Two women were overheard talking about relationships.
“He said he couldn’t live without me,” one told the other. “So I said, ‘Why aren’t you dead?'”
~*~
And you wonder what happened to the traditional English love poem? Please think again.
You never know what we'll churn up in cleaning a stall
Two women were overheard talking about relationships.
“He said he couldn’t live without me,” one told the other. “So I said, ‘Why aren’t you dead?'”
~*~
And you wonder what happened to the traditional English love poem? Please think again.
As I settled into my bench on a clear Sunday morning, my thoughts kept returning to a disquieting subject. Perhaps it had something to do with the Psalm facing up from the open Bible beside me, beginning with the line, “Deliver me from mine enemies, O my God,” or an acknowledgement of the city cemetery just beyond the trees outside our meetinghouse windows. Perhaps it was a continuation of a thought I’d had the night before, how the event being observed this weekend was originally called Decoration Day, conducted to commemorate the Civil War dead. The act of decorating gravestones seems to me to be superficial or even, in some perverse way, profane – and yet, as the subject kept returning in the stillness, I realized there’s one pilgrimage I would make, to leave a flower on the neglected stone.
I had uncovered much in the previous six months, delving once more into my genealogy research. There was no intention of resuming intense investigation and writing at this point when I responded to a few innocent online queries, which unexpectedly snowballed. The project itself had begun a quarter-century earlier with the surprising discovery that my Hodson ancestors had been Quaker, the faith I had also joined after a circuitous spiritual journey. The historical research later expanded into my grandmother’s Dunker (or German Baptist Brethren/Church of the Brethren) lineage, which also came as a revelation. Here, much of my fascination has been with the dynamics within communities of faith and the ways the members extended their religious practice to all facets of their lives. Crucially, both churches maintained that bearing arms and military service are contrary to the spirit and teaching of Christ, and both churches were based on traditions of lay ministry.
Once identified as a genealogist, however, I soon became the recipient of family miscellany, regardless of value. That is, one becomes the guardian of last resort, or all that stands between antiquity and the dump. Somehow, I’ve become the caretaker of a flag draped over a great-uncle’s casket for military burial, a scrapbook of a great-aunt’s post-World War I newspaper clippings, and many curling photographs of unidentified people and places – things that presently add nothing to the ancestral story. On the other hand, I took up the project just a few years too late to save a great-aunt’s correspondence with my great-great-grandparents, who remained in North Carolina after their sons moved to Indiana and Ohio. Even so, I have also come to possess a few priceless letters and photos and other bits that allow sharp insights into lives that would otherwise be unknown.
In August 1985 I received a package with a note that said, “I am also sending a copy of someone’s journal. It is either from Grandma Hodson’s or Ralph McSherry’s papers. I thought we might be able to figure out the author. Or whatever?” At the time, I transcribed the photocopy of the handwritten memoir, A Journal of My Experience in the Rebellion of 1861-2, and attempted to analyze its curiously bland text. The opening paragraphs went into almost agonizing daily detail of marching across Kentucky, setting up camp, and moving on, often with no sight of the enemy. By the time the unit moves to the Battle of Shiloh, however, the descriptions are brief, even rushed, as if the writer were embarrassed of being ill in the infirmary rather than fighting, even if that illness likely saved his life. And then the text trails off. Since this manuscript would have been from my great-grandmother Alice McSherry Hodson’s line, I tentatively thought it might have been written by her father, who would have then come home to Ohio to marry, but I could find no record of his serving in the Civil War. I identified some other possibilities in her family surnames and had to leave it at that.
Much later, when I reopened my genealogy reports, I decided also to clean up materials my mother had collected on her side of the family in Missouri. With an array of new source material available online, I found myself sifting through Census reports and death certificates and then Civil War records and Census slave schedules – the latter items things I’d never previously encountered, and many of the details troubled me. In the practice of genealogy, you build a personal history that somehow invests you in the unfolding action; sometimes it stands at odds with the general history you were taught in school, or sometimes it allows you to see individuals moving within a larger picture. As I looked at my ancestors in Civil War Missouri, I was surprised to learn that illness killed more soldiers than the fighting did; in my case, John Gilmore died in camp a month after enlisting. I had no clue of the extent of Confederate guerrillas until learning of my Gatewood kin’s clandestine ambushes of Union soldiers. Still, I’ve argued that if one undertakes genealogy, one must be prepared to accept the facts one uncovers.
