EARTH ASSUMES MANY NATURES

sometimes quite sandy, sometimes the clay
we inherit

black loam’s best for farming
excessive acid or alkali
impose their toll
compacted soil simply won’t breathe
my Lady of Potting
explains

“organic matter,” she says, meaning compost
and manure, especially. “it needs to be fed”

to say nothing of her disdain for “dead dirt”

so I stop to admire earthworms
flourishing in healthy soil

air appears in many natures
especially when it breathes
inspiration. expiration. a circle of life
a tornado, a cooling, a withdrawal into nothing
dry lines of laundry. clear a picnic table
swirl smoke from an open blaze. snuff burning matches
lift a kite. lift an airplane. lift birds
and countless insects. sometimes paper
sometimes squirrels. ripple the waters
ripple the flags. the prayer flags, especially
burn with heat. freeze with ice

water appears in many natures
sometimes sweet. sometimes salty
sometimes running. sometimes still
fresh or brackish. a cloud, a storm, a gentle rain
a stream, a pond, a cavernous pool, an ocean

rock appears in many natures
sometimes quartz-infused. sometimes basaltic
limestone’s favored for buildings
granite, for headstones and curbstones
coal fuels industry. ore refines into metal
gemstones become mysterious in their clarity
mountains tear into the wind. shape the rain

some qualities are visible. many are not
they mix together in thousands of ways
look at the horizon, look at the ground
landscapes emerge apart from map-making

Poem copyright 2016 by Jnana Hodson
For more,
click here.

PRELUDE & FUGUE 47 /

beach umbrellas at the foot of the sagging pier, forever
towels wrapped in ribbons on a sandstone floor

*   *   *

don’t know this beach as a sandstone floor
how long a floor measures good fortune
wrapped in sandstone ribbon
this beach a long floor
doesn’t good fortune wrap itself in ribbon
knowing this how long
a good beach wrapped sandy fortune

kiss my face running with
new black Eagle purity at the soapy foot
of umbrellas she’ll kiss my

pure soapy Eagle face
while umbrellas run with new black
at her foot I’ll kiss this

new black soap opening
umbrellas forever facing
my Eagle kiss in the foot run pure

soap face Eagle
umbrellas run at the foot
forever new black

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

 

IMMEDIATELY, THEREIN

denying my weaknesses
even now

as I peel

*   *   *

ascribing the heavenly
reflection

I’ve sought only loveliness
or brilliance

less stable than marble

guilty, all the same
to be
uniformly repulsed by deformity

truly
transitory beauty cloaks
impending hideousness
of the flesh

though I’ve been so famished for affection
and tenderness

to be blinded
in my transgressions

as by a blister

*   *   *

who would not doubt, considering all the evidence
unanswered
in lonesome infidelity
without an angelic trance

on waterless ground

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

PURPORT

I confess everything
I’m guilty
even when it comes to crime
I’ve failed
I can’t even lie, if I try
as for confronting an issue
I understand none of the charges

they say a house
even an old house
settles
but that’s not precisely
accurate, where
sinking
and sagging
are more apt

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

ALONG WITH HIGH STYLE

Rouge on lips or toenails, the glimmer of gold jewelry or a gemstone, the glossy photograph or the slick magazine, the light in a drop of costly perfume, the shimmer in a particular weave or pattern of spectacular cloth, or the haute (hoity-toity) air of a trendy boutique: each reflects eternal desires and feminine intrigue. The interplay of status-seeking, gamesmanship, the swift-changing hunt, and the theater of fashion spreads out far from its urban epicenters – and crosses nations, languages, continents, and ages. How quickly a little girl insists on her own definitive style! The poet and poetry are not immune, either, infused with their own tastes and passions. Where a dictionary observes  gloss as “the luster or sheen of a polished surface,” there is also the danger of “a deceptive or superficial appearance” as well as “an effort to hide or attempt to hide (errors, defects, etc.).” Still, a gloss may also attempt to interpret or translate. The curve or the motion, the smile or the gaze, skin itself, or hair in sunlight or moonlight, each concealing while hinting of revelations. So often, awaiting next month’s editions.

