You never know what we'll churn up in cleaning a stall
Much of the time, the character of Jaya in Promise seems to be swimming upstream. Against the current. Toward higher and higher goals.
Sometimes, she just might wonder if it’s all worth it. Or what her alternatives are.
But she continues, just like the migrating salmon in the Katonkah Valley where she finally settles. Maybe it’s just a natural impulse, after all. Her legacy will be what it is.
~*~
For your own copy, click here.
You know the usual slant on the Garden of Eden, that it’s all Eve’s fault.
Look more closely, you’ll see it’s the Apostle Paul and Augustine’s reading.
That’s it, blame the woman.
But it’s wrong.
Give me a breather. There’s Jewish tradition, after all. Listen up!
For all of its brevity, it’s a complex story. It’s where humanity – and history – begin.
For my part, I believe it’s only one of many similar gardens – where else do you think their sons found their wives? The only one we’re told of, all the same.
~*~
For more on my book and others, click here.
Sometimes when you’re writing a work of fiction, you think you know where the story’s going. And sometimes you don’t.
You wind up somewhere, all the same, the way the tracks do. Who sez it can come as a surprise?
~*~
For your own copy, click here.
You know the disclaimer, “Any resemblance of the characters to real people living or dead …” Something along the lines of purely unintentional.
But let’s be frank. The fiction is that you can create a character without having someone real in front of you, somewhere in your past or present. No, you need flesh and blood somewhere. Anything else would be a caricature.
It’s a special problem when you’re composing in a semi-autobiographical vein. You’re trying to be true to the dictum, Write about what you know. The details, especially.
(Oh? What, then, makes it fiction? Other than changing a few dates?)
Admittedly, the personalities work best when you take your inspiration and abstract it, so that a real individual would no longer recognize himself or herself – or those who were no way involved will imagine they, themselves, were.
And, by way of further confession, I’ll note that my most recent outings have led me to new characters lacking immediate introductions for me – but I’ll know them when I meet them if I haven’t already come across them here and there in pieces.
But back to the argument at hand.
I have one character, Nita, who runs through four of my five Hippie Trails novels and is a major character in the new one I’m writing, set years later. She was inspired by impressions I had of a friend’s girlfriend – or more accurately, mostly his impressions conveyed to me at the time – as I sat down to draft a half-dozen years or so later. She becomes a catalyst for much that happens around her.
In reality, we all drifted away.
And then, a few years ago, I met her again.
Nothing like I’d remembered. Or the idealized character in my fiction, now infused with another two or three people I’ve met. The lines blur.
I can say this person never did X, Y, or Z, unlike the character. Or that these two worked together on a controversial project or became known for certain accomplishments. In fact, she doesn’t resemble the other one at all, not anymore, if she ever did.
Still, it’s an eerie feeling. Something other than deja vu. Something still spurring gratitude for the inspiration.
For more on the series, click here.
~*~
Some of us have backbones. And some don’t.
We all breathe in some fashion. And eat.
Protozoa, echinoderms, annelids, mollusks, arthropods, crustaceans, arachnids, insects, fish, amphibians, reptiles, birds, mammals.
Welcome to the club.
~*~
For your own copy of my animal nature poems, click here.
For the past four years I’ve been a member of the bass section of a remarkable community chorus in Greater Boston. We rehearse weekly through much of the year and find ourselves performing in public when occasions present. Most recently, it was as part of a summer solstice event hosted by the Harvard University museums of science and culture.
Known as the Revels Singers, we’re under the umbrella of the Boston Revels organization, which is best known for its annual Christmas productions at Harvard’s Sanders Theater.
George Emlen, the Revels music director for the past 32 years, founded the community chorus four years ago as a way to keep much of the Revels’ repertoire and spirit more active and visible throughout the year, augmenting the pub sings, concerts (spring and fall equinox and summer solstice are duly observed), educational outreach programs, harbor cruises, and the like.
And now he’s retired. How do you replace a skilled and enthusiastic conductor, one who reaches out to know his performers and their families as well? How do you replace an insightful composer and arranger or a collaborator on creating a new show every year for Christmas? (The last one was set in Wales. The next has a Cajun-Acadian base.)
It’s been an emotional year for us. At the final show of the Wales production, George was given a curtain-call, something the directors never do, preferring the applause be for the cast of singers, actors, and dancers ranging from very young to, well, admittedly old. The well-earned roar that greeted George matched what James Levine might hear at the Metropolitan Opera at the conclusion of a Ring Cycle. It was amazing. He’s touched a lot of people over the years.