But that’s not exactly where my thoughts kept returning this morning. Rather, it was to the consequences of one website I had come across while working on my mother’s ancestors’ Civil War service, which now allowed me to consider the possible authors of the memoir I’d transcribed. The movements it detailed matched those of the 1st Ohio Infantry and 2nd Ohio Volunteers, units my great-grandmother’s uncle, John Z. Bahill, served in – back on my father’s side of the family.
The Psalm describes enemies, but that morning I was not led to ponder my own potential enemies. Besides, they would be nothing like the enemies Bahill encountered. His memoirs break off on June 17, 1862, in Alabama before the actions at Battle Creek and then pursuit back to Louisville, Kentucky, the Battle of Perryville, or the march to Nashville before coming to Stones River near Murfreeboro, Tennessee – his second round in that locale. That is, his chronological narrative breaks off before the real action begins.
If you can’t identify the Battle of Stones River, you’re not alone. Neither could I, before Bahill led me to it. The fighting began in the sleet, rain, and fog of New Year’s Eve morning in 1862, and erupted into what would stand as the eighth deadliest battle of the Civil War. It was a crucial victory for the Union forces, coming half a year before Gettysburg and denying the Confederacy the essential agricultural resources of Tennessee. When the three days of fighting were over, there were 24,645 casualties – more than one in every four participants.
You can look at hour-by-hour analyses of the campaign. The opposing strategies, too: the Union plan foiled when the Confederate forces made the first move. Read the reports. As the Union flank collapsed, Bahill’s unit was part of the force that held ground at all cost. No one can imagine being in close fighting where your own death is imminent. Even the description of the deafening cannon fire is beyond comprehension.
This is what I was sitting with, in the quiet of a Sunday morning. Not the noise or the blood but an awareness of the dedication of one’s life to a larger cause.
This was also at crosscurrents with the stream of vocal ministry that morning. One Friend spoke of the importance of having all people agree on a set of basic rights for all humans. Later, another recalled the New Testament scholarship of Albert Schweitzer, which led another to speak of an uncle who gave up university prestige and security to become an inner city pastor instead, where he was murdered in murky circumstances.
I wonder if the Civil War might have been averted by nonviolent movement. The first speaker reminds us that rarely does anyone give up a position of privilege voluntarily. Not unless he sees himself gaining something better. I think of the slaveholders’ great capital wealth combined with the unequal political clout it had given them in the nation’s affairs, and their ruthless efforts to expand it. The witness of Mahatma Gandhi and Martin Luther King seem all the more miraculous in contrast. And I wonder what might have happened if Bahill’s unit had crumpled under its relentless assault. And those are the thoughts I kept circling back on in the silence.
Bahill was among the wounded. I have no idea what his wounds were, precisely, or if he underwent amputation. Still, from the title of his memoir, he apparently knew that his war service was over. The officer commanding the 2nd Ohio, Lt. Col. John Kell, had been killed in action, as had the lieutenant leading Bahill’s company.
But I had been wrong in my initial analysis of the text. I now assumed this was something Bahill undertook on his hospital bed, before the infection set in. Something he undertook, in other words, on his deathbed. He died 2½ weeks later, before he could finish his memoirs. He was 26.
From another website, I view a section of the National Cemetery in Murfreesboro, where he is buried, far from his family in Ohio. He was the last male in his Bahill line and unmarried. The memoirs have come down through my great-grandmother, born 2½ years after his death.
Decoration Day, initiated to remember people like Bahill, seems a more fitting name than Memorial Day. One conveys an action, even if it’s more ritualistic than I would embrace. Memorial Day, in contrast, feels cloudy and unfocused. Who can say if his gravestone was ever decorated by his family? A farm boy, without his garland.
Later, recovering in the hospital from surgery, I would wonder if Bahill had the strength or clarity to write on his deathbed. More likely, it seems he drafted what he did before re-enlisting, perhaps even as an exercise convincing himself to do so. We’ll never know for certain.
With the publication of my latest novel, Promise, I’ve been chancing on a number of blogs addressing the issues of dating and romance, and, to be candid, I feel so blessed to be in the relationship where I am.
From what I’m reading, the first date – usually fraught with terror – is a dinner followed by some kind of anxiety leading to either silence (usually one-sided) or a less-likely follow-up.
From my own distant past, I realize how little some things change, even when they should. There have to be better ways to interacting with potential partners in more natural, less stressful settings. Simply having fun, for starters, rather than having to put everything on the table in something that resembles big-stakes gambling. Well, if you enjoy gambling, maybe that’s fine, but it’s not something I ever would have wanted in a mate.
