ESTABLISHING A RHYTHM

greens

plant and weed     beside the kitchen     and
the forerunner of a fern bed     behind lilacs

on the swampy side     ignore omens     asking

the real question

if you’ll ever cry      Where are we going?
“it’s a big mistake”     Going     where?

my earth sinks / would always sink     if

it weren’t for stones     floating to the surface

each winter

land bridge jeopardy

cruel ground

stone soup     rather than potato     I intended
to tame     with compost, yes      and worming

so it was     holes in dirt     with next year’s
garden already planned out     she’s ready
to hear    I’ve never been fond of mowing
a lawn     but take to composting anyway

digging in

royally singing     in praise of red wigglers

like a man

so truly      the Cadillac

on my daily
commute

extending the scale      new construction
along all his options     have me wondering
how the routes would be     by the time
I retire

what will be planted     where forest was

Poem copyright 2016 by Jnana Hodson
For more,
click here.

PRELUDE & FUGUE 39/

a dingy moored on still water
dancing to Bix tonight
in front of the boulder and island

*   *   *

in front of the boulder and island
moored on still water
spires, houses, and the brick millyard
red between granite

a dingy in front of the boulder and island
moored on still water spires,
houses, and the brick millyard

red between granite
a dingy
in front of the boulder and island
moored on still water

spires, houses, and the brick millyard
red between granite
a dingy

dancing to Bix tonight in a blue lake
against mountains reflected foliage
along a green river moose drab
on a sandbar amid dancing to Bix
tonight foliage along a green river
in a blue lake against mountains moose
amid reflected sallow dancing tonight
foliage along a green river, Bix on a sandbar
looking down from the hill in blue
lake against mountains dancing
to Bix tonight moose dun foliage along
a green river sandbar in blue mountains
against moose reflections looking down the hill

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

SABBATICAL, AS TRANSITION

with a year of composition and retreat
free of alcohol
without the pleasure
of coworkers

the strength saying no
to myself

*   *   *

as a transition out of selling, this repose
wonderful, wonderful and thanks, hoping

*   *   *

during my year of isolation
I abstained

mostly

according to mission

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

THE ISLES

1

the cluster of eight small rugged islands
(or more, depending on the tide
and how one’s counting)
ten miles out from New Hampshire
and Maine

Appledore, Star, White, Smuttynose
among them – the landing at Gosport
ornithological laboratory, conference hotel
lighthouse and keeper’s housing

2

distinctly hot, hazy ashore
a threat of afternoon fogging
obstructing the islands

board the M/V Thomas Laighton, named
for Celia’s brother, HARBOR CRUISE & TOUR
and it’s twenty degrees cooler offshore
windy, nine-foot tide normal

far from anything, a kite flies, wagging a long tail
gulls flock a fishing boat
“whistlebones, cricket sticks”
a young woman sings

approaching the unfamiliar light of an afternoon squall

“everyone on the deck, down under – now!”

quickly enwrapped

in a darker fog, a gray luminescence
viewed from the inside
of a pearl
all passing in minutes

3

you could volunteer for the trip
to thin hop vines overrunning her garden

bring home rootlets
for a memorial planting

to stabilize and flavor
your own bottles

fermented in late fall and deep winter

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

BRIDGE FROM MAY TO JUNE

clapping dragon – prayer banner
blessing the northern wind:
Indra, Vayu, and Varuna
conspiring
with brooding swirls
to drum our roofs and nurse
our earth.
gather us
in logs
beneath
thundering rain
– with Handel and Bach
we speak of broad leaves
and our friends:
opposites
within jagged walls
brushed white –
this reassembled skin,
its rice paper sphere
and we take tea. minor elegance
rough wood improves –
the drenching opens
unnamed doors
in Monday’s clover
and Tuesday’s spruce –
drowns the shrew-mouse
on Wednesday’s trail –
awakens sleeping polychromes.
makes pokeberry tall
beyond our yard.
shakes tulips from twigs
and fattens swamps.
urges telegrams of morning birds
to break our sleep –
rumbles within our karst –

as current
entering swallow holes
will rise where mills
once twirled
soft wheat.

Poem copyright 2015 by Jnana Hodson
To see the full Green Repose collection,
click here.

