TEN FAVORITE PHYSICAL ACTIVITIES

Admittedly, I’m a pretty sedentary guy. I spent my career in an office. And a writer spends hour after hour at a keyboard or researching or reading. So here’s what I do when I’m in full-body motion. And remember, “favorite” here is all relative.

  1. Swimming a half-mile a day, usually in Dover’s indoor pool.
  2. Hiking and walking.
  3. Cross-country skiing.
  4. Folk dancing. New England contras and squares, Greek, and English country, especially.
  5. Singing in a choir. I’ve mentioned the Revels Singers how many times now?
  6. Stacking firewood … there’s an art to keeping it from collapsing.
  7. Shoveling snow … just don’t tell anyone it can be pleasurable in short doses.
  8. Mowing the lawn … love my battery-powered Ryobi.
  9. Collecting seaweed for the garden … yes, it’s a pain, as well. Some things are mixed blessings.
  10. Pushing a wheelbarrow. Usually, there’s an additional chore involved, like trimming the hedges or moving compost.

I hope to get bicycling back on the list. I loved it as a kid.

~*~

What keeps you in shape? More or less?

Continuing the poetry parade, see what’s new at THISTLE/FLINCH.

WAY BEHIND IN THE YARD AND HOUSEWORK

In the cardio aftermath, I was generally laying low, apart from my immersion in some serious revisions of my previously published novels.

And then? I looked at the window and saw an outburst of green – on the trees, especially. I had a sharp sense of having lost a big chunk of time.

We had some hard storms this winter, and some major branches came down from our trees. We were lucky they missed hitting roofs, cars, or outdoor furniture.

Still, it’s meant a lot of cleanup, and there’s more work to be done with a chainsaw.

The gardens, too, are behind schedule. I never got to the beach to collect seaweed, back before the seasonal out-of-town parking ban kicked in. Hauling those buckets and extracting the collected bags from the car trunk takes exertion, beyond what’s considered safe during recovery. I mean, I’d hate to take a nitroglycerin pill at the beach while working alone.

Nor did I get to some interior painting and picture-framing, as planned this winter. Some? There’s a lot.

We are watching some big changes downtown, especially where the city is carving away a hillside to extend our riverfront park and open space for new housing as well as open direct access to a hilltop park above, which is also being expanded and developed. This development, which crept up on me while I was recovering and not heading down that way to the indoor pool, will greatly enhance the central focus of the city.

Downtown is also undergoing the razing of an old retail block to make room for a five-story retail and worker housing structure. It will also eliminate what’s been an annoying traffic obstruction.

Glad I’m back in action. Wonder what else I’ve been missing.

Me at the compost bin at the far corner of our lot. Every year I empty the finished compost, which gets worked into the garden beds, and reload it with more leaves and the like to start over. Producing a full bin of compost takes at least five times that volume of raw material.

THE ULTIMATE FLOWER CHILD

In my new novel, What’s Left, her aunt Pia is the epitome of bohemian possibility, even after being scorched by its downside. She’s the one who’s lived on communes; in contrast, Cassia’s father and aunt Nita had merely paid their share on an abandoned farm filled with other hip renters. Pia’s the one who witnessed drug busts and overdoses or worse, she simply went hungry.

As she recovers in the midst of Cassia’s extended family, her bohemian tastes find welcome expression in food and fabric and childlike wonder, especially. She’s hardworking and responsible, especially amid the circus she creates.

For Cassia’s generation, of course, hippie is old hat. But her aunt Pia is someone they see as special. Wouldn’t you?

~*~

Watching Pia was like watching a flower emerge from the soil and then bloom. The girl arrives destitute and broken and is given space to heal or regroup.

Whatever haven we offer is gratefully embraced.

She mends clothes. Tends the garden. Sits with us as we ride our White Cloud thrones.

~*~

I can’t evade the question any longer. What comes to your mind when you hear the word “hippie”? Do you prefer “boho”? Or does some other term work better these days? Is it positive … or negative?

~*~

Pikilia, an assortment of Greek appetizers. Photo via Wikimedia Commons.

In the family, Cassia may have had food like this.

WHEN THE DAUGHTER TAKES OVER

When I wrote the four novels that formed my Hippie Trails series, Cassia was nowhere in sight.

But now that she’s taken center stage in What’s Left, she’s changed my perspective on those earlier novels. Quite simply, I’ve revised them to bring them more into line with her story. Drastically revised them, in fact – deep cuts, offset by new material.

Quite simply, they’re now her discovery of her father and his era rather than mine. Having a character take over a book is rather eerie, actually, especially when she’s livelier and more interesting and more critical than I’d be. Moreover, she wasn’t even present in those earlier works – they’re all before her birth. Before she was even conceived, as it were.

That hasn’t stopped her from pushing for more extensive revisions than I had anticipated. Not only are the novels all retitled – and two are even compressed into one – but many of the characters are renamed, a few new figures are introduced, and hefty cuts are offset by rich new detail and restructured storylines.

So what we have now is Daffodil Uprising, Pit-a-Pat High Jinks, and Subway Visions. And the series they form with What’s Left is no longer Hippie Trails but Freakin’ Free Spirits.

Well, quite simply, my wife hates the word “hippie,” says too often these days it translates as “loser” or “lame,” and I wanted something that might fit bohemians over time … in this case from Cassia’s Greek great-grandparents right down to today.

By the way, I’m still blaming Cassia for my putting so much else aside in the past five months. She just wouldn’t shut up, and she can be quite bossy. Admittedly, though, I’m much happier with the novels as they’ve evolved and finally emerged. Let’s hope she is, too.

