ROOTS THROUGH THE SKY

Ours was not the journey of Ulysses. There had been no dramatic battle. No obvious defeat or shipwreck, either. We weren’t accompanied by our own troops. I intended to make my home here, at the edge of wilderness, and venture into its realms, rather than circle back toward some faraway but faithful woman or goddess.

With the exception of my spouse, who also traveled with me, I was fleeing my own people and hoping that strangers would be better, or at least different. Crucially, I would continue to enter the back country to be reminded of some mystery, as if on this edge of the continent some faithful remnant was making a final stand in defense of Old Ways handed down through practice from antiquity. Still, you could look at the ground and be disgusted here, too, to find white fibrous butts, the thimbles of broken cylinders left behind wherever man goes, along with the larger, inescapable debris. Look up and see contrails of airliners and military aircraft. You could scoff that in vapor-lighted cities, where cancer is the predominate cause of dying, few inhabitants are aware of the flickering stars or the planets in their orbits; the populace is ignorant of the very lunar phases you will so closely follow here. Taunt them, arguing that Jesus is the only bum welcome on their streets and parking lots, and accepted in their midst only because he’s conveniently dead. Maybe he’s not all that welcome, either, if you look closer. Meanwhile, vandals spray-paint his name on forest boulders alongside highways, as though a word alone can distribute clear-cut salvation. Ponder the contempt for both creation and creator. The Old Orders dismiss superficial religion. There’s fasting, and then there’s starvation. The soul knows a hunger, one that comes at the beginning of prayer. Some practitioners know this opens a furrow their horses help plow. For now, I would venture into high places to be reminded of the ancient interplay of dualities. Not just good and bad, but the overlapping harmonies as well. Make my rounds, however quickly at first, acknowledging the slower nomadic practice.

When I packed for this move, I preferred boxes over baskets. Something squared, for paper and recordings, especially. Typewriter. Electronics. We weren’t transporting dried berries or salmon. Blankets cushioned furniture and china. The cardboard presented fewer overlapping harmonies. Learn to weave baskets and I might learn something of the Cross. Especially in its curving.

Handle with care, all the same. Let go of one, something shatters. Or the other, something bounces. Baskets stack differently than boxes. See which one fits a squared room better. Which one, a hogan, wickiup, tipi, or kiva.

Step outside. Turn to the four directions. Then name them.

MALE / SUN
FEMALE / MOON.

Turn again.

AIR / FIRE
EARTH / WATER.

Once more.

SPIRIT / LIGHT
FLESH / SHADOW.

Draw out their colors according to tradition or your own intuition.

Soon the divisions break down, into Yin/Yang swirling.

This is where prayer begins its dancing, even without Kokopelli’s piping.

In such turning I was brought to the edge of my intellect. Facing the expanse toward the horizon, my knowledge of geography, geology, botany, zoology, astronomy, and survival itself proved defective. The edge and depth of my emotions, too. Return to my religious texts and I’d find a different story. Not the one taught to children, but more sinister dimensions. Walk far enough away from the village or highway into open fear, admitting this experience might break me. This Dedicated Laborious Quest draws on all my ability — mental, physical, and psychic — until I’m forced to pull strength from some kernel of infinity within myself. As you pull, roots come forth. Draw them from the emptiness within the basket. The emptiness waiting on the horizon’s circle, as well. More roots, reaching out like cosmic rays through the sky, are visible only to the spider — these beads on a rickety filament.

For more insights from the American Far West and Kokopelli, click here.