For contrast, Amish youths have want seems to be a far saner way of finding a suitable companion. From age 16, the kids are active in social groups that include both boys and girls, and out of their playful outings and interaction with other similar groups, they get ample time to evaluate the others before centering on the one. And then it’s pretty much a lifetime agreement.
Similarly, in my novel, Jaya and Erik build the foundation of their relationship before they go out on anything resembling a date.
Anyone else have that experience? Or, for that matter, any suggestions for those looking for ways to meet the right one?
One of the lingering questions asks, “Just what happened to the hippies in the end? Where did they all go?”
It’s a complex question, of course, which in turn leads to a range of possible answers.
One of them, though, would say that hippies never actually went away, not entirely.
Yes, many donned business suits or the like and were submerged into the broader economy. I’m hoping that as retirement hits, many of them will return to their idealistic and communal roots, especially in the face of the financial realities of living on Social Security, shrinking pensions, and meager investments.
Many others, though, despite their more conventional attire these days, have focused on a particular strand of the hippie legacy.
Among them:
You can add to the list. While I touch on many of these as they were unfolding in my Hippie Trails novels, there’s no way I could capture everything, much less discuss the current incarnations. For example, every time we see a Prius, just think: it’s what the Bug was back then.
I’m curious, though, about which ways you find the hippie experience echoing in your own life. What issues and themes are you continuing? And which ones do you miss? I bet you’re still wearing those blue jeans, too … most likely without the bib.
Me? It starts with being Quaker. And stretches through much of my work as a poet and author. Or even my focus when I was still in the newsroon.
On a May night five years ago, while driving home from the office, I did something I’d never before done: braked to keep from hitting an owl. Actually, I began braking because of a gray flutter in the foliage on the right side of the road – a deer, perhaps, or moose, because of the shoulder-height of the movement and color. Instead, the owl flew out over the road and continued for a hundred feet or more up Route 155 as I followed, before turning to perch in a tree, where I caught a glimpse of its shape.
Several weeks earlier, in the same stretch of roadway, I saw a smaller owl (or so I’d say) dart across the road, above the pavement by a dozen feet.
Earlier that week, I had two glorious commutes via the Mountain Route. The first, clear sky – brilliant green pointillism set off by sunlight and blue. Two days later, drizzle and fog – quite moody, especially with a matching live broadcast performance of Ravel by the Formosa Quartet, one that looked mostly, as it were, into the soft shadows rather than the usual sunlight. (Renoir, more than Monet or Serrat.)
How easily such glories can be lost in the memory. How wonderful, to revisit them.
Leadership is a fascinating subject, not just the source of many intriguing biographies but also corporate case studies and political histories and military campaigns and religious movements and … well, feel free to add to the list. We’ve all been in places where we’ve worked with admirable leaders, as well as places where we’ve suffered – perhaps even leaving in despair.
Outstanding leadership is, of course, a rare and wonderful occurrence. Mediocre is, by definition, the norm. And then there’s the kind that worms itself into position and sets about doing destruction.
Lately, I’ve been reflecting (again) on the last one. Not just inept, but destructive. I can work around one, but the other one makes for an impossible situation. Think Moby Dick.
It doesn’t always start off as badly as I’ve portrayed. Sometimes the individual begins gangbusters, doing everything right, before something goes seriously wrong. The person may simply burn out or lose interest. Conditions may change, so that the fit no longer works to the organization’s advantage. (Corporate organizational consultants have elaborate charts of the qualities needed for a startup versus a maturing company, or one shifting from private ownership to a public stock offering or the reverse.) Sometimes the person is fine for when everything’s going smoothly but has no ability to adjust for necessary – and often painful – restructuring, especially when layoffs and shutdowns are involved. Or there may be a buried demon that is let loose somewhere along the way, perhaps triggered by a divorce or death or temptations such as greed or power-hunger or sheer arrogance or flawed leadership techniques such as bullying and abuse or deep-seated insecurity or an untamed ego or, well, again the list goes on. Feel free to add or amplify. This, too, is a source for many great works of literature, operas, plays, and movies. The dark side comes forth.
My big question is whether an organization reacts in time to save itself, and what steps can be taken before it’s too late.
One of the first signs of trouble is the departure of key personnel, often lower-level individuals on the front line – or at least a failure to hear their complaints without retaliation. Sometimes it’s flight at some of the highest levels. After all, their jobs are at stake.
Usually, however, the awareness comes later.
The New York City Opera, for instance, appointed a new CEO whose brief tenure was disastrous. His flamboyant, extravagant vision for the company sent it straight for the cliffs, and the trustees’ decision to terminate his reign ultimately came too late to prevent the train wreck. This was a company, we should note, founded by visionary leadership that continued through several administrations. RIP.
