The prose-poem presents a subtle challenge. In theory, it should be a natural fit for the English language. In practice, however, what I see all too often is simply wordy prose. Somewhere, the poetry gets trapped or tangled or loses its spin.
Coming across a guideline to keep a prose-poem under a hundred words spurred my thinking. As I considered revising a clutch of drafted poems, a sensed an opportunity. Recast without line breaks, they flew – especially when I removed the punctuation that pushed them toward prose.
I’m satisfied with the results, which I feel are more powerful and vibrant and authentic than either a straight-prose or straight-verse version would present.
Take a look for yourself. Just click here.