STARTING OUT BEHIND ONCE AGAIN

The mind dances here and there, rarely in a linear fashion. So what’s on my mind these days? How about counting on these fingers?

~*~

  1. This month’s annual perusal of seed catalogs leads to opening our shoeboxes of seeds themselves – counting and inspecting all the packets remaining from previous seasons. Makes for quite an impressive array, even if I’m not the principal gardener. Just listen to all that considered discussion and dreaming on the part of the actual planters, the mother and daughter and their friends.
  2. Even in retirement, I require a timetable – a to-do list – some sense of priorities and direction, in addition to routine. What does that say about me?
  3. From spam email: “Man Snake Enlargement.” Also, “Man Pole.” (Um, like a May Pole?) English terms pale by comparison.
  4. My Motets move in poetic processes that largely lack images. It’s a curious twist for me.
  5. At a holiday gathering with friends and family, one of the tots picks up my Peterson bird guide. Claudia intercepts it, opens it, and, as if it’s an illustrated children’s text, begins inventing a story. “This is Emily. And what’s this duck doing? It’s FLYING! And this one …” Anyone else think there’s another book waiting to take off there?
  6. Taking a few risks, looking at the proposal and rules. If I fail, it’s more on my own terms.
  7. Memory, as counterpoint and harmony for the present. Or maybe dissonance and discord.
  8. Still can’t take in the news.
  9. Parasite: a freeloader, usually fatal. Lives off the work of others. Seldom demonstrates gratitude or other qualities of good upbringing.
  10. What happens when we lose our sense of mission?

~*~

Fennel seeds dusted in snow.
Fennel seeds dusted in snow. Our herb garden at rest.

 

THEN THERE’S PERFORMING IN PUBLIC

Can I really be coming up on my fifth year in the choir that’s evolved into the Revels Singers? Hard to believe, especially when I hear the astonishing, velvety sound around me in rehearsal — one that’s getting even crisper as we develop.

The only experience I’d had before joining was Mennonite a cappella hymns sung in experienced circles and then later some Quaker ad hoc four-part chorales. Working with the Boston Revels organization has been a much more intimidating and rewarding challenge, especially for an untrained singer who had only some background in violin.

One thing that has surprised me is how hard it is to hear myself. Leaving a new message on the telephone answering machine (remember those?) always came as a shock. Whose voice was that, anyway? It was lower and thicker than what I hear in my head. Add to that the reality that we don’t hear ourselves snore – how can that be? I’ve learned to recognize the vibration in my throat but never hear an actual sound. What a mystery!

As a singer, what I sense more is a vibration than hearing an actual voice. At least that’s the best I can describe. I hear the voices around me instead and adjust to them as needed. And, yes, I hear the times when we’re full and rich in all our glory.

I do recall an event a few months ago when we were in the sanctuary rather than the adjacent room of the church where we practice. We formed a big circle around the pews and were singing in mixed formation but, as it turned out, I was the only bass in my quarter of the room and so, when we had a line to ourselves, I heard my voice arching out to the center – like a fishing line being cast into water, as I recall. It was thinner and lighter than I expected. Hmm.

Another big surprise has come in the experience of performing, in contrast to rehearsals.

We practice in a room of fine acoustics and have a good time together as we move closer and closer to some higher standard. We gain a familiarity in that space and probably react to it. And rehearsing is always filled with interruptions as we reexamine a passage to tweak something, explore other possibilities, correct our pitch, or simply make it better or more convincing.

Each performance, though, is a unique experience. It feels quite different from what we normally do.

Since I’m not confident enough to give up my printed score – my memorization has always been faulty when it comes to words and music. I’m always rewriting them as I go, so on stage I need to have room to open my book. That, as I’ve learned, is not always a given. Nor is sufficient light. And even when both are adequate, there are times when I look down on the page with a sense that I’ve never, ever seen this piece of music before. How many times have we rehearsed it? Well, I am getting better at memorization, just in case.

You never really know quite what to expect, but each time you’ll discover something new. This really does put everything to the test. Outdoors, especially, can be difficult when it comes to hearing the others. You have to trust the director and, if you’re in a decent position, what you see of the others.

