PRELUDE & FUGUE 34/

the angel Aquarius, with a bare foot pointed to the stars
reclines on a stone bench
in front of a domed courthouse

*   *   *

Vermont green in decline where money
was once transformed into Corinthian columns
and porticos overlooking lawns high over reflected
water as much as the Grand Hotel first-floor porch
the length of a building that would blast your yuppie façade

hidden opposite a kitchen under an atrium lined
with classical Greek busts inscribing some tryst
in Greek drama nightlife countered by the classical proportions
of a domed courthouse goddess in laurel and a red gown
far from the masted ships in a storm, her arms bared

her bare feet Vermont green, reclining where
once money was made carving Corinthian columns
uphold a portico on a Grand Hotel high over the water
with a first-floor porch the length of the lawn and
your blasted yuppie façade hides a kitchen under an atrium

its shelf of classical Greek busts inscribed with dramatic
trysts countered by classically proportioned nightlife
behind a domed courthouse goddess in lilac and laurel
and a red gown mast stripped in a storm of Vermont green
to such bare arms, bare feet now in decline

there was once money to be made behind Corinthian column
porticos on lawns high over the waters of the Grand Hotel
porch the length of your yuppie façade kitchen
atrium with classical busts and dramatic trysts
countered by dome nightlife courting a Greek goddess

in laurel and red gown stained glass, a Greek revival mansion
with four pillars and broken colonnade dividing a green lawn
from a tall hedge statuary in a gray-headed cemetery
the angel Aquarius, with a bare foot pointed to the stars
now intertwined with tree
(Ursula, Arctos of bear legs and bear paws)

reclines on a stone bench in stained glass statuary
in a gray-headed cemetery (Ursula, Arctos of bear legs
and bear paws) revives four pillars as the angel
Aquarius, with a bare foot pointed to the stars reclines
on stone bench broken colonnade dividing a green lawn

from a tall hedge now intertwined with trees
in stained glass statuary in a gray-headed cemetery
(Ursula, Arctos of bear legs and bear paws)
reclines on a stone bench with no uprising of life within it
this Greek revival mansion with four pillars
broken colonnade dividing a green lawn from a tall hedge

in stained glass the angel Aquarius, with a bare foot
pointed to stars now intertwined with trees
statuary in a gray-headed Greek revival mansion
with four pillars, the angel Aquarius now intertwined
with no uprising of life within it dividing a green lawn

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

IN THE RHYTHM OF THE BOUNCY WALK

where dirty children
eluding prayers blasted from loudspeakers
everywhere
sell plastic necklaces

we all smelled like camels

leathery men resembling the caravan
each one swaying from a high perch
in a ship of the desert
will gallop
pulling between nostrils with a sharp yank

trusting the three eyelids of their beasts
with their very blood

humps of fat rather than water
devouring nothing for months

thorn-eaters
with efficient respiration
cud and three-section stomach

how many days, how many weeks
camel milk, as a staple

a winged, rank-odor harrowing pariah

~*~

            “don’t worry, we use many animals
and give them rest:
they’re all well fed, believe me”

to pull a plow, to turn an irrigation wheel, to draw water

to comb the wool
serve the meat

when you’re finished

Poem copyright 2017 by Jnana Hodson
For more, click here.

PRELUDE & FUGUE 33/

four pale sets of lips
rimmed in frost
prayer flags and the Potala

*   *   *

prayer flags and Potala of burning Buddhas
in rocky arena “251,” plus that Tibetan Red Tara’s
recipe for Himalayan incense prayer flags and

the Potala of burning Buddhas in rocky “251”
four burning bushes in the recipe for Himalayan incense
prayer flags plus Tibetan Red Tara recipe for incense

four burning bushes, four pale sets of lips
the Himalayan prayer flags and the Potala recipe
names “251,” plus the rimmed frost of burning

Buddhas in a rocky arena of four burning bushes
prayer flags and the four pale sets of lips
as recipe for Himalayan incense prayer flags

rimmed in frost of burning Buddhas, Hari Om Tat Sat:
the hairy WHAT? pale sets of lips burning
Red Tara in a prayer flag recipe from the Potala

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

PRELUDE & FUGUE 31/

a turtle sniffs
a box turtle shell
of blue spotted turtles

*   *   *

life out of a silly overnight bag
is getting me disoriented as much as sleeping
peasants with Mrs. Kerry form a turtle shell squall line

behind golden marsh hay, life out of a silly
overnight bag is disorienting
the sleeping peasants with Mrs. Kerry on a turtle shell

a squall line behind golden marsh hay life
out of a silly overnight bag has me disoriented
with sleeping peasants or Mrs. Kerry

on a turtle shell squall line behind golden marsh hay

waiting to dive to the river woven into a pouch
a turtle sniffs a petroglyph figure squall line
of blue spots painted on sunglasses

with slumber waiting to dive to the river
a petroglyph figures sunglasses woven into a pouch
are a squall line sleeping with the turtle

sniffing blue spots painted into waiting
that dives to the river petroglyph figure
sleeping behind sunglasses in a box

woven into a pouch a turtle sniffs
the awaited dive to the river
squall line of blue spots

paints a petroglyph figure on sunglasses
woven into a pouch with a squall line
of sleeping blue turtles sniffing a spotted box