As for you and other readers? That’s the real question.

 

MORE THAN WE’LL EVER KNOW

I’ll have to leave detailed accounts of first-generation Greek immigrants to America to others who have truly intimate material to draw from. Simply portraying the relocation of my mainstream grandparents from a Midwestern farm to a nearby city would prove difficult to pull off.

Still, in my new novel, What’s Left, I find enough to suggest some of Cassia’s great-grandparents’ possible experiences and achievements. She has reason to take pride in what they’ve established for her extended close family. It was, after all, one place her father-to-be would fit well, despite his initial resistance. And now she’s struggling to make sense of it all, especially in her circle of siblings and cousins.

~*~

Not everyone who came to America dissolved into the melting pot concept. Still, they had to sacrifice something. The question just might be, How much?

Extend that to our own personal identities.

What’s your idea of “normal”? How well do you fit in?

~*~

A young Greek-American immigrant on Ellis Island, New York late 19th-20th century. (Hulton Archive via Wikimedia Commons.)

Cassia’s roots included scenes like this.

FARM-FRESH POTENTIAL

Carmichael’s, the restaurant her family owns in my new novel, has me looking more closely at others.

The daily soup special at the family restaurant in my new novel, What’s Left, was one way to introduce the now widely touted practice of local sourcing, perhaps with a hint of organic gardening. Here it begins when Cassia’s great-grandmother and her sister make rounds of nearby farms, gardens, and orchards in search of fresh produce, eggs and dairy, and perhaps meat. (I never get quite that specific, but a quick brushstroke will do.) The action picks up with her parents’ generation and its back-to-the earth movement – one in which I suspect some bartering might have occurred. Used cooking oil, for instance, has found value as motor fuel for some farmers.

Continue reading “FARM-FRESH POTENTIAL”

TEN THINGS I LIKE ABOUT JUNE

  1. Birthdays … my wife’s and then elder daughter’s.
  2. Natural light lasts long into the evening and returns again early in the morning.
  3. Warmth! Open windows!
  4.  Nobody gives you funny looks for ordering ice cream.
  5. We get serious about charcoal grilling.
  6. Ox-eye daisies blaze forth.
  7. I don my Hawaiian shirts for more than contradances.
  8. Mountain laurel bloom.
  9. Bare skin all through town the sidewalks fill with people once again.
  10. I can put my snow shovels away.

~*~

What do you like about June?

Sounds like a balanced meal to me. Damariscotta, Maine.

 

RETURNING TO THOSE DAILY LAPS, TOO

Getting back into swimming laps – however gingerly – feels so good. As did the last few choir sessions before the ensemble took its break for the summer.

I’m still not up to my usual half-mile – 18 laps (or 36 lengths) in the indoor pool – but I am feeling secure as long as I don’t overdo it, and I am pretty much back in the water daily.

One thing I became aware of after the stent was inserted was just how close I’d come to having a heart attack in the previous months. I’d felt the breathing problem in the pool, for one thing, and also while carrying a three-year-old down off Mount Agamenticus in November. Am sure glad the event didn’t hit on either of those, I’d hate to traumatize either a kid or the lifeguards.

About a month ago, when I finally got the OK to return to the pool, I realized how much had passed since I last saw the guards or some of my fellow swimmers. Some are coming up on high school graduation, for one thing – and the banter is always a lift.

Even when one tells me that for the kind of obstruction I was having, had it turned into a heart attack, the odds weren’t in my favor. As she said, nine out of ten never make it to the hospital. And as I’ve been saying, I’m feeling very blessed.

CHARTING THEIR COURSE

As Cassia reconstructs the household when her father-to-be first shows up, she sees multiple currents in motion.

As she observed in an earlier version of my new novel, What’s Left:

Dimitri’s primarily about family duty. Too many have worked too hard to get us here. For Barney, that’s steam and splatter and sudsy sinks. Tito and Manoula are essentially on hold, preparing for their own futures – college for her, law school for him.

~*~

In another version of the story, Tito and Manoula’s futures could have been thwarted at this point. Dimitri may have required their help in the restaurant and real estate ventures.

Something similar happened with my grandfather, whose classroom education ended at elementary school because he was needed on the farm. Later, though, he did learn the plumbing trade from his two older brothers.

With Cassia’s family, though, they were agreed on a plan. They all worked together to assure it.

What’s your No. 1 goal these days? What support do you need? How are you arranging it?

~*~

Ring dancing at Greek Fest, New Orleans. (Photo by Infrogmation via Wikimedia Commons.)

Cassia’s roots included inspiration like this.

TWO TWEAKS IN THE DESIGN

As I moved from the Advance Reading Copy to the First Edition of my new novel, I decided to make two tweaks in the cover design.

The photo itself remains unchanged. It’s the typeface that altered.

When I lined the original cover up beside the covers for the related books in the cycle of Cassia’s discoveries, I realized it’s serif typeface was out of step with the sans serif on the other three volumes. As much as I love serifs (they have more character, for one thing), I also saw that a sans would have more punch on the thumbnail size used to display most ebooks. OK, so that changed.

Again, as I considered the four books together, I saw something else happening. The next book in line, Daffodil Uprising, features a prominent daffodil bloom in a bright yellow antique-style drawing. The contrast between its artwork and the photo on What’s Left works, I think, but the white title somehow felt out of step.

That’s when the thought flashed, “You idiot! It has to be yellow! Like the yolk! Like the daffodil, too!”

Here’s the progression. First, the ARC:

What’s Left

Then the sans serif:

And finally color:

What’s Left

So here you have it. Any reactions?