For me, every rehearsal has brought new perspectives on music and music-making, from his improvised warm-ups (they’re never the same, and I wouldn’t want to sing without them beforehand) to the discoveries and interplay we share in pieces that range from the 12th century to the present, spanning more than two dozen languages and both classical and folk disciplines. How does a conductor remain patient while incrementally yet continually raising the level, anyway? We were good to begin with, but now? It’s a much higher standard than we would have had any right to imagine.
One eye-opener for us was the opportunity to audition the four finalists from the applicants to succeed him. Each was assigned three pieces to introduce to us in an hour-long rehearsal – one from the Renaissance or earlier, one from the American shape-note tradition, and one from world folk. As we found, each conductor was quite different, having something unique to bring to us. We could also sense how the fit might or might not work, which in itself was a revelation.
What I can say is that we’re excited to know that what George has established will continue and grow. We’ve had an opportunity to rehearse a full session with our new music director, Megan Henderson, and it feels like a match made in heaven. But then, as she says, we all share one thing in common: we all love George. She understands what she’s inheriting.
He plans to focus on composing, but I can’t imagine he won’t be in demand for guest conducting or teaching or travel in the arts. We all wish him and Jan all the best.
~*~
To view a video tribute to George by Michael Kolowich, including an interview and footage of productions George conducted, go to Revels.org.
The prose-poem presents a subtle challenge. In theory, it should be a natural fit for the English language. In practice, however, what I see all too often is simply wordy prose. Somewhere, the poetry gets trapped or tangled or loses its spin.
Coming across a guideline to keep a prose-poem under a hundred words spurred my thinking. As I considered revising a clutch of drafted poems, a sensed an opportunity. Recast without line breaks, they flew – especially when I removed the punctuation that pushed them toward prose.
I’m satisfied with the results, which I feel are more powerful and vibrant and authentic than either a straight-prose or straight-verse version would present.
Take a look for yourself. Just click here.
~*~
Laconia Bike Week – more formally, the 93rd Laconia Motorcycle Week – comes to a climax this weekend, and in New Hampshire the annual event opens the summer tourism season. Even where we live, more than an hour away, you can hear it in the air, especially if your windows are open at night. Let’s call it a buzz. Everybody who can wants to be out on the road with the wind in their hair – New Hampshire is, after all, one state that does not require helmets be worn by either the driver or the passenger. Some wags do, however, suggest the state motto should be changed slightly, to Live Free and Die. A bit of risk does have its attraction.
Always scheduled to end on Father’s Day each year, the legendary name Laconia lands somewhere between Daytona, Florida, and Sturgis, South Dakota, both on the map and on the calendar of avid motorcyclists. The Weirs Beach landing in the small city of Laconia is the centerpiece of the gathering, promptly teaming with black-clad riders and vendors of all sorts. Since local schools are usually making up for days that were closed for snowy weather, families don’t arrive for vacation any earlier than the Fourth of July anyway, and any earlier than mid-June, the weather can be a tad too cold or wet for other folks. So the thousands of bikers who show up are a welcome boost to the hospitality industry, not just in the mountainous Lakes Region but across the state as they seek meals, entertainment, and lodging in the midst of roaming the wooded landscape.
It wasn’t always so. Before motorcycles became respectable, fights and even riots could break out. I’ve heard plenty of stories.
Now, however, things have mellowed out to the point many of the activities are labeled family-friendly. A majority of the iron horses seem to carry two, one clutching the one proudly clutching the handlebars. That, in itself, may have a calming influence. And then there are others who simply want to show off their impeccably polished machines. We were passed on the highway this morning by a small trailer carrying two such Harleys from New Jersey. The owners obviously weren’t going to subject them to the long road itself.
Unlike many of the names in the region, Laconia is not one given by the Native peoples. Rather, it’s originally a city in Greece. That might not be the only reason for the New Hampshire city’s name, though. In 1629, a partnership called the Laconia Company organized to prepare much of colonial New Hampshire for development; while I’m finding much of that history hard to follow, it does appear that one of the partners soon became a pirate. Really. I’m sure you can find many pirate flags and images at Weirs Beach this week, so maybe there’s an underlying connection. Who knows?
For those who do ride into the Granite State, a reminder: when you’re on your way home, be sure to pull over and put your helmets on before you cross the state line. It’s a safe bet the Massachusetts troopers will be waiting for those who don’t.
Let summer begin.
I was already deep in trying to comprehend and explain just what hit us in the hippie outbreak of the late ’60s and early ’70s. As I’ve recounted, there were many overlapping strands of activity and interests within the movement, many of which continue as active parts of the American scene, and no one could possibly embrace them all.
Many of those I knew could be hardworking, responsible, loyal individuals taking steps toward lofty goals. Some of the others, well, lazy was only part of their problem. ‘Nuff said?
