INTO THE WARP

With some time to kill before rehearsal and a desire to buy a magnifying glass as a gag in an upcoming birthday present, I darted into a CVS pharmacy, where I promptly became disoriented. Everything in this one was backwards: the main checkout counters were at the back of the store, by the municipal parking lot, while the druggists were in a corner at the front, away from the doors along the main street. I had no idea where to begin looking.

No doubt in reaction to my perplexed state, a young clerk approached me and asked if she could help. It wasn’t her fault I was now thoroughly bewildered. Standing before me was my First Love, from nearly 50 years earlier and hundreds of miles to the west. Right height and shape, right hair, right voice, same quirkiness, even the same intensely blue eyes. Somehow she hadn’t aged, while I, well, time tells. In some ways, this was time travel of the worst sort.

How could I say anything that would make sense? She’d never be able to answer the questions I would have posed her.

THE PERSONAL STAMP

Until landing here, I’d never given much thought to selecting a garden plot. Flat, well-drained sunny soil was a given. Crops could be put out in easily marked rows. The Midwestern loam or Pacific Northwest’s volcanic ash-enriched ground demanded little, other than perhaps a bit of fertilizer boost. What came with our house and its small barn, however, were another matter – one abetted by a decade of deferred maintenance. On the driveway side, hedges had grown to overhang what’s now a kitchen garden and the ground was overrun by invasive ivy. Behind the house, one lilac bush stood nearly three-stories tall. Large limbs rubbed against the barn and blocked the pathway. Three garage-size brush piles soon emerged in the swamp, awaiting a fire department burn permit. It becomes a long history. What I was quickly introduced to is what my wife calls “dead dirt,” almost as hard as asphalt (plucking the stealth maples often required pliers), and then squirrels, especially as they dug up daffodil bulbs they had no intention of eating.

The process of restoring soil is another labor, one that becomes evident years later when the stealth maples slip from the earth, offering no resistance, a result of mulching, pruning, appropriate groundcover taking hold, and composting. In short, the improvement reflects a larger repetition of annual cycles of practice.

Moreover, I’d not appreciated the extent to which actions by earlier residents now shaped what we would build on. For starters, the siting of the house, barn, and driveway likely took advantage of drainage. Later, the construction of a gravel patio in shade on the western side of the barn – screened by a row of lilacs – has become so integral I cannot envision another use for the space, which we call the Smoking Garden, with the panels beside it that we filled with ferns, which have proved more difficult to establish than one might imagine. With two “springs” at the top of the swamp (we argue whether the pipes that feed them come from neighbors’ sump pumps or some other source), the seasonal flow of water becomes even more problematic. Combined with variations in sunlight levels and the soil itself – part of the yard remain quite hard, including asphalt fill – to see what grows well, and where, is eye-opening. For instance, our first season, we planted six pussy willow sprigs. One quickly croaked, followed by another. A third has barely grown over the next decade. Two others have shown moderate growth. The sixth, by the more active “spring,” however, has flourished and been the source of a handful of others planted close by.  The asparagus bed, meanwhile, was built atop an earlier raised bed at the top of the yard. And so on.

What has evolved is something that reflects our own style – more natural than formal, low-maintenance or at least relatively low-cost, and often eclectic. Our little city farm hardly provides enough to sustain us, but it does offer a taste of the changing seasons in all of the amazement that truly fresh produce delivers, as well as celebrating the unfolding of the year itself. This is far from the mossy Zen gardens I thought I would have desired, places I now perceive as expensive to build and maintain, or even from orderly, rectangular beds of rational efficiency. I love sitting beside the berm, in the far corner along the street, sipping coffee or wine – or, especially, in the Smoking Garden as late afternoon slips into night, with our torches blazing and clear lights strung overhead twinkling.

I love, too, gazing at the gardens when they’re buried in three feet of snow, appearing so pure and mysterious. They are both all potential and memory of the previous year – the hummingbirds and finches, butterflies and lady bugs.

RETHINKING BOND

Walking through the kitchen, I heard the song being repeated for about the 40th time that afternoon. Catching the familiar lyrics in a fresh light, I realized the contradiction in the image being created and any reality.

James Bond was in the air again, as he always is when a new movie version is released. It probably doesn’t matter which one.

What was hitting me was the idealized masculinity that depends on no one, acts impulsively without reflection of consequences, takes what he wants, uses and then disposes gorgeous women who are somehow supposed to flock to him anyway, be the “winner who takes all,” as Tom Jones’ “Thunderball” insists.

