COMING OUT OF SEMI-SECLUSION AFTER BEING IMMERSED IN REVISIONS

Writers work in many different ways.

Some sit down and write two hours a day. When I read that in interviews, I used to think, “What slackers!” Only later, when I realized how much other work needs to be done to sustain that, did I revise my opinion. Research, reading, and correspondence are also crucial parts of the job. For many professional writers, you can add teaching to the list – it can be what really pays the bills.

Others charge up and then lock themselves away for an orgy of keyboarding. Say, two weeks to two months of doing nothing else. There are tales of some writers in the old days who would rent a hotel room for a week or so to do that – they must have had a very nice advance and known exactly what they were setting out to do, it seems too short a time for me these days.

When I was working full-time, my method was rather piecemeal. I’d plunge into writing heavily one day a week – it helped when my four-day workweek allowed me three days off in a row, though I paid for it with that double-shift each Saturday. The rest of the week I put in a couple of hours each day for keyboarding and the supporting labor.

That schedule, in fact, led me to concentrate on poetry much more than fiction, though the budding novels typically got their attention on my vacations and holidays. Looking back, it was a rather schizoid existence.

Since retiring, a major shift has happened, and I’m just now seeing its impact. I’ve been able to immerse myself in drafting and deeply revising a work, to live with it more thoroughly.

I’m going to blame Cassia, the voice of What’s Left. Working with her was unlike anything I’d attempted before. The focus shifted from her curiosity about her father’s past to a close examination of his photos and the family he discovered to, finally, Cassia herself and her siblings and close cousins – the Squad. The spotlight went from being on what happened to the individuals themselves. It was no longer action-driven but character-driven.

That, in turn, led to a similar reworking of my other novels, often with Cassia in effect sitting beside me. Again, unlike anything else I’d done before.

Doing this, though, has involved a lot of semi-seclusion. I’m definitely ready for a change.

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