No matter what, though, the performance turns into an altered state of consciousness. I’m focused on our conductor, my colleagues, the music and lyrics, and to a degree on our audience and setting – and for a give span of time, we’re in a corded shell, as poet John Dryden once described it. (Somehow, I’d rather have that as chorded shell, but there I go revising.) We begin, we are, we finish. Leaving the stage, we grin at each other. That was … fun, yes, along with something quite different and inexplicable.

All that practice seems gone in such a short time. Well, it is like preparing a feast, especially if you consider raising your own ingredients. I love it when we have an audience that leaves feeling well fed, even euphoric.

NEXT!

Caterpillar, one of the legendary periodicals in 20th century American poetry, set out with an intriguing premise – that three years was about all a literary journal could do before repeating itself or exhausting its commission. (Never mind that it went twice that.)

Somehow, Friends have found that for some offices, three-year terms work best; while they may be extended, six years becomes the upper limit. After that, the officer rotates into a new place of service.

The Red Barn’s been at it five years now – launching its four subsidiary blogs along the way. And for those of you who’ve been blogging much longer, you’ve truly earned my respect. It’s a lot of work, no doubt about it.

~*~

This past year, especially, has been intense as I’ve released some long pent-up emotions and thoughts about polity in action. (Remember, though, my degree was in political science, and I entered journalism with a sense of public service that was, in a psychically bruising degree, thwarted to the corporate profit sheet.)

So here we are, in face of the thugs who’ve been attacking our free speech and American values. However the election turned out.

And I’m still fired up, even if I’m looking at a more leisurely pace in the year ahead.

A CASE FOR NURTURING SERIOUS READERS

One of the challenges facing contemporary society is the shrinking percentage of active readers. (I say percentage, but fear what we face is more a shrinkage of actual numbers.) It’s not simply the decline in readers of fiction or the number of people who recite poetry from heart, but the lack of literary engagement of any kind. So I rat on myself early here, with my belief that the act of reading carries social value – especially when serious literature is the subject.

It is no mere coincidence that Americans’ widespread ignorance of history and our political system has accompanied the growing addiction to a sensual media orgy – large-screen television, movies, rock music – while habitual reading, including newspapers, has been declining. That is, what is superficial and easy – and ephemeral — has the upper hand. Little is demanded of the receptor, and loud excitement, rather than a deepened awareness, is the expectation; escapism, rather than engagement with life itself. Several European writers have suggested something more troubling is at work – the loss of reflective people, contemplative individuals – a theme I see developed, obliquely, in Stephen L. Carter’s Integrity and the labor of moral discernment. In other words, is the mind being enlarged or merely numbed? The fact that so many people cannot name their own senators or governors or are largely ignorant of geography, yet recognize countless actors and rockers points toward a disintegration of community and social service.

Paradoxically, the act of reading is largely a private enterprise. It’s a dialogue between a reader and a writer, sometimes separated by continents or centuries. It requires more activity from the receptor than a movie, short song, or television sit-com does – in fact, one of the concerns these days is the atrophied state of the imagination among those who have been raised on “electronic media” rather than the printed word or, for that matter, stories read aloud or in radio broadcasts. (There are, after all, degrees of imaginative challenge.) In the act of reading, there are no visible intermediaries – no actors, soundtrack, directors, sets, or costumes. The editor or printer or bookseller is of an entire order altogether. Here, the reader and the writer engage in a dance of the soul or a passionate argument. (Serious readers can be as demanding as lovers when it comes to this relationship.)

But the act of reading can also take us into the existence of another person, viewing the world from within that context. A movie, in contrast, leaves us looking at that person, hoping for a hint of emotion or profundity. The author can reflect on the situation, suggest ranges of experience, voice moral struggles in ways a movie might only touch in passing.

Here I think, too, of large-scale musical compositions – symphonies or string quartets, for instance – that demand intense listening, inducing reflection and emotional awareness. Like reading, the audience for serious music is in decline – and with it, a link to the riches of the past and its aspirations and wisdom.

MAYBE I’VE BEEN LOOKING AT LIFE WRONG

Let’s be honest. We have days like this. Ones where we wish we didn’t have to deal with these a#!/?\*s. You know the ones I mean, even if you live halfway around the globe. They’re one and the same.

