Come explore the Olympic Peninsula

When Jaya and Joshua set of for the Pacific Northwest in my novel Nearly Canaan, what they expect to find is something very much like the Olympic Peninsula rather than the fertile desert where they land.

Here’s some of the alternative.

  1. Set on the far western end of Washington state, the Olympic Peninsula is an anvil of land comprising nearly 3,600 square miles – more than Rhode Island and Delaware combined. It has rare temperate rainforests, glacier-clad mountains, hot springs, timber-tangled shorelines, tall seastacks in the surf, hot springs, waterfalls, large lakes, and eight Native tribes and their reservations.
  2. Olympic National Park at the heart of the peninsula covers nearly a million acres and includes the state’s second-largest mountain range, crowned by 7,980-feet-tall Mount Olympus. Glacier-climbing skills are essential for ascent and descent. The park is the system’s sixth most popular, attracting more than 30 million visitors a year.
  3. The restoration of elk was so essential to the park’s mission that it was nearly named Elk National Park.
  4. The town of Forks gets 119.7 inches of precipitation a year – making it the wettest municipality in the continental U.S. And the nearby Hoh rainforest receives 140 to 170 inches a year.
  5. The peninsula abuts the Pacific Ocean on the west, the Strait of San Juan de Fuco on the north, and Puget Sound on the east. Its rugged interior shunts auto traffic toward the coastlines.
  6. The 300-mile, two-lane Route 101 loop around the peninsula is considered a three-day drive. More, for those who investigate scenic offshoots. There are no alternatives for traversing the peninsula.
  7. Hot springs access is available to the public at Sol Duc. Other sites are local secrets.
  8. Following the biggest dam removal in U.S. history, completed in 2014, the Elwah River once again runs wild for fish migration.
  9. There are more than 60 named glaciers.
  10. While the Olympics Range is seen prominently from Seattle on a clear day, its tallest point, Mount Olympus, is visible from no city.

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Hope that serves as an introduction. We haven’t even touched on Port Townsend.

 

Finally, finito

cleansing is more than mere output or holy observance to be done would require not noticing dampness along the wall disclosing leakage what can I then breach anew or newly demolish in the storm churning up from some underside of an altar or anvil? air thickens and clears as a matter of practice with desiccated houseflies or wasps or shards of chimney brick in the attic

Structuring a big book

As a reader, you probably don’t pay much attention to the bones of a book — the number of chapters it has or how many sections they fall into. For a writer, of course, these can be central considerations. Ideally, there’s a beginning, middle, and end for each chapter and each section as well as the entire book itself.

In my psyche, one ideal structure is the symphony — typically, but not always, four movements, each one different, having an underlying unity that ends in an exciting climax. (Oh, there are some gems that do end quietly — so much for expectations!) A typical novel, on the other hand, may be twenty to thirty chapters of roughly 20 pages apiece running in chronological order, not that I’ve ever stuck with that convention.

In What’s Left, my novel I set out hoping you could start or end in any chapter, yet in some way they’d join to build the tension and resolution of the whole. The model that inspired me appeared to use chapters as mosaics or panels that could be moved around independently, if the reader desired.

I can’t quite see doing that in the final version my work, though a reader might leap over a chapter or two, if needed, and still pick up on some action — if, that is, the chapters are complete enough in their own right. Think of a string of short stories.

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If you’ve had a chance to read What’s Left, give me your feedback.

Does this structure work for you? Would you rather I’d broken the novel out into two, three, or four shorter books as a series? Did you skip over any parts? Would rearranging any parts work better? 

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In my novel, the family’s upgraded Carmichael’s restaurant could have emerged like this one in London. Instead, they took a bolder direction, even if a Greek menu wasn’t a viable option where they were.