I’m thinking, too, of situations where one of the top leaders engages in clandestine conflict – often backstage, one-on-one building alliances – that’s ego-based to the detriment of the organization. Commonly, the player lacks an appreciation for the culture and values of the organization and seek to turn it toward his or her own goals, including self-power enhancement, regardless of the trustees’ projections. Removing such a toxic manager, however necessary, produces ill feelings and misunderstanding all around, especially when the others are prevented by legal constraints from speaking openly of their underlying reasons.
Sometimes I think it’s a miracle organizations get anything done, top to bottom or, more accurately, bottom to top. There’s far more to leadership than barking orders, for sure, or undue frugality. I’d put mutual understanding high on my list of leadership qualities.
How about others?
~*~
I looked at something similar – good bosses and bad – back on June 28, 2013. To take a look, just click here.
An identity debate is raging in some corners over who is or isn’t a hippie versus a hipster. It goes back in part, I suppose, to the defining line between hippie and beatnik, even though I could point to many points where they blur together.
For me, the bigger question invokes the world of those individuals who don’t feel at home in the mainstream but rather gravitate in a bohemian direction. Yes, there have always been those who go out of their way to look the part of the movement … and those who just are. With hippies versus hipsters, I might draw a line in a person’s stance when it comes to non-violence and equality and the like, but there were always degrees when it came down to specific instances. These days, in my reexamination of the hippie movement, I keep arguing that hippies came – and still come – in many varieties.
That’s part of the reason I find myself smiling when I hear the theme for the local arts and technology charter school’s prom: Victorian Steampunk.
Sounds cool to me. And like a lot of fun. Besides, it really is a sweet group.
Sure beats ours back in the mid ’60s.
The hippie era, I might add, had a thing for Victorian style anyway. Even if we didn’t put clocks in our stovepipe hats.
Nowhere do we see a bigger before-and-after contrast of the hippie impact than when looking at mainstream religion in America.
The idealized smiling family of father and sons in suits and ties and mother and daughters in their hats, dresses, and heels – maybe even with gloves – was once a common image with the church and steeple in the background. But that has become a rarity, and even at funerals and weddings the dress is likely to be casual. Intact families are a minority – weekends are often custody matters – and going to church or temple is a low priority.
Before we blame it all on hippies, we need to look at other influences from recent decades, including the elimination of blue laws, and the expansion of weekend job demands and children’s soccer leagues and the like.
Still, I see a few glimmers where the hunger many hippies felt for a spiritual connection has taken hold.
First is the practice of meditation, which is no longer considered exotic. Even health providers are urging people to turn to it daily, maybe not as a religious pursuit but at least for letting go of some of the daily stress.
Second, yoga studios are everywhere. It may not be with the strong spiritual teaching I feel is essential, but it is another way of opening ourselves to inner awareness and peace.
Third is a recognition of the feminine side of the holy, including the Jewish and Christian traditions. For that matter, think of all the women pastors and rabbis now found across the continent. Others will point to Native American, Wiccan, and other teachings with feminine components that now proliferate.
Fourth is a sense that faith is not an obligation, to be performed as a social requirement, but rather a relationship that includes hands-on, sensory experience. As the axiom went, “If it feels good, do it,” extends to religion this way.
As a fifth facet, I’ll point to outdoors encounters with their Transcendentalist streak. God, as you’ll be reminded, can be felt keenly when you’re close to nature.
Look closely and you can see the hippie influence working. There’s a desire for community and caring, on one hand. And the mega-churches with their rock-concert emotions, on the other, as well as the praise songs with their repetitions function more like Hindu chanting (kirtan) than the motets and hymns of Christian tradition.
But there are also examples of shoots gone astray. I keep thinking of Jim Jones’ Peoples Temple and its cyanide-laced Kool-Aid, especially.
As we kept watch in the ashram, the warning was this: “You’re on a false trip.” No matter how exciting it might have felt at the moment, there was always the danger of ego-based excitement rather than a deepening surrender to the Holy One.
For me, then, the most crucial part of the legacy is in having a circle of others committed to the practice, to encourage one another and keep each of us on course, as best we can. This form of discipleship is rather communal, actually – and far from what I saw growing up in the pastor-and-sheep model.
So what are your spiritual encounters these days? And how’s the “inner hippie” responding?
It had been ages since I’d gone to the cinema multiplex – you know, the kind in the vast parking lot beside the mall. Usually, when we go out for a movie, it’s an art house in Concord or a volunteer-run series at the Music Hall in downtown Portsmouth.
