Take a sneak peek at my next book’s cover

For several months now, you’ve been getting tastes of my upcoming book, but I have kept much of project under wraps, including the title.

The curtain goes up on that right now.

So roll the drums, please, and take a deep breath of anticipation. Here’s what I’m rolling out:

Do the title and image intrigue you? Pique your curiosity? Hold you for more than a split-second?

As I’ve discussed in previous posts, book covers – and magazines, too – are a specialized design challenge.

The ebook version has to work as a postage stamp, sizewise.

Print editions often get cluttered with pitches of all sorts, just in case one hooks a reader.

An effective title, of course, is a huge consideration, but not the only one.

~*~

Creating a compelling image that matches the content has been especially difficult in this case. The book spans more than 400 years, and I couldn’t find anything that quite reflected the place or its people, now or then, or that extended an appropriate emotional appeal.

A seismograph didn’t do it, though several geometric zig-zag patterns looked cool.

One design that excited me featured a portrait of John Greenleaf Whittier’s mother, but others saw her as forbidding. What I saw calm and collected they viewed as sorrowful and inhibited. Oh, well.

But then, while going through my own photos, I came across a late-autumn photo of the Cochecho River, scene of much of the action. I loved its timeless mystery and beauty and the fact it didn’t look generic to just about anywhere else in the world.

One of my earlier posts pointed out that the cover should promise the reader something rather than mirror the story. It’s a matter of eliciting a gut-level attraction.

Somehow, I hope you feel this cover leads backward into time, with the drama of a storm on the way. Just what is around that bend, anyway?

~*~

Please stay tuned for the release details in the days ahead.

Sweet Bev

should I have let all the correspondence lest it expire right there they’d mostly fall away in any case, too quickly ignoring the besotted side of Santa Claus beneath the chipper vocalizations, no dispatch of cards or presents the holidays came upon me to quickly, perhaps in part just constantly on the road; then, too, this felt so contrived and coerced compared to Christ’s power and expansive love I could see Christmas as an especially wicked flu to carry in such travels, wake up, voiceless, coughing and sore when we need rest more than carols and ditties, do tell

Whazup

after several attempts to figure out how I’d list only what time and last-minute barreling impulses or friendships I wouldn’t want to lose these connections of phone calls and homespun meals in the absence of wild affection I’d lap up even distant lines as in conversation overheard ditto worship to lasso random thoughts and outline a start, so in the mailbox and an income besides to say nothing absolutely nothing about Jesus or just so many wildcards you keep some order re: the recording clerk, both our annual budget and a reminder the dues are due chock full of gossip I’d veer in adoration toward lunacy any day

 

For that round face both puzzled and kind

to catch up on the overdue exchange rather than taping up all those goodies and it’s still good to be home just two days into a lunatic week already a day behind whatever gets no better all housework’s piles of homework and up in the midst of keyboarding with a broom a general epistle to all who send cards or other missives & ought to be acknowledged, at least this could be personalized hey, you! unlike those photocopies everyone loved that one remarkable year, finally we’re coming round to sunshine

Say now, Augie

no piano sounds more like transactions of harpsichord or organ this postulation halfway finishing business drafts describing new goods so you want to tell what’s Kosher with jottings of what remains pressing all kinds of mental jumping about, on the way of continuation just writing and writing, the notes falling all in due time polishing or dashing to editors or agents or Winona in response to a beautiful letter hopefully corresponding to annals and her invitation to follow through on an earlier intent to respond to queries sent off to my overseers and elders, this exercise easily, now, back to you, so what’s playing next

Chopsticks, ultimately, with or without a piano

the repeated but unreal seasons of pork chops with browned potatoes, peas, and Jell-O salad, the next night’s meatloaf with Spanish rice and green beans followed by fish sticks with scalloped potatoes and corn et cetera, always the same combinations back then, even Chinese would intimidate in dim rooms some at the edge of town on a Sunday night away from campus in the galleys of perdition, as if soy sauce would fix anything ketchup wouldn’t

Oh, Jody

after three months I recognized the true nature of dining hall menus in their two-week cycle of institutional perdition now I’ve revolted by way of vegetarian practice and straight from the garden gratitude for herbs and spices, sauces, flavored vinegar, pressed oils, the religious dimensions of feasting and fasting as well as prohibitions, there are reasons apart from snobbery no wines accompanied those dinners, after all, what do kids know and who would teach of goodness : as in what God saw as good, as in good to eat? and so it was, grace before vittles / sweet tasty dreams

Am I the only blogger working from Downeast Maine?

I don’t mean broadcasters or newspapers reissuing their material online, nor do I mean Facebook or Twitter snapshots and quips. Blogging, as you know, is more varied, personal, and I’d say engaged than that. It requires a special focus.

At the moment I’m finding it difficult to locate anyone else posting anywhere in the Pine Tree State, apart from gloating visitors and a few writers sharing a site based elsewhere.

It’s not that folks hereabouts are aloof, not by any means, as I’m discovering in my new locale. I’m fascinated by the stories they tell as well as the unique landscape we share, but I’m still new on the scene.

Welcome to my workstation, for now.