WHILE COOL, RAINY WEATHER DELAYS THE TOMATOES RIPENING

slugs thrive, and I’m back in Seattle, except
that here, broccoli, cucumbers, zucchini, and peppers
arrive in waves

and our woodworker-electrician and I tackle the barn renovation
in earnest

still, in a few breaks, I cross the line into Maine
sometimes with my Lady of Children’s Television
leaping rapturously in big surf
and sometimes with the afternoon all to myself
and once with the whole family
only to discover I’ve packed No 4 sunscreen
rather than No 15
(as a serious burns will demonstrate)

in all of this matter of burrows and burrowing
in the earth, in the foliage, at the beach

while fully resolving to keep the wedding simple
my Lady of Parsley and Sage delves deep into planning
what has already become too complicated for my taste
(“what do you mean, you don’t want a potluck?”)
and we meet with an Oversight Committee

in Portsmouth Harbor the family tours a Viking ship
on its way from Iceland to Manhattan
and the following week, a full-size Theodore Tugboat
with rolling eyes and all, as any kid watching PBS could explain

all the while, life itself feels submerged in Limbo
as absconded as our plumbers

Poem copyright 2016 by Jnana Hodson
For more,
click here.

 

FADEOUT

a woman in an improbable hoop skirt
and headscarf
lights a wall of candles

salmon-colored bands on a wall, plus a solar diagram
and an Elizabethan woman

black chair, as two birds flying in opposite directions
as she reads her book

in a balloon, the fog

handbag and coffee New York

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

NIGHT WATCH

1

between sunset and sunrise
the ocean returns to desolate obsidian

of her dark depths
in the character

at best, stars above
strand of shoreline, depending

maybe the moon
with her sea-legs

or repeated slapping

2

breakers arrive as a single point of reflected white
opening out evenly in a line on either side

a lip, sometimes to one side only
rarely claiming, “I love you”

sheets of gleaming water shift on the sand
or everything way out, obscured
in fog

scolding
pipers scurry about
on their stilt-legs

at highest tide, pebbles sound of boiling

with all the sunburned drunks long asleep
or the party, behind glass or on the deck
a cigarette meanders somewhere to my left
though I catch no shards of conversation

3

if only the beach were not broken
by rocky fingers and cliffs

unseen ledges and outcroppings

or overwhelmed in abrupt tempests

the night voyageur might sail dependably
by the compass

but vessels and their crews
mostly go down along coastline
blindly

mistranslating, the whole sense stymied
by a single word, a puzzle, upturned wind

4

count the seconds, then, in the flashing
points
matched to the chart

one red-lighted buoy
white caps below

Whaleback just clearing the hilltop

a large, well-lighted ship near the Shoals
waiting for high tide to enter Portsmouth

or on a very clear night, way off
Thacher Island, Cape Ann, Gloucester

how is it the Boon flare jumps about
three spots, playing the length of shrouded rock island?

of the available beacons
the closest, curiously, appears only a muffle

in the call of the underside
“come to me”

mournful bell or horn
and strobe light

restless, relentless
rhythm, however unpredictable
retreats, advances
restores, destroys
cleanses

5

I cannot imagine rowing ten miles to an island
at midnight

after an evening in town

but they did
for a drink or conversation
so they said

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

WITH FINGERS AS THICK AS HOT DOGS

Resting on the park bench, she complained
she couldn’t keep pace with her children.

When the seven-year-old pest returned,
demanding, “Ma, give me money”

for a cola, she complied,
thinking it love.

~*~

She couldn’t touch her toes.

~*~

Her legs pushed away from each other, yet

in her cotton dress, unexpectedly
as she swatted a fly, she began to float

and meticulously shrank from sight,
bouncing along the horizon.