Yes, there’s an inclination in our society to accept the concept of the perfect male as someone who willingly breaks hearts, readily fights any and all, and never has regrets. In some ways, it sounds like the perfect soldier or marine. But he’s a sociopath.

His loyalties are only to himself, and even when he’s fighting on the “right” side, he’s destructive to those around him. You could never build a family or an organization with him in the midst.

Actually, he’s starting to sound like the Trickster figure – someone like Coyote – but without any of the tender sides.

Me, I’d stick with Coyote. He’s softer and fuzzier, for starters. He even seems to have a sense of humor, in that bungling sort of way.

ONLY THE BEST

Often, the lessons appear when least expected.

One my thoughts returns frequently to a conversation I overheard on a Saturday afternoon in Baltimore’s Little Italy. A couple, recently back from New York City, was trying to impress the restaurant owner that everyone they had talked to was raving about the establishment, saying it was clearly the best in Little Italy. Finally, the owner was able to thank them, with this rejoinder: “Anyone who doesn’t think he’s the best in this neighborhood shouldn’t be down here.”

I admire that sense of upholding your own pursuit of excellence. No excuses. And I admire that esteem for the standards of others doing the same. Rivals. And yet colleagues.

I don’t want to hear a salesman slam the competition, or a priest short selling another denomination or congregation, except in this light.

My work is the best. And so is yours! And, yes, we can both do better!

Humbly yours, forever.

VILLAGE

As humans, each of us assumes a cluster of identities – some of them chosen and changeable, others immutable. My grandfather, for example, proclaimed himself Dayton’s Leading Republican Plumber, invoking a host of other identities as well: Mason, Protestant, middle class, married. I don’t think “grandfather” was high up in his awareness. Being male or female or teenaged or elderly, on the other hand, are simply givens. And the history of what we’ve done or failed to do cannot be altered, except in our own perceptions and retelling.

The range of identities is astounding. They include but are not limited to race, religion, nationality and locality, occupation, family (household and near kin to genealogy itself), education and educational institutions, athletics, hobbies and interests, actions and emotions, even other individuals we admire, from actors and authors to athletes, politicians, and historic figures. They soon extend to the people we associate with – family, friends, coworkers, neighbors. And, pointedly, our phobias and possessions.

Curiously, it becomes easier to say what we are not than what we are specifically. That is, set out to define yourself in the positive and you’ll find the list rapidly dwindling, while an inexplicable core remains untouched. Turn to the oppositions, however, and the list becomes endless. I am not, for instance, a monkey. Sometimes, moreover, a specified negative becomes truly revealing: “I am not a crook,” for instance, as the classic revelation.

Behind the masks of public life – our occupations, religious affiliations, social status, economic positions, family connections, educational accomplishments, and so on – each of us engages in another struggle, an attempt to find inner balance and direction for our own life. As we do so, we soon face a plethora of interior and exterior forces that must be reconciled. We get glimmers into this struggle – both within ourselves and within others – in statements that begin “I am” and “I am not,” as well as “I have been,” which recognizes the history and habits we accumulate and carry with us. There are also the voices – “he remembers” or “she insists” – that also recur in our lives, defining and redefining ourselves both within, as conscience or the angel or devil on our shoulders, and without, as any of a host of authority figures and friends or family members.

When I turned to this is a series of poems, I found myself identifying many of the subjects by occupation, even though their confessions or interior monolog typically reflected the more intimate concerns of their lives – relationships, activities, even the weather. The resulting poems are, then, overheard snippets more than public proclamations.

What began as an exercise in self-definition breaks out nonetheless into an entire spectrum of personalities. Do we know any of these people? Or are they somehow eluding us, masked by the bits that are revealed? Those we recognize, moreover, happen by accident – none of the portraits are of known individuals, but rather the inventions of the poet’s craft and imagination.

Listen carefully – especially when others talk of their romantic problems or other troubles – and another portion of a mosaic appears. My collection builds on such moments, constructing a cross-section of community like a web of each one of its members. Sometimes, a place appears; sometimes, a contradiction; sometimes, a flavor or sound or color. Even so, in this crossfire, then, we may be more alike than any of us wishes to admit. We may be more like the part we deny, as well. Our defenses wither. Our commonality, and our essential loneliness, are revealed.

In the end, I’d say I have a Village of Gargoyles.