But we’re all in this together. No matter what they think.

Now, what can we do together … to solve the real problems we’re all facing?

Well, that’s how it too often feels. But could another take give us a healthier way of dealing?

Suupose, for example, what if we’re all nuts?

Not just the others, the ones all around us who leave us pondering the rampant lunacy. (Not just in politics or the workplace, either. The highways are full of them. As for the checkout line at the store?)

No, what if we who’ve thought ourselves responsible and sane, are really the looniest of all?

Might we enjoy life more if we joined the out-to-lunch club?

~*~

Close to home, I’m seeing how trying to cope with an elderly family member afflicted with advancing dementia can put the caregiver in a tailspin. Somehow there must be a better way to span their alternative outlook and our reality without losing our own balance or course of action. Is it possible to enter their world and still stay grounded?

Just why am I here, anyway? What am I supposed to be doing? Or, as my dad used to ask when looking at his nursing home, “Who’s paying for this hotel? Who’s paying for this dinner?”

From my perspective, he seemed to be trapped in a dream that would rarely allow him to waken. As much as I love good dreams, I anticipate and appreciate the clarity of a wakeful state.

But then I write and read fiction and poetry, and maybe they bridge these awarenesses in alternate worlds. And I meditate, which enters other realms as well, at least as far as most people are concerned.

~*~

So here I am, still trying to make sense of it all. Maybe it’s time to reread some of those old stories about celebrated lunatic Zen monks. Think we’d find a clue there? Loud laughter, after all! Unexpected twists in everyday perception!

Stuck with a similar diagnosis, I’d want to be the one filled with childish delight in the trip. Maybe the one lost in a world of prayer for the world and all within it. Maybe I shouldn’t even wait – start now to look at all my surroundings with such wonder.

I’m open to other perspectives and suggestions. Anyone else on board here?

AS THE CENTER OF ATTENTION IN OUR BATHROOM

In explaining our rotten floor worries, my wife would tell others she didn’t want to find our bathtub crashing down onto the dining room table below. Meaning our cast-iron bathtub, the one that came with the house.

The one that drained poorly, at best, and required plunging and rooting once a week or more and constant cleaning of the screen to catch hair at the drain.

It wasn’t even attractive in an antique sort of way. No claw-foot style, no insulating layer for deep baths, either. And then there were the cold drafts from above.

A bathtub, of course, is the centerpiece of a bathroom. You might substitute a shower alone, but ideally you want a bath-and-shower combination, which is where we were starting.

Determining where the floor moisture was originating and how much damage had occurred would necessitate moving the tub. Was it worth salvaging? No. So make that removing the tub altogether.

The project nearly died right there. Need we mention psychological depression? Despair?

Our carpenter informed us he couldn’t take it out – that would be up to the plumbers, who replied they thought that was his job. And then, with a good deal of swearing and sweat, they relented, busting up the tub with sledgehammers that shook the whole house and likely more.

The floor underneath had escaped moisture damage, but the related piping was another matter. We haven’t seen brass pipe like this in ages, the plumbers informed us, before adding: it could burst anytime, without warning. As for our drainage problem, the old-fashioned ball-drain trap – rather than the standard U? Ours had clogged to not quite a pencil width passage, so that a few stray hairs could create blockage. In other words, we were in for some major new pipes.

No turning back now. As tile and drywall, along with some plaster and lathe, came down and out, we had a clearer picture of what was at hand. A new tub would barely fit in the old spot, and that would take some finagling.

One thing we’d agreed on was our distaste for tile. Grout’s hard to keep clean, and it cracks. While we tried blaming the squirrels for the moisture leakage that led to the floor rotting, a better argument would point to tile failure, especially in the corner between the tub and toilet. Tile, too, is unrelentingly hard, should you drop something or, worse yet, slip.

After the plumbers told us they couldn’t install a one-piece tub-and-shower surround – they wouldn’t be able to get it up the stairs, much less through the doors – we accepted their advice to buy a tub with a matched shower-surround, a three-piece unit that would snap in place. Which was fine until we discovered that would mean losing the window in the room, the one that also provided most of the natural light to the hallway. Cutting into the surround would be difficult, at best. More likely, impossible if we wanted acceptable results. No thank you, there’s enough funky work here already.

