend had made for Public Television showing another Friend doing sculpture – three decades earlier.
Depending on the length of the readings and performances, there may be time to go around the circle, discussing what inspires and motivates us in the work we pursue. Questions seem to arise spontaneously.
And afterward, we’ve enjoyed repairing to the “culinary arts” – a dessert potluck with tea or coffee.
So it’s one idea. An easy program. One Dover Friend has taken on the responsibility for signing others up – and I’ve the pleasure of being emcee and reading a few of my own poems at the end. We arrange it all through our Ministry and Worship Committee, though it could fit under Pastoral Care as well. (We split our Ministry and Counsel several years ago, to lighten the load.) In any event, do what you want with this proposal. As I said, it’s an easy program.
Invite the public. Invite the news media. And then have fun.
Originally published in Types & Shadows:
Journal of the Fellowship of Quakers in the Arts,
No. 34 Fall 2004/Winter 2005
More snow. How much?
More deep cold. How far?
It’s scary, the winter weather we’re getting.
And none of the online forecast sites we’re looking at seem to quite agree. It keeps changing, seemingly by the hour.
As I said at the time …
The image is simple enough, and direct: a sunfish transferred to paper, a child’s project in dull red poster paint. The specimen, found on a beach, measures fourteen by seven inches – larger than most of the fish caught back where I’m from, but nothing remarkable here. It has long, prominent spiny dorsal and pelvic fins (the anal fin’s much smaller), and a rather compact caudal, or tail, fin. While much of the scale pattern is apparent, it’s difficult to tell about pectoral fins. The gills and eye, however, are thick paint, and a band of dots runs most of the length of the body to the tail. The mouth, of course, is agape with a small, receding lower jaw. It’s the roundness of the profile that kindles my imagination – at least rounder than the way I would draw a fish or design a machine for the water. As soon as I acknowledge the underlying circle, it becomes drawn out, like a balloon pinched apart by two fingers.
Sometimes I picture a fish encased in a suit of mail armor, though I know that’s hardly the case. Rather, the intricacy of the interlocking exterior – like shingles on a house, rather than brick or stonework – fascinates my landlubber sensibilities. As I stare, the image becomes concave – the fattest part of the body, because of the scales, has the most openness, the least paint. Still, there’s no anticipation the fish will suddenly turn, either in attack or in flight.
I suppose that roasted over open flames or fried in a skillet, a meal might emerge. It’s larger than a typical trout, after all. The child behind the painting, however, now refuses to eat seafood of almost any variety.
The nature of fish is as mysterious to me as the array of the night sky, and to my mind far less mechanical than the knowledge of hooks, bait, spinners, and water depths prized by devoted fishermen. Jesus promised, of course, to make us fish for people, a far more elusive objective than any school underwater.
The paper itself has yellowed and crinkled, as I have.
In one of our discussions of feasts and fasting as spiritual practices, a Friend mentioned purchasing a used freezer and how much he and his wife have saved over the years – by purchasing in quantity when supermarkets have sales, especially. It tipped the balance in our own decision to buy one, which we fit into the barn.
My wife’s no slouch in the grocery specials department, but its bigger value has been in preserving our own produce. How wonderful in January to pull out our own peas, or our own strawberries in February, or our own tomato sauce in March (if there’s any left!). Often, while she’s digging around in its drawers, she comes across surprises. Eggplant, anyone, already sauteed? And we never go wrong with a roast chicken bought on sale or, while it lasted, something from the half-pig we met at the farm.
In fact, we wound up buying a second freezer at a yard sale — and both are packed with goodies.
It’s snowing again, a nor’easter that’s expected to drop up to 15 inches on us before dawn. That’s on top of 5 or so a little over a week ago, plus last Tuesday’s 30-inch blizzard blast and Friday’s 7.5. That’s close to 5 feet of snowfall in a week-and-a-half and we still have two more winter months left – the two that traditionally can get the biggest totals, especially if we settle into a twice-a-week storm pattern as we seem to be.
Admittedly, even with subzero and single-digit lows, some has melted between rounds, but much of that’s also refrozen into compacted snow and ice below the surface. The landscape’s getting wild, even before the next foot or so expected later in the week. Add to that the monster icicles clinging to the eaves – cold claws growing at our windows.
I keep looking out at the falling, windblown flakes and at the driveway and pathways that are already obliterated again. With an overcast sky, half of the landscape appears to be erased from existence.
This is hardly the quaint Currier and Ives stereotype of New England winter. It’s the reason barns and outbuildings were connected to the farmhouse itself. In earlier times, it could prompt madness and a feeling of being buried alive, with or without others.
Nowadays, we usually have recourse to mobility and entertainment throughout all but the worst outbursts – or the increasingly common power outages.
Still, it’s such a relief to not be commuting to and from the newsroom these days, but that’s no cause for smugness as I consider so many workers who must venture forth in public service.
And here comes a city snowplow, making one more pass down our street – and adding to the blockage at the end of our driveway.
Back to the digging, then. Round by round.