Outwardly, the subsequent decades weren’t kind to our vision, however hazy it may have been. So much went underground, even as it became accepted part of American culture. Organic food, anyone? A peace protest? How about yoga?
And then Bernie Sanders embarked on his White House run. Attending his early town hall meetings was like a retired hippie reunion, except that there were a lot of serious, neatly attired young adults there, too. It felt like a hippie revival, actually, at least for those of us of the more political activist vein, plus a lot of back-to-the-earth types.
Yes! Keep the faith and keep on truckin’!
What a relief after the embarrassing recognition that many who continue in the stereotypical “hippie look” carry an air of loser more than the cutting-edge adventure and discovery we embraced in our youthful exuberance. Yes, there are still beards and long hair, along with the baldness and natural-looking cuts.
Looking back, I can point to a host of reasons the movement lost direction and traction in the ’70s. This time, I’m hoping we can keep our eyes on the destination and our egos in check. We’ve had enough bad trips, OK?
Remember, it’s not just the White House if we want to make the changes we’ve long dreamed.
If we should have learned anything in the hippie experience, it’s this. Nobody can do it alone.
This summer we’re participating in a program that’s introducing us to varieties of fish caught off the New Hampshire coast. Once a week we trot down to the natural foods store in town to pick up our delivery – our location gives us a three-hour window – and we return with a pound of very fresh seafood. Every week it’s a different variety (11 are likely over the season), and we get an email earlier in the week notifying us what will be on the way, allowing the cook in the household to begin considering menu options. Or we can go to their website for links to suggested recipes.
It’s not cheap – you pay when you sign up, in our case for the 15-week program – about twice what we’d normally shell out for what’s featured at Market Basket, but there are other factors to weigh in. For one thing, living in the Seacoast Region of the state, we’re very aware of the plight of the once vital fishing industry across New England and the struggles to sustain both a way of life for families and communities and the fishing grounds themselves. While we’re not militant local-harvest activists (it just isn’t economically viable for our part of the world, not with its long winter), we are inclined toward small-scale economics wherever possible (just consider the banks, for starters). So we feel good about our token support for our neighbors. In a way, it’s like a farmers market, except that we’re committed to taking the week’s delivery, the way you are in a community-supported agriculture (CSA) setup.
That leads us to another consideration, the fact that the program itself arises in an attempt by the commercial fishermen sailing from Seabrook, Hampton, Rye Harbor, and Portsmouth Harbor to counter the negative impacts of a practice begun in 1976 that directly sold the local harvest in international auction. Rather than having their fishing practices driven by global market pressures, they wanted a more sustainable alternative, a strategy to better manage marine resources and fish more selectively. In response, four years ago the harvest coop they organized was given an ownership right to collectively manage the federal groundfish fishery. In other words, there’s a strong environmental component here, including a more efficient use of high-cost fuel along the way. As they say, their fish catch hasn’t been sitting on the boat for a week – it comes to port the same day it was caught. Good for them!
Of course, all of that still needs to come together at the dinner table. This isn’t charity, after all, but a win-win deal we’re looking for. We can start with a sense of adventure as we explore previously unknown types of fish. (Acadian redfish, anyone? Or dabs? Or dayboat dogfish shark?) Let me rave about the monkfish on that front – as I ate, I kept thinking this could be lobster tail. So what else is swimming in the same water with me each summer? My curiosity is heightened. What they’re delivering isn’t everything in the local catch, but it is a way of supplementing their income and providing more balance in their cash flow.
We’ll admit this is our splurge, the way our weekly wine tastings were, back when I was duly employed, or the half-pig we ordered from a farm in Maine, two other examples that allowed us to learn more of the range in taste and satisfaction in our world. Admittedly, we couldn’t do the fishery program when the kids were still living in the house – they can be picky that way, with one easily upset by the mere whiff of fish cooking. Oh, my.
Initially, too, I thought a pound would be on the skimpy side when it comes to our dinner, but we’re finding the enhanced freshness in flavor satisfies in smaller portions – we can serve three and still have a bit left over. Actually, it’s about what we’d get in a restaurant while spending much more.
Reading the profiles of the participating fishermen on the website has me wondering how long I’ll go before making a list of their boats, just so I can identify them when they pass by in the water or tie up at dock. They seem like nice guys, too. Maybe we’ll wave. It does change my perspective, doesn’t it.
Now I’m wondering about similar alternatives being developed around the world. Pipe up, if you wish, along with your own growing awareness.
~*~
New Hampshire Community Seafood is a cooperative of fishermen and consumers that has 18 pickup locations with deliveries spaced from Tuesday through Saturday.
Jnana's Red Barn 