Tag: Spirituality

RANTERS, THEN AND NOW

~ Jnana Hodson ~ Leave a comment

One of the most remarkable periods in world history came in mid-1600s Britain, an outbreak that included the execution of the monarch by commoners (rather than a rival for the throne) amid a host of social, economic, and political upheaval. For an overview of the ferment, you can read Christopher Hill’s The World Turned Upside Down or Antonia Fraser’s Cromwell, Our Chief Among Men.

My primary interest, of course, focuses on the rise of the Quaker movement out of the waves of conflict – with the rise of a two-party political system and a loyal opposition as a byproduct of a pacifist faith. I also see parallels with much of the counterculture experience I’ve known from the hippie era on, where some have remained faithful but many others have flaked away.

The waves of English radicals can be fascinating, from the New Model Army and Levelers, Diggers, and True Levelers on through the Muggletonians, Fifth Monarchists, and others, but for Quakers, the Ranters presented a special cross to bear.

Like Quakers, the Ranters espoused personal experience of ecstatic faith, and the two movements were often confused with each other by the wider public. Unlike the discipline and discipleship among Quakers, though, Ranters had no qualms about sexual promiscuity or any other limitations (it was all God’s will, in their eyes, no matter any hurt to others), at least until persecution hit and they readily recanted. Not so the Quakers, who insisted on eternal Truth. God doesn’t change.

So here we are. What are our deepest values? Where do we stand firm, and where do we yield and bend? What is principle and what is opportunistic? How far out is our vision, and how much a matter of short-term maneuvers?

Where are we – each of us – truly accountable?

Anyone else feeling uncomfortable?

OVER THE YEARS OF SITTING SILENTLY WITH OTHERS

~ Jnana Hodson ~ Leave a comment

When I first took up the practice of meditation, my goal was to get high – a natural, chemical-free experience, but a kind of escape all the same.

Moving to the ashram took that a step further. The goal became to transcend this mundane experience, entering into hours of unconscious ecstasy and returning to daily life with a heavenly vision.

Over the years, though, the practice has shifted. Yes, I still value those moments of natural high and clarity and oneness with the universe, but my bigger aim these days is to get grounded. To sit and move in that which is eternal, or my true nature. To be open to the divine around me. To be authentically loving and kind and …

The practice itself still means sitting with others in silence. That hasn’t changed!

REGARDING THE EXISTENCE OF SPIRITUAL REALITY

~ Jnana Hodson ~ 4 Comments

A materialistic outlook misses so much. As does an emphasis on concrete reality or causality.

How would you explain love, for starters? Much less admit passion? Why does music move us the way it does? And pain, be assured, is more than a neuro-chemical calculation. Why does social injustice to others spur our own anger? How could those who own all the creaturely comforts ever feel lonely?

The materialistic reaction to these, I suspect, prompts what we call addiction. Though it’s not always to alcohol, tobacco, illicit drugs, food, or even sex.

For liberation, a spiritual dimension will open. Or else.

TRIPLE PLAY

~ Jnana Hodson ~ 1 Comment

Any writer tackling a large work such as a novel or screenplay will need to consider the matter of structure. The easiest way out, of course, is to follow a conventional model.

In fiction that might mean 60,000 words, more or less, spread out over 20 to 24 chapters, typically in a straight chronological order, past tense. For the film, something that would come in a little under two hours. To that you’d add pacing, points of conflict, resolution, number of main characters, and so on.

Sometimes, though, you find that’s not the best way to organize your material.

For example, in its revisions, Promise emerged with three sections, each set in a different locale – Prairie Depot, the Ozarks, and finally the Katonkah Valley. Each one, as it turns out, can be viewed as a novella held together by the central couple, Erik and Jaya.

I didn’t intend it this way. The original version had five sections, for one thing, which I came to feel were simply too unwieldy. The cuts provided what I feel gives a better balance.

Let me also admit to a fondness for shorter novels. Novels, mind you, not simply novellas, no matter how much I enjoy them, as well. Maybe it’s a reflection of my typically crowded schedule.

Still, both short stories and novellas stand as kinds of orphans in today’s literary scene. They should be more popular than they are. An occasional solution, one I’ve enjoyed reading, runs a central character through a set of short stories to culminate in a volume of novel length. It’s a tricky strategy, though, and hard to pull off.

Maybe that’s one more reason I feel a special satisfaction with Promise.

Hope you do, too.

Promise~*~

For your own copy, click here.

PLEASE ALLOW QUIET

~ Jnana Hodson ~ 5 Comments

Look at the modern American addiction to noise – TV, cellphone, iPod, who knows what else. All of the mindless twitter.

Anything to keep us from thinking or reflecting deeply. From direct, sustained experience, observation, and tinkering.

It’s enough to run away, toward freedom.

ELDERS HOLD

~ Jnana Hodson ~ Leave a comment

In Quaker practice, elders are what other denominations call bishops, except that in ours and other Anabaptists (Amish, Mennonite, Brethren), they’re found within the congregation, rather than over it. And elders can be young folks, if they’re so gifted.