These are the poems that conclude my newest collection, Foreign Exchange.

~*~

Foreign Exchange
Foreign Exchange

For these poems and more, visit Thistle/Flinch editions.

CURRENT, CURLING

1

 prevalent, from the west
clear and cooler, from the north
rain on the way, from the south
tempest, from the east

reading the wind

in a flag
in smoke
in running clouds
or water in a clear thistle tube

2

listen, a storm approaches
through leaves and hills
the same sound as falling water

surf repeats its snare drumming
along the shoreline

matching a far-off airplane

all voice great power
resounding

in a stream
in the tide
in air
even in a light bulb

what’s present, now
within some great
motion

around each wing
the flow of thought
keeps running

3

ring around the moon
as a warning

listen, rainfall
will warm the ocean

and swimming is best
just after high tide

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

PRELUDE & FUGUE 29/

such a beautifully speckled trout
balancing on its head

*   *   *

n June
swirling
a long fish
a fish as long as the boy

a boy balancing a large fish on his head
in June swirling a long fish

a fish as long as the boy
a boy balancing a large fish on his head in June
swirling

a long fish as long as the boy
balancing a large fish on his head

red, yellow, blue, and green
under a decorative fish such a beautifully
speckled trout of a man running
back with quahogs and a tan Beyond Frog Hollow
tours halibut? red, yellow, blue, and green
man running tours under a decorative
fish back with quahogs and a tan
halibut? such a beautifully speckled trout
Beyond Frog Hollow red, yellow, blue, and green
a man running tours of halibut?
I really do need to get to know fish:
how to identify them under a decorative
beautifully speckled trout
red, yellow, blue, and green back with quahogs
and a tan Beyond Frog Hollow man runs
tours under decorative quahogs and a tan halibut or
such beautifully speckled trout Beyond Frog Hollow
I really do need to identify

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

THAT BIG BEE FUNNY MOTION

long enough we could see the flashes of ruby throat
a flash of flight in front of me
only one thing that could be, such fast motion

later, sitting in the crossbars of the feeder
before dropping to the sugar water

continue to see flits around the house
that big bee funny motion

a hummingbird at our feeder, size of a dragonfly

hummingbirds arrive late April or May
leave in August or early September
fly 600 miles across the Gulf of Mexico
bulk up in Georgia and Florida adding
an ounce of fat to their four-ounce bodies …

to wit, some most amazing creatures

Poem copyright 2016 by Jnana Hodson
For more,
click here.

 

HEARTBEAT

she’s the one with the comb and scissors

the fruit of my womb

for her thirteenth birthday
she wanted a rented limousine
six hours, unlimited mileage, to sashay

through the Mystery Cafe “where murder
is always on the menu” but even then
adjusting our calendars was the killer

maybe I’d appreciate the suggested list
to just pull the trigger
against Mother Nature and Aging

what I was fit to tap out this evening

please stay tuned or advise with directions

crazy for lovers

Adam and Eve at puberty, separated by a large apple

a red candle-lit cloud kiosk on Copley Square in Boston

let you peruse the 

apple perched on a suspended steamer trunk

a map of European geology free of political borders

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

TOPOLOGICAL DISPARITY

1

any stretch of shoreline
is not two sides of the same coin
viewed from water or land

even assuming you know the twisting roads
or clusters of housing and wharves
or white steeples and beacons
the familiar melts unevenly

even the maritime charts and roadmaps
conflict
one measured in knots
and the other, miles

for many good reasons
the pieces rarely fit

even if you could walk on water
and still the rough waves

2

land is a kind of insurance
if you don’t crash

any grounding and the atmosphere
both move, often in contrary
currents, you navigate a facade

blue is never the ocean’s true nature
even on a summer day
unnoticed red or yellow modulate

when rain comes up
the beacon vanishes
in fear or arrogance

3

no matter how similar
they initially appear

waterfowl bridge this disparity
moving, air

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.