SO THIS IS THE GOOD LIFE?

Why wait for the dust to settle? Here are 10 bullets from my end.

~*~

  1. Is anything more relaxing than sitting in front of a wood fire? Even when it means sitting on the floor?
  2. Gift-buying husbands? Just look! As she says, they’re subjected to indentured shop-itude.
  3. First day of winter and the flannel sheets should be on the bed by now, if not earlier. Flip the mattress and rotate, too.
  4. Our traditional Christmas dinner includes fresh homegrown Brussels sprouts, which means I’m out in the garden harvesting – sometimes in several feet of snow. Likewise with kale and chard: frost improves the flavor.
  5. Let me suggest Mary, as the mother of the church … a slightly different twist on the Nativity story.
  6. For someone who’s lived under relentless deadlines, Christmas itself can be seen as another damn deadline. Or series of deadlines. This year, I think I’m ahead.
  7. Still, I’m deeply grateful for the sense of release – notes, poems, correspondence … the logjam broken … now that the poems and novels are available.
  8. Grandfathers have grandfathers too. In case you’re in one of those inner-child perspectives.
  9. What are the theological dimensions of Alzheimer’s or dimentia? Where are the connections – the response ability – when your story gets so fragmented you’re no longer connected to anything you encounter?
  10. Tell me something true.

~*~

Our own holly, in front of the house.
Our own holly, in front of the house.

LOOKING OUT

picnic table with a block of snow 2-feet deep atop it
and a hole at the center

extraordinary deep purple in the Siberian irises

Quaker ladies abloom on the meeting burial ground –
even on the Friends graves in Pine Hill Cemetery

the ox-eye daisies I lifted from rock and sand
to transplant here – my wife’s beloved June flower,
the blossom smaller and more delicate than the Shasta

old woman across the street with her phlox

sunflower, yes
forest sunflower
jungle sunflower
and the jingle, from the neighbor’s
wind chime

Poem copyright 2016 by Jnana Hodson
For more,
click here.

BEACON OF THE SEASON

The Nubble Point Lighthouse in York, Maine, is decked out for the holidays.
The Nubble Point Lighthouse in York, Maine, is decked out for the holidays.

The lighthouse at Cape Neddick in York, Maine, is one of the most photographed in America. Also known as the Nubble Point Light, it has a red beam to distinguish it from other nearby beacons. Each Christmas season, it’s outlined in holiday fare. Here’s how it looks.

It sits on its own island.
It sits on its own island. Watching the darkness grow is a memorable experience.

WHAT HAPPENS WHEN THE QUOTATIONS BLUR?

When someone speaks of an event while quoting someone else, how accurate is that quotation? How much is a recasting by the teller, perhaps years after the event being related?

In drafting my newest novel, as I turned to a first-person narrative by someone who never even met many of the characters she’s telling about, I realized that her quoting them was actually a filtering through her own voice. In other words, the precision of their voice was in question. Would it be right to put their input in quotations marks? Or eliminate the quotation marks and let the telling float in and out of some recollection?

I’ve opted for the latter. Will it work for the reader, though? We’ll see.

THE SILENCE IN BEETHOVEN

When it comes to the fine arts, we love our biographies of tortured genius, and Ludwig van Beethoven serves the storytellers admirably. Baptized December 17, 1770, in Bonn, his tempestuous and tragic life was one of failed love affairs, strained friendships, and especially the deafness that accompanied his greatest musical achievements. And yet many of us find him not only speaking for us but also extending inspiration in the quest for fullness and fidelity.

In part it’s a story of the way Bach, Mozart, and Beethoven reestablish the center of classical music, centering it in the German-speaking world far from its Italian roots and the Renaissance genius of Monteverdi and Palestrina.

As I discussed earlier this year, Beethoven’s popularity rests largely on works that he wrote in the second half of his life, past the age of Mozart’s death, the years that encompass what are known as his Middle (or Heroic) and Late periods. The years accompanied by deafness.

For much of my life, I’ve not been alone in finding that what most appealed to me were the works from the Middle period – the Fifth, Sixth, Seventh, and Ninth symphonies, the violin and “Emperor” piano concertos, the Rasumovsky string quartets – stirring works raging with dramatic struggle and promised victory. With all of their emotional parallels to athletic contests, these have justifiably ensured his enduring public adoration.

More recently, though, they’ve given way in my estimation as the Late period works have risen in preference. Quite simply, these have never been considered all that accessible. Many of them defiantly turn their back on the audience in a pursuit of boldly intricate, often extended, musical puzzles that plumb the depths of human despair, loneliness, resolve, as well as lofty heights. Indeed, for years the assumption has been that these are not for public consumption but are rather reserved for private investigation among the cognoscenti, should they be so honored.

Continue reading “THE SILENCE IN BEETHOVEN” →

SHELLS UNDER THE RIGGING

fingers stiff, numb
on ice-encased rigging

any fire in the hull
a hazard

tend the footing, Jack,
and stay dry, if you can

steering around the storm

*   *   *

hell comes without
flame
without smoke
under the prow

*   *   *

impressed
by chance misfortune

or the flight from somebody
gone astray

rolled together, creaking
skin to crab shell

all the same
lost, for the cold duration

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

AND HAVE A GOOD DAY?

In the early days of Friends, they’d often greet each other with the question, “How does Truth prosper among you?” Not “How are you doing?” or even “Good morning.”

Strikes modern ears as puzzling, even problematic, beginning with that verb prosper, which we tend to consider along financial terms rather than thrive or even proliferate. Equally unfamiliar is the idea of Truth being active – alive – rather than static and unchanging.

To further thicken the plot, consider their linkage of Truth and Christ, so the question also asks, “How is Christ alive among you?”

How would you answer that!

~*~

For more along these lines, take a look at Religion Turned Upside Down.

 

THE PRIEST’S WIFE

The celibacy expectation for their priests and monastics leaves many Roman Catholics perplexed when they hear of the married ministers of their Protestant and Anglican/Episcopalian neighbors. Sometimes this is seen as a question of whether a pastor is able to focus all of his attention on the work of the church without the distractions of family life – or, on the other hand, the ways that family service enriches his ability to understand and counsel the members of his congregation.

(Yes, I’m aware of the male pronoun there – we haven’t touched on the matter of the ordination of women in many of those Protestant and Anglican/Episcopal churches, contrary to Roman Catholic strictures.)

While the focus is usually on the pastors, the condition of their spouses is typically overlooked. Are they fully members of the congregation or are they somehow set apart? They’re definitely in a spotlight and held to a higher standard than the rest of those in the pews. In addition, many congregations assume the spouse – usually the wife – will function as an enthusiastic unpaid full-time employee of the church, either as an unofficial co-pastor, minister of music, choir director, secretary, or some other visible role. Whatever the ultimate definition, it’s a high-stress situation to fill. Not all marriages survive. As one former pastor told me, “My wife said she married me, not the church.” For him, to take another pastorate would have led to divorce.

To add insult to injury, they’re rarely accorded any open recognition of the duties they fulfill, much less given a place of honor. Their husbands are typically addressed as “Reverend,” for starters. As for the wives, though? Only Mrs.

In contrast, the Eastern Orthodox introduce a fascinating alternative. While the priesthood is reserved for males only, they are allowed to marry – if they do it before ordination. The last year of seminary, according to the story, is a time of intense courtship. (Otherwise, it’s celibacy.)

As for the wife? In Greek circles, she’s accorded the title presbytera in English, drawn from priest or elder. Among other Orthodox, similar titles from their native tongues.

Of course, now I’m wondering how it plays out in practice.