AND KEY WEST

1

joining me as a bowsprit
on my usual whale-watch vessel
now wintering in Florida, a day trip
en route to Key West

a lonely teen evokes
my lover in college
the year before I met her before

two dolphins leap in front of us and

in his rounds, a crewman explains

“you don’t see that often, especially so far
from shore . you saw them, didn’t you?
you’re very lucky”

an omen, then, to the past

2

in town, roosters in banty yards
on back streets, warning

BEWARE
OF DOG

such a disappointing declaration
to swarming eyeballs
anticipating something more exotic
a gator, perchance, or snakepit
or open voodoo performed with hot sauce
please understand, you’re approaching Haiti

3

acknowledging this is an island of Biblical proportions
I stand outside Hemingway’s veranda
and shout prophetically

KELSEY SENDS
HER REGARDS

meaning her scorn
for required high school reading

this touch of sarcasm gleaned
teaching Sunday school
in New Hampshire

this day, when I’m my own old man of the sea,
is held in the tentacles of Genesis

4

again the Gulf waters roil
and the decision is announced
we’ll be sent back by land (one)
rather than any Paradise Lost
without moonlight
in the dark
road houses and health food
storefronts along the midnight
highway become fragments
of reggae notes, the songs of another
vanished lover, between mangrove

5

even on a subtropical bus
cockroaches climb toilet walls
mimicking addresses I’ve left

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

A DESERT AND A SEA

A hundred miles inland from the nearest port, we encountered a three-legged tree. Until looking closer after being told the house beside it was built a century earlier by a retired sea captain, you’d have no clue a whale jaw had been leaned against the young trunk, where they grew together.

Irrigated, of course, this being desert.

The question remained. Who was farther from true home?

For more insights from the American Far West and Kokopelli, click here.

 

 

TURNS, FROM THE PAGE

1

once more, flipping a month, a year
another mountain, loon, lighthouse, tulip

markers of days and flowing

history or future encoded

as numerals, this imprecise bank ledger
with moon phases

occasionally with a comfort of knowing I’ve been there
or desire to go
or recollection of encountering what’s pictured

as for next month or next year
no matter how carefree
the intended journey or dreaming
some map or guiding is essential

unless we’re simply floating
and who knows, then

2

still, the clearest water remains a mask
moving, breathing
more than land

with the preponderance of life
on land, atop
in water, below

while the intertidal zones
open to interpretation

3

each tide
a page that turns back on itself

enigmas

a reminder of holy spaces
we enter rarely, if ever

point behind point
without end

 Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

AIRY FOOTSTEPS

What catechist insists
they’re ivory flights
in snowy clouds? Angels exist
in every rainbow color, including scarlet
footsteps on silver ladders
where charity runs in both directions.

Scarlet, as well, fills the Seventh Day
and Seventh Year, when you take rest.
Scarlet, as the sunset or sunrise
or the blood of the lamb. For that matter,

faith demands more than walking on water.

For starters, try treading on air
with or without the ladder.

To continue, click here.
Copyright 2015

LOST AND FOUND

Enter the woods. Listen. Breathe.

Sometimes a woodlot will do. Or a grove along running water.

You don’t always need a forest.

Don’t worry about getting lost. Just pay attention to the trail. And the wind. And the light. Maybe a companion or two. Some of them human.

We’ll talk about holy later.

Green Repose 1~*~

For your own copy, click here.

 

WITH THE SUMMIT SOMEWHERE ABOVE

Let me confess to struggling with the preposition for the title of this collection.

The initial thought was of being atop a mountain, with its panoramic views. But that runs the danger of suggesting superiority, submission of nature to man’s will, or placing more value on a given result rather than the process of getting there (and back). The climb, I’ll contend, is purification for what lies ahead.

An alternative “on the mountain” allows for the sense of having one’s feet on a trail or even presenting a series somehow “about” the mountain as a set of explanations.

I settled on “under” for its sense of looking upward, in awe or even reverence, as well as the fact that even in mountainous terrain, we live in the valley, with some degree of protection from the elements. Where the streams come down and weave their threaded branches together. Where at times the clouds nestle in. Where the eyes wander from the summit.

Mountain 1~*~

For your own copy, click here.

 

HERE COMES COMPANY

Chief Seattle, who appears in the Grilled Salmon section of this poetry collection, is an elusive figure in American history. Whether he pulled a fast one is another question, but he did get a major city named in his honor.

As for his role here?

I enjoy his company. I hope you do, too.

Olympus 1~*~

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