MARIAH WATKINS

One of my wife’s childhood heroes, George Washington Carver, is proof that some of the best mothers never have children of their own. After his own mother’s death as a consequence of being stolen from one slave-owning family and carried off to a plantation, before being bought back – how vile, the entire institution – young George was cared for, first, by the sickly wife of the slaveowner, and third, by an art teacher who directed him on to her own father, a college professor of botany. But most important was Mariah Watkins and her husband, Andrew.

We know very little about this black couple, except for her influence on the boy who emerged from spending a night in their barn. In another circumstance, George might have been shot. Instead, she called out for him to wash up and come inside for breakfast. What’s your name, she asked. Carver’s boy George, came the reply. No, she corrected, from now on you’re George Carver. (The Washington came later.) He lived with them while attending the Lincoln School for Negro Children. She gently instilled a deep religious awareness in him, presenting him with her beautiful, large family Bible, which he used daily for the remainder of his life, and also nurtured a sense of responsibility for the advancement of his own people. Essentially what we know about her comes in the correspondence they continued over the years. (Among the few other bits we know is that she was a midwife who cared for about 500 babies, including the painter Thomas Hart Benton.)

You can also trace the two connections between George and another great agricultural reformer, Norman Borlaug, whose Green Revolution is credited with saving the lives of a billion people.

Indirectly, then, by feeding a single child that first morning, Mariah put into motion events that would feed a billion humans – a miracle overshadowing the multitude Jesus’ disciples fed with those few loaves and fishes on the banks of Galilee.

ROSES AND THORNS

In any relationship, it is difficult enough to know one’s own actions and thoughts completely or accurately, much less the other’s. Misunderstandings are inevitable – “You promised,” “I never said that,” “Why didn’t you phone?” “I did what?”

The gaps become especially obvious during a breakup. Like a mirror that smashes to the floor, the image comes apart. Spider webs span gaps. The reflection distorts. Here, silences – the interstices of what is unseen or left unsaid – become as important as what is harshly trumped or cruelly enacted. Sometimes, it appears that figures previously hidden by the mirror itself now become visible; even motions that had been observed but dismissed return with ominous significance. Excuses no longer suffice.

Moreover, if one partner has been cheating, the mask itself now drops away. Some misunderstandings, it turns out, were intentional. “I know I said that, but I never meant it.” Stones, then, are finally thrown directly at the looking glass, and through it. A hammer is held in the fist.

“Do you love me?” becomes a meaningless question. Petals fall from long-stem roses given as an expression of passion. In the fractured mirror, even blossoms shatter.

And then there’s the personal complication. As Diane Wakoski of the Motorcycle Betrayal has observed: “I suppose part of my adult fascination with American adolescence is that I didn’t live one, except in very scattered ways. I was, all my life, trying to escape my … background. … Thus my lifelong snobbery about highbrow things.”

But there’s no escape, now, is there.

ALL HAIL THE DETERMINED GARDENER

Although I do my share of the weeding and much of the spading, I’m not the gardener. My wife is the one who studies the varieties of plants, selects and orders, fusses and sows, evaluates soil and sunlight, while I’m more likely to mow, do the composting, construct the raised beds, and transport ferns, Quaker ladies, and ox-eye daisies from the wild. In recent years, our elder daughter has taken delight in getting seedlings started and transplanted, especially, as well as making jams from the fruit we harvest. (The younger one could care less.)

While my dad, mainly, raised vegetables and tomatoes behind the garage when I was growing up, and my mother fussed over flowers that generally failed, and despite my later experiences living on a hippie farm and then the ashram as well as my first wife’s efforts in Ohio, Indiana, and the fertile desert country of Washington state, my perspectives on gardening center on Rachel and her world. Everything before was simply preparation. Little did I suspect, when we set out to buy a house as part of our marriage, how much she was calculating garden opportunities; many of the urban New England properties, surprisingly, have little usable space for raising plants. Only after bidding successfully on the house we now inhabit did we learn that it included not just a small but manageable strip beside the driveway but a half-lot on the other side of the house, as well – the side we’ve come to call the swamp.

But that’s the beginning of another story.

BECOMING A CHARACTER

Everyone where she was from said simply, “Oh, that Anna! She’s a character!” But they’d never say why.

I met her long after she’d moved east, and sensed in her a deep spiritual presence.

Still, when it came to opening her memorial service, I couldn’t refrain from mentioning her identity as a character. What emerged in the next hour was quite a lesson.

Afterward, as I drove home from New Jersey, I embraced this mandate: we have the first 40 years of our lives to get our act together – and the next 40 to become a character. If we can. If we’re worthy.