Some perspective on prime foliage

Even though I grew up in a northern environment and its deciduous trees, autumn color was pretty much peripheral. We lived in town, after all, and I was essentially indoors at school or the like. Besides, much of the rural landscape around us was open farmland, with here and there a woodlot or riverbank.

My foliage awareness really took off a few months after graduating from college, when I lived in a small city surrounded by forested Appalachian foothills that turned ablaze at the end of September. Like Kenzie in my novel Pit-a-Pat High Jinks, I was working a job that allowed me to get out of the office at mid-afternoon, when my free daylight hours were soon devoted to exploring the visions along backroads in what became a daily epiphany.

From town, it appeared the hills caught fire at their summits and the flaming color then ate its way downslope. And, as I heard, the forests themselves were a blending of New England varieties and those of the South, so we had the best of both worlds for foliage.

In the years and wanderings since, that’s been my standard, though I should question if it was really quite as vivid as my memory would boast. Having lived in northern New England now for 33 years, I’ve often thought our fall foliage was more subdued than its legend, perhaps apart from some spectacular locales like Sugar Hill here in New Hampshire.

This past week, though, has changed my opinion. In driving about, I’ve come across large swaths in full color – not the usual mixed green and bare mixed in – and properly illuminated, even in an early morning mist and fog, not that my camera would capture that. It soon becomes almost too much, too rich, for one’s eyes to handle.

~*~

That first autumn Upstate, I didn’t have a camera, alas. Later, living in an orchard, I was disappointed that the apple, peach, and pear trees turned mostly dun. Finally, what I attempted, with film, my first years in New Hampshire came out so-so, partly a failing on my not knowing quite where to go, when. Only when I took up digital photography, about the time I launched this blog, did I start shooting earnestly, especially my first autumn after taking the buyout at the office and heading into the hills a little north of us.

As I’ve revisited those shots, I’m struck by how often utility lines mar the image – that, and other things our eyes overlook, though the camera is far less forgiving. Those lines stick out like the proverbial sore thumb. Thus, in the past month, as I’ve been shooting, there have been many fine examples of color I’ve out-and-out passed by for that reason.

Another difference this time is that I’m using my second camera, which has a “magic” auto-setting that intensifies the color. In alternating my shots with that and a more subdued tonality, I’m finding that the “hotter” one grabs more of what I’m feeling as I look, while the “cooler” option is closer to the reality … until the sun turns just the right way, which is what’s been happening the past week.

I am surprised our hundred-year drought hasn’t deeply limited the foliage. There was a walnut tree across the street that turned yellow one afternoon – maybe within an hour – but I postponed the shot. The next day was dull and wet, the light was just wrong. And the following day? The leaves had all fallen.

Well, it will all be gone soon. The phenomenon is a lesson in attentiveness and acceptance in the present.

It came as a harsh realization

I have no fondness for any of the offices I’ve worked in. They were all impersonal, and for the most part institutional. The best one, on a college campus, was a former dormitory room with painted concrete-block walls. The newsrooms were more like sweatshops. One, at least, made an effort in remodeling, but there were some other negative factors.

A few of my home writing spaces stand a notch higher, though I had some where I sat cross-legged on the floor to type.

Well, come to think of it, the one I really miss is the second-floor studio I converted from a bedroom in the townhouse I rented on the hilltop in Manchester. Everything was in reach there, and I did have a good view of the street and sky. Not that my current third-floor lair is anything to complain about, apart from running up against the sloping ceiling.

I really had dreamed about converting the top of the barn into my author’s haven but see no need to do that these days. The fact is, we really need to downsize, now that it’s just the two of us rather than five. And now that my work’s mostly digital, I don’t require as much storage space for filing cabinets and mailing supplies.

How about your own working spaces? Employment? Kitchen? Workshop? Hobbies?

We’re still questing for a most elusive sauvignon blanc

A few more years ago than I’d like to admit, we were enjoying a special dinner in Portland, Maine, where our waitperson recommended a bottle of wine to accompany our dishes. We trusted her enthusiasm and agreed to go a few dollars higher than our usual ceiling.

It was well worth it and, as we learned later, the restaurant was pricing the bottle at retail rather than the usual three- or four-times any store tag. More points.

We took one sip and knew this was like no other white wine we’d had before – or, for that matter, since, not even from the same winery. It must have been a superfine vintage. It had an edge we could only describe as stony – something crisp, clear, sharp. And it did, indeed, enhance our five-star experience.

Trying to find that edge again has become something of an ongoing challenge. We’ve had some fine sauvignon blanc bottles since, but the holy grail remains a quest.

 

Remembering Nosmo

I’ve never been a dog person, but we did have cats when I was growing up and again in my first marriage. These days, it’s been household rabbits, a whole different story.