Everybody kept suggesting we reconsider tile.

We wound up turning to a composite masonry that could be cut for the window opening. It cost about three times as much as the surround, before we added in the extra labor, and wouldn’t snap into the tub as neatly as the matched unit, either, but it wasn’t tile. But tile would not have created as much dust as cutting this stuff did, either.

Our original plan, to take the composite all the way to the ceiling, failed to calculate the angles of getting the panels into place. As we tried to maneuver the precisely cut units, reality sunk in. So it was back to the masonry saw … and all that much more dust. And that was before tackling the adhesive that would hold the units to the wall – for all eternity, we’d hope.

Well, the new tub’s deeper and drains like a dream. I love the broad stream from our new shower head. We still have our window.

But there are more funky fine points than I’ll care to admit. And the remodeled room is hardly showy – certainly not what you’d expect for the price, which I’ll keep private. I’d rather say we did the best we could under the circumstances. And please don’t tell me about that “old house charm.” You’ll have to understand if we scream.

~*~

My poems on the challenges of renovations, repairs, and relating as a husband are collected as Home Maintenance, a free ebook at Thistle/Flinch editions.

 

SECRET PAGES THAT SHOULD REMAIN SO

Somehow I’ve been recalling an invasion of my journals, way back when there were only a couple of notebooks, or maybe a few more, as my collection.

Decades later, I was told that nobody has any business opening anyone else’s journals – it’s an invasion of not just privacy but personal integrity. A form of abuse, actually.

The reaction at the time, though, continues to haunt me: “These look like they’re for publication. There’s nothing personal!”

Meaning, as I still hear it, no deep feelings or emotions.

This, mind you, was coming from a neighbor and dear friend, not a lover.

She had no business – absolutely none – for violating my psyche. Remember that, if you must when facing a similar temptation.

When I started journaling, about the time I graduated from college, I was attempting to construct a thread to help me identify the scope of “my problem” through a period of rejection and deep depression. What emerged was more a matter of observing the world around me and the many startling new experiences my encounters were presenting. To my surprise, I started recording far more of the highs than the psychological lows. Many of the entries have ultimately worked their way into my fiction and poetry, either as prompts or details. And many other pages remain embarrassing claptrap.

Apparently something similar happened when I was living in the ashram. In reviewing those journals much later, I was appalled to find someone had ripped out whole pages. I wish I could see what I’d written – it must have touched realities too close to raw truth.

Much later, when I was more candid in recording my feelings and emotions, a girlfriend did clandestinely dig into my more recent pages and then, when I came home from the office, turned those confessions to myself against me. This was in something that was a difficult relationship from the get-go, and where else could I pour my confusion and anger, much less look at issues I needed to work on? The underlying message was stifling. Bottle your emotions. Keep quiet. Anything you say or write may be held against you.

This countered an underlying problem I’ve had in that I’ve always had trouble fully acknowledging or owning my feelings and emotions. The reasons are many and deeply buried, but one result is that I live far more in my left brain than the right, at least as far as human relationships go. As for expressing them? A first draft might land far from the mark.

Well, for those who might wonder about those journals – now up to volume No. 188 – I can say you’d find most of them pretty boring. Much of the time my biggest challenge comes simply in trying to track the events of the previous week or so. Unlike my wife, who can remember in vivid detail events from decades ago, my days become blurs. She’s come to realize I’m defenseless in arguments, simply because I have no idea what I meant when I allegedly said or did such and so years ago. (Anyone else have that experience?)

Add to that my penchant for an idealistic outlook and, well, what results is often more an outline to be filled in later, should I get a chance.

VOTING WITH SAM

Usually, I’m tight-lipped about how I’ve voted. But once, my now ex-father-in-law (the retired colonel) and I (still the hippie in the workplace) compared the ballots we cast. To our mutual surprise, we discovered we supported the same candidates – some Republican, some Democrat.

Our reasons were identical: we turned to individuals of character who were interested in solving problems rather than acting on ideology. It helped that we knew many of them – pro and con.