Elders 1

For a free copy of my poetry chapbook, Elders Hold, click here.

MINDING THE FAITHFUL LIGHT

~ Jnana Hodson ~ 3 Comments

Living in New England, I’ve become enamored with lighthouses. My fascination has nothing to do with the quaint impression many tourists carry but rather an awareness of the ways these now antiquated emblems of peril define our landscape. Along the water, if you can identify the light, you know where you are. Believe me, there are places that would otherwise be difficult.

The night ocean, as I’ve also discovered, can be anything but romantic. It’s a different world from the one visitors encounter during the day. Cold, windy, wet, threatening, even on many summer nights. Yes, on a balmy evening, especially with moonlight, it can be magical. More often, a night ocean can be downright spooky.

Along the dark coastline, the flash of light can help you place yourself in the scene. You triangulate your position using the lights. Each lighthouse beacon has an identifiable pattern – one flash every five seconds. Or ten. Or two flashes. Their colors may be unique in that place, too – blue, green, or red, instead of clear.

The most powerful beams reach out 20 miles or more over the water. Think about that – the light doesn’t scatter but holds together using a technology that predates the laser. How much we take for granted!

And to think, in the old days the illumination came from whale oil or similar fuels.

These days it can be a 110-volt bulb the size of your thumb.

The mechanism that shapes the beams is itself a remarkable piece of technology – the Fresnel lens. Developed by the French physicist Augustin-Jean Fresnel in 1823, it’s a large sculptured glass cone, where each overlapping leaf joins to focus the ray into one. The larger ones are the size of a child, with the light from inside. Remarkably, these are much thinner than a conventional lens for the job would be – thus allowing more light to pass through and the lens to be mounted in a rotating base. (One we’ve visited floated in a 500-pound pool of mercury.)

A section of a 4th order Fresnel lens is featured on the cover of my booklet.

Just as incredible can be the tales of the lighthouse keepers and their families – lonely work, often tedious, cold, staying awake through the night, put at risk by the storms. Nothing nostalgic there, being faithful.

As I look at the light and its tower, my mind leaps to the universal application of light as a metaphor of religion and spiritual experience. It’s especially prominent in the writings of Quakers (Society of Friends), where it frames an understanding of an alternative Christianity – one earlier generations never dared voice completely. Still, the Light led them in fresh directions – and can still do the same for us today as it reaches far, including into the human heart and mind.

Light 1~*~

For your own copy, click here.

AN ESSENTIAL ROLE

~ Jnana Hodson ~ Leave a comment

Within a religious tradition – I’m tempted to say any religious tradition – there are wise, seasoned guides. The ones who know from their own faithful practice what temptations and struggles the aspirant will face and how to overcome them.

Known in the various traditions as guru, swami, roshi, rinpoche, abbot, mother superior, bishop, or simply elder, among others, the best of these are adept at listening and then asking the right question.

In doing so, they hold the individual and the spiritual teachings together. As I know from my ongoing Quaker practice and earlier training.

These poems pay homage to that role.

Elders 1~*~

For a free copy of the chapbook, click here.

BEYOND SUPERFLUITY AND VANITY

~ Jnana Hodson ~ Leave a comment

In college, I went through a soul-searching crisis that questioned whether we could justify subsidizing symphony orchestras or opera companies or art museums and the like in light of the economic inequities in our nation and world. And then I noticed how much of an entertainment industry flowed through the ghetto and Third World, too. That is, everybody has art (even those old Quakers, in a few restricted forms) — it’s not necessarily about money but a need for expression. And all of the emotions and aspirations that go with it. As well as the big bucks, for the big jobs.

In my trials after college, I eventually found myself moving among Friends and then, in time, a few who had grown up under the old restrictions that banned fiction, theater, and even music. Harsh as the old discipline was (and I could have never lived under it), there was also a valid criticism – especially of the superfluous nature of so much of the artistic effort and the egotism so rampant in its ranks.

Maybe the early Friends saw, too, how much the arts were a function of the royal court and its fashions. Or a gilded church. Even the way arts were used to veil the upper crust from the populace and its labors. It turns outs the original Quakers were also picking up on a dialectic from the earliest days of the Christian church, one that contended acting arose in counterfeiting thoughts and actions, many of them of an evil nature.

Within the memory of Quakers, at least, the fine arts have come a long way from the 1650s, pro and con.

Still, proscribing many of the arts did focus Friends on other matters, including abolition and nonviolence. It channeled creative energy into mathematics and science, architecture and industry, poetry and journalism (“We Friends only read true things,” as one Quaker purportedly said, regarding a neighbor’s stack of novels). Go ahead, tally the other fields.

On the other hand, how much of our own focus is deflected by our apparent indulgence? Or how much of it is enriched and deepened?

So how do we make peace with that seemingly artless side of our legacy? Let me suggest we begin with a consideration of “only true things” in our practice. Back to the deeper expression, the part that reflects Truth that goes beyond quantifiable facts. We might even begin with questions of quality or justice or compassion. And then, as they say, the plot thickens.