But Wes Anderson’s latest, The Grand Budapest Hotel, was showing, and we figured we’d better make it there fast. No telling how quickly anything that quirky, formalistic, and savvy would be playing. (As we juggled our schedules, we realized it would have to be Monday night, overriding another activity on my itinerary – as we discovered, if you’re going to hit the big-box of showrooms, that’s the night to do it. We practically had the rectangular cavern to ourselves.)
I’ll leave it to others to lavish praise on the witty plotting that continually turned in unpredictable yet seemingly inevitable developments; the impressive casting and stylized acting; the precise cinematography; or the marvelous interweaving of actual sites in Germany (the hotel interior was actually the atrium of a defunct department store), miniature models of varied scales, and special effects to create a sense of fantastic and delightful artificiality. Anderson, as his fans know, is a moviemaking genius with a voice and vision all his own. (For one engaging detailed look at the roots of the story, click here.)
For me, though, the outing also invoked a series of culture shocks. Now that I’m “retired,” income’s tight, I’ll admit. I’m spending much less than I did before, and gasoline’s toward the top of my out-of-pocket budget. So the current ticket price (go ahead and laugh, you debonair rounders, when I tell you it was $11 apiece for three) made me gasp silently. (I know a good Greek restaurant where we could have dined out for that.) (I’m I really turning into this?)
From my end, it’s hard to take the very interior and decor of consumer society reflected in these big-chain outlets. It all feels plastic, cake-frosted, impermanent, unnatural. No one would want to linger in the vast lobby (what’s the point, anyway?), and no matter how plush, the showing rooms are – well, showing room sounds like something you’d find in a funeral home, which may be a good parallel, except that in much of the country, the mortuaries are usually in some amazing Victorian mansions. Nothing cookie-cutter about them, unlike these concealed warrens. None of this matches what I consider a theater or concert hall or even a house of worship, the kinds of places I prefer to assemble with others.
The third shock came in viewing the trailers and commercials. I’m still offended to be bombarded with big-screen ads after paying what I consider to be inflated ticket prices, after all, but to be hit twice with a promotion for a new computer game was especially egregious, especially with its pseudo-documentary interviews with its “creators,” a handful of pretentious nerds claiming social value for violent nihilism. I’m sorry, their world vision leads nowhere but destruction.
Actually, it was the amplified violence repeated in the trailers as well that most aggravates me. What in the American psyche so fosters terrorism of this scale? What justifies the reveling in gore for so many (and at such a price, even before we get to the price on our psyche)? Here’s the road that deserves a sermon of hellfire and brimstone, indeed. Wake up, folks, will you?
No wonder I prefer intimate, small-scale, gentle, playful, European or indie productions! They, in contrast, have soul and reality.
Anderson, I must confess, goes well beyond the small-scale criterion, but he earns the right to do so. And he’s generous to those who contribute to the effort, from the visual artists to the payroll accountants. One of the things that kept going through my mind as we were watching, actually, was an awareness of the lavish investment he was expending in the process and the question of whether he’d ever make it back. Well, maybe it wasn’t any greater than those of the futuristic trailers we’d watched beforehand, but still … Hollywood and Las Vegas have more in common than I’d like.
Maybe their biggest gamble is in making works that demand to be seen on the big screens rather than on our laptops or TVs via Netflix.
If you were a moviemaker or investor, what would you do? Or, as a film buff, what are you doing now?
For many, as we’ve already noted, the hippie experience revolved around its music. Just think of Woodstock and the many ways it was the explosion that spread the movement across America and the globe.
Each of us likely has a musician or band we most identify with the era. Maybe it’s tracing the Beatles in their evolution to “Lucy in the Sky With Diamonds” and beyond, including the individual paths after the breakup, or the Rolling Stones or, of course, the Grateful Dead.
I think, too, of Crosby, Stills, and Nash whenever I turn to the jam sessions depicted in my Hippie Drum novel.
Personally, it’s Sly and the Family Stone, Jethro Tull, and the Incredible String Band who most embody the hippie sound in my ear. Maybe with Leonard Cohen, James Taylor, and Leo Kotke or Leon Redbone thrown in. Whatever happened to those folks around me who introduced these musicians, anyway?
Whether you were there or came along much later, there are probably a few favorites of your own. Were they at Woodstock? Did anyone else even know of them? What memories do they stir up? Please fire away in the comments section here!
I’m hoping we got that list of top musicians started yesterday. But there’s more than a list to consider. Get busy. Fire away. And we’ll listen.