But my all-time favorite cat was an all-black, marvelously sleek male tommy who was half-Siamese. He’s the inspiration for Gobi in my latest fiction. Our dog-loving neighbors even gave him the compliment of saying he was more like a dog than a cat, and their own German shepherd was one dog I came to enjoy.

The naming came about in one of my flights of imagination. I was sitting in a classroom looking at a NO SMOKING sign and wondered about shifting the space. That led to NOSMO KING, which was soon bestowed on our kitty.

I thought I was being pretty clever, but a few years later my in-laws sent us a newspaper clipping where a human named Nosmo King was mentioned. I don’t remember if he had a different last name or whether King was it. Drat!

Yes, sometimes reality is stranger than fiction. And sometimes it just leads to some strange fiction.

Considering bang for the buck in restaurants

We don’t dine out all that often, but when we do, we want to get our money’s worth. It’s not that we’re afraid of the bill, but rather that we eat well at home and expect something that can at least match that standard.

On one hand, we’ve come to admire inexpensive menu items done precisely right. French fries or cole slaw can be especially telling, as can an amazing vanilla, as in ice cream or gelato. Freshness also is crucial, and attentive service is always a plus. That sort of thing.

Steak or lobster aren’t hard to cook, so we don’t expect to be impressed there. Scallops, on the other hand, can be tricky. And then we get to selections that require technique. That’s where we really pay attention.

What does irk us is pretentious, pricy dishes that seriously miss the mark. The stories we can tell!

Our biggest test is what we call the Oh Wow factor. You know, one bite and you’re amazed. It’s not always at the fanciest restaurants, either, so it’s not a matter of cost. Some of our favorite examples have come in storefront operations in the sleaziest parts of a town – the kind where you want to keep an eye on your car at lunchtime. Some have even been takeout only or a food truck.

I have to admit we’re more critical as the menu price escalates, but if they deliver with mastery and attention to detail, we pay gladly – and then some. Best of all, in our positive experiences, the great cooks in my family come away inspired, and I look forward to all that will follow.

What delights you the most when dining out?

One way I kept my unconventional sanity

I relied on writing poetry and fiction in my spare time as a discipline to counteract the conventions of newspaper editing, my professional career.

The job could feel quite dulling of any aesthetic awareness, and quite confining.

Still, some of the qualities between my vocation and avocation overlap, including an insistence on factual observation.

And now I’m free to focus more fully on my literary aspirations. Surprisingly, my focus has been on the fiction, rather than poetry. Could it be that without that dual tension of before, I can now steer a route between them?

How do you stay mentally sharp?

 

Magnetic center as a point of growth

I think it was in Peter Ouspensky’s writing that I came across the concept. He argued that having a foundation in  an activity that requires patience and long training is essential for anyone hoping to grow in spirituality.

Simply put, practicing an art, a sport, a craft, a trade, or the like provides the stamina for personal religious enhancement. He called it the magnetic center.

It’s not a passive pleasure but rather active, with deferred gratification in terms of results. It requires doing something for its own nature rather than some final event or production, even though such things might provide inspiration. What’s important is the means itself rather than the end.

These other activities aren’t a substitute for spiritual progress, which can come about by undertaking any number of tested traditions, but it does offer a solid starting point.

Maybe there are exceptions, but I still find it an interesting insight.

What do you love to do as a disciplined practice?

 

Trying to deal with a foreign language

When we have foreign guests staying with us, I have to watch is the need to speak slower and more distinctly. (Well, that’s obviously on hold during the Covid outbreak, though we have heard from one back in China assuring us she’s fine.) The exchanges can start to sound comical, even before I face the difficult challenge of using smaller words. Me? Smaller words? Look, we have more than 200,000 in the English language for a reason!

You can imagine our situation when they’re Chinese students here for a month or so as they volunteer at ono-profits internships. Somehow, shorter visits just don’t seem to rise to the more complex communications.

~*~

My daily Spanish lessons raise the translation issues from an opposite direction, but I think I’ve crossed an important threshold there, one that goes beyond vocabulary.

Have you noticed how a spoken language becomes a musical line rather than individual words? My wife remembers her shock learning that “come on” was two words, not one, as in “cumon.”

When the Duolingo voice tells me, “Type what you hear,” I know to write what I’m supposed to hear rather than what I actually encounter at fast speed.

You could say that in common usage our sentences lose all of the spaces between words. In Spanish I sometimes notice this more as a rhythm across where a word should be between two other words rather than hearing that word or even a letter itself.

Somethinglikethispoorexample.

Rather. Than. Some. Thing. Like. This.

I’m also noticing that the endings of some words are vanishing, as they do in so much French, especially a final “s.”

Must happen in English, too, ‘cept we just take it for granted and naturally fill in the meaning.

Now, as for all of those hearing-aid solicitations I keep getting in the mail? I doubt they’d help my Spanish any.

What do you have to say here? (Please type slowly and distinctly.)