To continue, click here.
Copyright 2015

 

PRELUDE & FUGUE 41/

in the dune of the black-eyed Susan
a schedule diametrically opposed to my own

*   *   *

a stargazer adjusts a pile of broken
shell and black-eyed Susan polished by sea-spray

in the dune behind an urchin
adjusting broken shell, the black-eyed Susan

polished by mist, the blanched dune
kelp adjusting a pile of broken shell

and black-eyed Susan polished
by surf sweeping along the dune

an astronomer adjusts a schedule diametrically opposed
to purple shoreline in the type case of shells and dull-edged
glass where my own pile of green stones in the box of shells
pile up a schedule diametrically opposed to dull-edged glass
the purple astronomer adjusts the typeface in case
shoreline shells pile his green-stone telescope somehow
diametrically opposed to any heavenly schedule he attempts
tuning the dull-edged glass of  my own type case of shells
piles in a schedule diametrically opposed to dull-edged
green stones along shoreline where I’ve set my own telescope

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

THE SURFACE

with distances
our skin
our heart
our thoughts

the countryside
a big city

such poverty and misfortune
such glittering opulence

visibly and invisibly
blinding

even before the mildew

*   *   *

my turtle shell my weakness
three times I’ve prayed it not be moved

*   *   *

casting addiction
or promiscuity
or crime
along racial
or ethnic
or neighborhood
in or out of

where charity is not supple
communion

no hour
attended as fully as we might

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

RETURN

1

slowly approaching a line
that grows from the edge of the sea
and then spreads at the harbor mouth

slowly, details emerge
and at last, some recognition
in what’s become familiar

home, or at least neighborhood
extending

attuned here, more than elsewhere

the awareness, something all your own
has happened with this place
but not knowing precisely when

in the tide
returning

2

introductions, by degrees
lapping and receding

even in six hours

Plum Island with Eric, Bill
and the baby, “Why don’t we leave our towels
down there?” rather than the crest of the dune

“you’ll see”
once the surf bubbled inches
from our possessions

or high tide covering the jetty
that shaded the sailboat venturing out

or entering a ferry on one deck
and exiting
on the return, from another

or weather

on a carefully selected
Sunday picnic, and air
optimal for swimming at the sandbar
only to have the Coast Guard
pull up in an inflatable raft with a bullhorn
“Out of the water! A storm’s coming!”
while the sky’s still cloudless but
before we reach shelter two hundred
feet away, the sun’s gone and a deluge opens

with or without hail

or the mid-afternoon ferry
through twenty-foot swells
and returning at sunset
on calm water

not that we’re friends
or have much of what you’d call
a relationship

3

miles inland, closer to the house
detecting high tide in marshes and rivers
or its absence

salt hay in cow milk

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

ON OUR OWN GROUND

each springtime and summer
we go our rounds, grubbing out

pervasive maple sprouts, glistening slugs
the evil elegance of bindweed

to open way
for what flowers or what bears would harvest

each repetition its own mixture
of success and disappointment

* * *

as my Lady of the Fabric Bins explains
the palette of the tongue

its savory and sweet
variations of wine tannin or bite

torches in our smoking garden twilight
with charcoal, glowing and ready

Poem copyright 2016 by Jnana Hodson
For more,
click here.

PRELUDE & FUGUE 42/

ceramic dragon as a weed patch with teeth

you, me, it

don’t forget the oyster crackers

*   *   *

the repose of an attic ceramic dragon
papered in autumn foliage of a white T-shirt
and four blue candles caps a corner mattress
with weeds and a sequoia the attic room reposes
in a white T-shirt, a blue cap feeds on a corner mattress
the tile dragon ignites four candles with weeds
a sequoia papers autumn foliage over the reposing feed
that rooms in a white T-shirt and blue feed cap

a repairman walks past a weed patch
with teeth in white shorts

climbing a gray windmill two people
walk past as weeds with teeth patch

white shorts on two people climbing
a gray windmill repairman walks past

two people in white shorts and gray
windmill teeth climb a weed patch

in a corner in a weed mattress and sequoia
four candles won’t forget the oyster crackers
nor tile ceramic dragon papered in autumn foliage
all the repose of an attic room of four candles fed
a white T-shirt and blue feed cap a mattress
corners a tile ceramic dragon with weeds
and a sequoia papered in autumn foliage feed
don’t forget the oyster crackers atop four candles

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.