Comment allez-vous, Yvonne

in outward affairs, a broken toe and off I went, steering in late snow to the emergency room blizzard, too, in sandals now, finally wearing eyeglasses for reading, blame the computer screen and more balding Maine coast from time to time, plus some light rowing and canoeing, and chamber music in mountain villages . still, the annual boat dance with live country folk band and callers cruises Boston Harbor Smell the breeze in its permutations of loving

Some facts related to Prairie Depot

My novel Nearly Canaan starts off in a railroad crossing called Prairie Depot. It’s imaginary, of course, a blend of several small cities I’ve encountered. But, for the record, let’s say this.

  1. It was a dozen or so miles from the nearest Interstate Highway.
  2. It sat in what had been the Great Black Swamp that covered roughly 1,500 square miles before being drained to open up some of the best farmland in the world … and some of the flattest, stretching for miles.
  3. There really were some surviving patches of original prairie nearby, as well as new reservations harboring restoration. The ecosystem had reached westward to the Rocky Mountains, especially in a broad swath through much of the Midwest.
  4. Five different railroads once interconnected in the town. It could lead to frequent delays for drivers and pedestrians alike, as well as interrupted sleep.
  5. It was also a good place for grain elevator dealers to ship from.
  6. The real center of town was a small restaurant owned and operated by two brothers and their wives.Back to the novel!
  7. The town library had a translucent marble exterior wall and a fine collection, thanks to a resourceful director who managed to deflect criticism. He could be a fictional character all in his own.
  8. The region was the scene of a big oil boom, back in the early 1900s. Petroleum was still being pumped at the time of the novel, on a smaller scale, though the grade was lower grade than the market desired.
  9. The place was best known for its collectible glass, before the company relocated to West Virginia, where the name lives on, if not the quality, at least in the estimation of some.
  10. The most celebrated resident dwelt quietly on a shaded side street, her secrecy preserved by the locals, even though she was rumored to have been gangster Al Capone’s mistress. Yes, the one.
The astringent Greek Temple Revival appearance of Omar Chapel, in Seneca County, Ohio, not far from the prompt for Prairie Depot in my novel Nearly Canaan, continues to haunt me. It says so much about the dreams of its benefactor, out on what was then still frontier.

 

Packing it in to move on

We were reluctant to start packing up our final goods from the house until the new couple passed through their final checkpoint in the home-purchase process. You know, just in case we had to show the place again to a fresh round of bidders.

What it’s meant was less than a week to box or wrap all that remains and haul it off somewhere.

We had already done a ton of packing and purging to make the rooms look presentable, but we wanted to leave enough to make it look cozy and livable. So that part’s done.

I’m a big believer in having uniformly sized boxes in a big move. They stack much more easily, for one thing.

Seeing those shelves empty of books does look strange. I’d forgotten how heavy they are in a box, too.

There’s no way it will all fit in our new Downeast address, especially before our anticipated renovations are completed, so we’re putting some in two storage units, in effect buying some time for some serious culling. More is going off to our daughter’s already stuffed barn in York, to come up later.

It gets emotional, of course. I’m surprised how much responsibility I feel toward the books I’ve read, and their authors. And then there’s my vinyl collection.

Of course, that’s only my tip of the proverbial iceberg. Take the kitchen and garden goods, especially.

Sometimes I used to joke that I couldn’t understand how people lived without a barn to hold all the overflow. Only now it’s not the least bit funny. Seriously, folks.

What I like about gardening

Candidly, I’m not the gardener in our household, but I still have to pitch in with the work. Let me look on the bright side. Plus, when it comes to dining, I definitely enjoy the benefits.