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

PRELUDE & FUGUE 38/

 

in a salt marsh
in a lush gorge
against a glacier

*   *   *

at sunrise twelve horses
set out far below
a totem pole at sunrise in a salt marsh

horses set out below a totem pole
of twelve waterfowl trumpeting

at sunrise, yes, twelve horses
set out far below waterfowl
in a salt marsh

graze for yourself in a lush gorge
the agenda opens rhododendron
or a bald eagle on ash-covered slope

growling, yes, rhododendron openly graze
in a lush gorge under the bald eagle
the agenda of fish covering a slope

there, the rhododendron blooms
growl in the lush night, in its  gorge
the agenda you graze, hovering

no bald eagle on ash-covered slope
growls its agenda on ash-covered
rhododendron grazing into night

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

PRELUDE & FUGUE 41/

in the dune of the black-eyed Susan
a schedule diametrically opposed to my own

*   *   *

a stargazer adjusts a pile of broken
shell and black-eyed Susan polished by sea-spray

in the dune behind an urchin
adjusting broken shell, the black-eyed Susan

polished by mist, the blanched dune
kelp adjusting a pile of broken shell

and black-eyed Susan polished
by surf sweeping along the dune

an astronomer adjusts a schedule diametrically opposed
to purple shoreline in the type case of shells and dull-edged
glass where my own pile of green stones in the box of shells
pile up a schedule diametrically opposed to dull-edged glass
the purple astronomer adjusts the typeface in case
shoreline shells pile his green-stone telescope somehow
diametrically opposed to any heavenly schedule he attempts
tuning the dull-edged glass of  my own type case of shells
piles in a schedule diametrically opposed to dull-edged
green stones along shoreline where I’ve set my own telescope

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

PRELUDE & FUGUE 42/

ceramic dragon as a weed patch with teeth

you, me, it

don’t forget the oyster crackers

*   *   *

the repose of an attic ceramic dragon
papered in autumn foliage of a white T-shirt
and four blue candles caps a corner mattress
with weeds and a sequoia the attic room reposes
in a white T-shirt, a blue cap feeds on a corner mattress
the tile dragon ignites four candles with weeds
a sequoia papers autumn foliage over the reposing feed
that rooms in a white T-shirt and blue feed cap

a repairman walks past a weed patch
with teeth in white shorts

climbing a gray windmill two people
walk past as weeds with teeth patch

white shorts on two people climbing
a gray windmill repairman walks past

two people in white shorts and gray
windmill teeth climb a weed patch

in a corner in a weed mattress and sequoia
four candles won’t forget the oyster crackers
nor tile ceramic dragon papered in autumn foliage
all the repose of an attic room of four candles fed
a white T-shirt and blue feed cap a mattress
corners a tile ceramic dragon with weeds
and a sequoia papered in autumn foliage feed
don’t forget the oyster crackers atop four candles

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

PRELUDE & FUGUE 47 /

beach umbrellas at the foot of the sagging pier, forever
towels wrapped in ribbons on a sandstone floor

*   *   *

don’t know this beach as a sandstone floor
how long a floor measures good fortune
wrapped in sandstone ribbon
this beach a long floor
doesn’t good fortune wrap itself in ribbon
knowing this how long
a good beach wrapped sandy fortune

kiss my face running with
new black Eagle purity at the soapy foot
of umbrellas she’ll kiss my

pure soapy Eagle face
while umbrellas run with new black
at her foot I’ll kiss this

new black soap opening
umbrellas forever facing
my Eagle kiss in the foot run pure

soap face Eagle
umbrellas run at the foot
forever new black

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

 

ALONG WITH HIGH STYLE

Rouge on lips or toenails, the glimmer of gold jewelry or a gemstone, the glossy photograph or the slick magazine, the light in a drop of costly perfume, the shimmer in a particular weave or pattern of spectacular cloth, or the haute (hoity-toity) air of a trendy boutique: each reflects eternal desires and feminine intrigue. The interplay of status-seeking, gamesmanship, the swift-changing hunt, and the theater of fashion spreads out far from its urban epicenters – and crosses nations, languages, continents, and ages. How quickly a little girl insists on her own definitive style! The poet and poetry are not immune, either, infused with their own tastes and passions. Where a dictionary observes  gloss as “the luster or sheen of a polished surface,” there is also the danger of “a deceptive or superficial appearance” as well as “an effort to hide or attempt to hide (errors, defects, etc.).” Still, a gloss may also attempt to interpret or translate. The curve or the motion, the smile or the gaze, skin itself, or hair in sunlight or moonlight, each concealing while hinting of revelations. So often, awaiting next month’s editions.

These are the poems that conclude my newest collection, Foreign Exchange.

~*~

Foreign Exchange
Foreign Exchange

For these poems and more, visit Thistle/Flinch editions.

COLONIAL LINES

Facing the street ...
Facing the street …

Novelist Sarah Orne Jewett (1849-1909) was born in this 1774 house owned by her grandparents, which she would inherit from them. The site, sitting in the heart of South Berwick, Maine, just a few miles from us, is now owned by Historic New England and open to the public.

Like many New England houses, additions have kept growing to the original structure.
Like many New England houses, additions have kept growing to the original structure.