 

 

BRAINCHILD

a feathered and furred woman
bare shouldered, face painted white
black mouth and black exaggerated eyebrows
a black veil over her face

where is the balm?
the salve for stinging nettles?

potted plants on a white mantle

a bowl of sprouts atop a handwritten note
spread over a blue napkin

richly patterned fabric
behind a waxy flower

a pile of Valentines

reeds and songbirds
home is a refuge or should be

a bar of soap wrapped in pale-tea ribbon
a hole cut in a painting left open with crossed ribbons

two men in an open briefcase, as dolls torn apart
so many screws and nails and tense threads
for connections

a barn owl in front of a red barn

a red house with shiny metal roof in the woods

red hen, red comb, red alarm

Bright day in the valley

Lincoln’s Indiana legacy
in a place that couldn’t support a used bookstore

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 40/

three dogwood

two owls

a stone barn

*   *   *

stone fence
halfway up the valley of silos, tractor trailers
in mirrored sunrise

the symmetry, yee hah! of fence half stone
up the valley silos, tractor trailers, in the mirror
of sunrise coming home, yee hah!
setting forth along stone fence halfway up
the valley silos, tractor trailers,

in glittering yee hah! sunrise
so fleeting, unbalanced
between the gloved hands

a rosebud, three dogwood, two owls
a stone barn with blossoms that God
in front of a lone maple looks down

in a rosy stone barn fronting a lone dogwood
three maple blossoms look on two owls
that God, in a rousing talk in front of the lonely

fireworks of dogwood, owls, rosebud
blossoms, by God, around a stone barn

in front of a lone dogwood, what blossoms
into a conversation of two owls with God
looks up, looks down, looks around fireworks

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

SMALL FRY

Gould’s Trumpetworm
looking to all the world like sand

spoonworms

speckled flatworm, milky ribbon worm
the many segmented worms
(rolled up into a body when threatened)

shells of northern white chiton
diluvian punturella
spiral margarite
wide lacuna
the tiny periwinkles
flat skinea
three-lined basketsnail
solitary bubble
fuzzy onchidoris
graceful aeolis
shag-rug nudibrand
northern dwarf-tellin

if you’re close
or have a yen
for maritime bonsai
of a zoological twist

dig in

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

IN THE GREENING

in the end, we miss the freezing rain
that becomes fog in treetops on my commute
over melting snow

still achy from gardening
so what do I know?
a touch of lime oil in my morning coffee

green swags
my windows

watch my back and sides
spasms
all that digging

a full month of April showers compresses
into thirty-six hours Monday and Tuesday
welcome relief, but

uproot a hundred stealth maples
and a squirrel
every day
this time of year

the garden looks great, so luxurious to have cut flowers indoors
a second sprig of laurel in my lair
against the deep velvet of Siberian iris
now we’re sinking to detail …

a bucket of strawberries, to the office

too much rain and the sump pump kicks in
a downpour leading to rare July flood warnings across the state

our Lady of Pink Flamingoes keeps taunting
“Have you been flocked?”

such a strange summer
cold, wet July days
rain and thunderstorms forecast
into next week, without break

my Lady of Coriander had the stove going three days

by Bastille Day, still no time in the 90s
and only a few in the upper 80s

where’s it going, our summer of plastic flamingos?

or the alternative, of very humid, stale air –
80 Fahrenheit, 80 percent humidity –
can’t move much
despite intentions

some sun, some rain
including brief downpours

the continuing decay

I mow the lawn, saturate a T-shirt in sweat
of course, it’s extreme high tide at the beach

1 a.m., bedroom windows open

thinking of the past
I smell a skunk
crossing the darkness
below me

into a lazy day, mostly on the deck

frozen daquiris, relief from 90-plus heat/humidity

the first time in five years

profusion of glorious mock orange
in and over the kitchen garden hedge
just because I watch the stars
doesn’t mean I trust them

Poem copyright 2016 by Jnana Hodson
For more,
click here.

OUVERTURE

welcomed into my orbit

a Chicago-Baltimore axis
its own perspective

a shadowbox with sixteen cells of teeth numbered
out of the thirty-two originals

to whip up something before a martini

a gray vase with a cow skull
places I once treasured
since lost, yes, lost. And now?
how often, not the place as much as fragile
in the void of letters, Well, kiddo
all the right intentions

a postcard of Florida seashells

a secretary (white blouse, tight black skirt, black heels)
waiting for the midday train in a suburb

three close-lipped fishermen wait to build a fire
on a rocky bend of the river

a woman in a blue dress pauses at the end of the blue deck
before leaping into subtropical ocean

the blurry backside or figure with bent leg
reaching for balance

to sit, wearing blue jeans and a blue polo shirt
in a corner office overlooking parking in a desert

to enter a tall office building housing a Jekyll and Hyde club
befit with gargoyles, sculpted climbers, human skulls,
and Ionic columns

to pose standing in a powder blue wrapper
under a Greek male torso and the head of a stallion

to leap in a fiery ballet costume
from the Brooklyn Bridge before breakfast
onto a parked Harley on cobblestone

dazzling Shakti Style weavings

a Celtic bowl with three mermaids as snakes

Open 24 Hours
misery, in spicy flavors

modern glass teacups and teapot
modern glass table lamps
modern plastic table radio

all I’ve inhabited but won’t return, ever

no, waiting for a “better” scheduling day means
another couple of years, at best, so let’s do it while we can

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.