  1. There’s less grass to mow, thanks to the beds that take up at least half of what would have otherwise been lawn.
  2. The sequence of blossoms and produce give me a heightened seasonal awareness. Every week is different, from mid-March as far as mid-November, in the progression of blossoms .
  3. The selections and placement of plants reveals my wife’s mind with its shifting palate of color. She designs English-style clumps, unlike my straight rows. Yes, it really can be a feast for the eyes, even as we look out from our windows.
  4. Asparagus, in a permanent bed, is a delight to cut and eat almost immediately each day through the month of May. It’s the first of our you-can’t-buy-it-this-fresh revelations and reminds me of my years of living in the Yakima Valley of Washington state, where it sprouted like a weed. There, our goal was to sate our taste buds for the coming year. Besides, the delicate ferns are stunning foliage all summer.
  5. Fresh greens. Salads, especially.
  6. Berries, starting with strawberries and extending into blueberries and raspberries. We also have a bank of currants.
  7. Real tomatoes, not the poor substitute you find at the supermarket. We always raise a variety of sizes and shapes, and you’d be surprised how much their flavor varies. One year, I think we had 14 different kinds. Nothing surpasses a tomato and mayo sandwich every day through August and much of September. The king of France should have been envious. You can forget the bacon or even lettuce, as far as I’m concerned, they detract from the star attraction. Again, it’s enjoy it while it’s so gloriously available. (We also freeze a lot for deep winter – the soup, especially, can be heavenly while you watch the snow fall.)
  8. Weeding, which I’d normally avoid, has become a quick means to collect food for the rabbits, which they so greedily and efficiently compost.
  9. Which brings up composting, a lesson in patience and the importance of worms, as I feel virtuous in turning what would have otherwise gone to the landfill into a miracle mixture that’s revived much of our property from what my wife termed “dead dirt” into something soft, pliant, and fertile.
  10. Hummingbirds. They make their rounds through everything flowering, but you have to be alert to see them. Sometimes they’re even right behind your back.

~*~

Well, gardening does also serve as an item of conversation.

What would you add?

Room to welcome everyone

They definitely weren’t suburban. A big pink Victorian house suits Cassia’s colorful extended family in my novel What’s Left. And guests, even guests of guests, are typically welcome.

Have you ever been welcomed in a home like Cassia’s? How does it differ from yours?

~*~

Theirs also had a witch hat, something like the one here.

Howdy, Hank

exactly what comes next? maybe it’s Chicago within multiple trajectories of impatience and boredom before connecting and charging ahead roughshod you take a swing, fan, and fan again in this curriculum of revelations from Old Friends everywhere standing on some pebble-strewn base of a mountain, watching a squall line of religious tracts form in oppressive humidity how am I to know this will play Boston, this season or next? maybe I’ll score, ah, yes, and speaking of Hope, give her my greetings the big picture emerges one pitch at a time, here come the Sox . whoops

 

Old soldiers never die, as we used to sing

My novel What’s Left began percolating as I considered the dimensions of the hippie movement and realized it had never really died but continued disguised in many streams of action. Yes, I’d published my Hippie Trails series but so much still felt unfinished.

And, as a consequence of Cassia in the new novel, I went back and transformed the others into Freakin’ Free Spirits.

Looking at the world today, what pressing issues do you consider unfinished?

~*~

My novel is available at the Apple Store, Barnes & Noble’s Nook, Scribd, Smashwords, Sony’s Kobo, and other fine ebook distributors and at Amazon in both Kindle and paperback.

Within a daughter’s own living Greek drama

Why I love tracking the hip groove of the underground

The paperback cover …

My subways novel started out to be my big hippie tome, building on a metaphor of hitchhiking, which was ubiquitous for us, but the extended concept ultimately got to be too unwieldy for one book. The supportive details were stripped away for what’s become Daffodil Uprising and Pit-a-Pat High Jinks, leaving the metropolis altogether.

Spurred on by Richard Brautigan’s “Trout Fishing in America” with a dash of William Burroughs, the initial drafts played surrealistically in a tension between the wide-open roads of the countryside and the underground realms of the biggest cities.

Then, four or five years after taking up the project, I was pawing through a used books bin in the desert of Washington state and came across a 1915 engineering volume, “Building Subways in New York,” which included “Elevated Railway Steelworks.” I still have it. How on earth had it ever landed out there amid the sagebrush?

I had already lived in Upstate New York four hours from Manhattan, and nearly all of my friends, housemates, and lovers were from The City. That was followed by my residency in a yoga ashram two hours away in the Poconos, so yes, I had learned to ride the trains. (Nowadays, it’s mostly Boston’s a little over an hour south of me.)

… and the back cover.

The original “Subway Hitchhikers” had a structure that ran like trains passing in opposite directions, which readers could find confusing rather than energizing. It also had a lacy air that reminded me of Robert Rauschenberg’s pop art “combines.” Gone, too, in the revisions is the protagonist’s hippie handle, substituting a more conventional nickname that better links this story to the others.

In the revised version, Subway Visions, there’s more focus on characters, plus new sections on Kenzie’s encounters of Tibetan Buddhism in a tenement near Greenwich Village as well as a graffiti artist known as T-Rex.

What’s evolved has a much straighter narrative and more arresting development, now linked to Kenzie’s ongoing life in the hills to the north. And elements of fantasy and heightened playfulness now augment the earlier surrealism.

I suspect I still have some classic coin tokens in my possession, somewhere.