BENDING THE BEAT

I could imagine myself an orchestral conductor, but there are many things that must be trusted to the players themselves. Something like Rubato, within a musical phrase, comes to mind. And then, in a flash, it’s passed. Reflect on that with these poems.

~*~

For these poems and more, visit Thistle/Flinch editions.

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RUNNING IN A NAME

How can you not appreciate the way the word flows on the teeth and tongue and along the lips?

Given its name, Oyster River, in the Lenape tongue for the profusion at its mouth in Chesapeake Bay, the word ripples and sings.

Upstream, where I lived, a different name would have been fitting but, I’ll presume, no more beautiful.

Susquehanna 1~*~

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UP ON THE RAFTERS

You never know what you’ll find when you start rummaging around in an old barn. That’s how they found the 1776 grandfather clock made in Lancaster, Pennsylvania, decades later covered in grime in Montgomery County, Ohio. The one that fascinated me as a child, climbing to the top of the farmhouse stairs. The one, as Cousin Wilma later demonstrated, with such sparkling, ethereal chimes.

So here we are, in my own barn. Not nearly as big or as old. The rafters themselves far less sturdy.

MEETING IN THE MIDDLE

The prose-poem presents a subtle challenge. In theory, it should be a natural fit for the English language. In practice, however, what I see all too often is simply wordy prose. Somewhere, the poetry gets trapped or tangled or loses its spin.

Coming across a guideline to keep a prose-poem under a hundred words spurred my thinking. As I considered revising a clutch of drafted poems, a sensed an opportunity. Recast without line breaks, they flew – especially when I removed the punctuation that pushed them toward prose.

I’m satisfied with the results, which I feel are more powerful and vibrant and authentic than either a straight-prose or straight-verse version would present.

Take a look for yourself. Just click here.

harbor cover.jpg.opt370x493o0,0s370x493~*~

 

POOL BUM

“Hey! You! Come here!” Black man, about thirty, in Pitt sweatshirt and Pirates cap, stands at the fence and motions one of the tough talking grade-schoolers over. “I said, Come here! Yes, YOU! I’m warning you, leave my daughter alone. Don’t call her, don’t talk to her, don’t approach her.” He fiddles with his car keys. The kid smirks. “Listen to me,” I suspect he wants to add “you little asshole,” but he restrains. “If I ever hear that you’ve said anything like that again, you’re in deep trouble. Understand me? Real deep trouble. And that goes for my wife, too. You’re to leave them both alone, got that. You can tell your mother what I’ve said to you, I don’t care. You can tell your pa, too. I don’t care. But I’m warning you, hear?”

(The blond brat, walking back to the pool from the fence, smirks to his buddies.)

I’m itching like crazy. This has been going on the past two weeks, ever since the first flea bites. Those are gone now but the itching gets worse. Hellfire. Mites? Fungi? Anemia? Allergies? (WATER! Hot showers or swimming?) Negative effects from the sun? First sunbathing in three weeks: my tan’s faded to half.

Hot shower and soap up thoroughly. No relief.

Much lotion, which I’ve been using for a week and a half anyway.

Iron pills.

Spray, for relief: Solarcaine. Tinactin. Bactine.

Avoid water now. Salute the dad.

Riverside 1~*~

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IN ITS URBAN DECAY

It’s life in the inner city, usually not far from downtown and often in an enclave near the river. High density population, at least compared to the suburbs, and filled with children. Usually blue-collar or poor or a mix of students added in, it’s noisy and lively, even colorful in its urban decay. You can walk to the store or corner bar.

We lived on the second floor and later, a street over, on the third.

That’s where these poems originate and resonate still.

Riverside 1~*~

For your own copy, click here.