Reasons to like Watertown, Mass.

Greater Boston is comprised of many suburbs that were originally Colonial towns out in the country. As a result, much of the metropolitan area today retains a village feel in addition to its cosmopolitan chic.

Each town – or, in many cases, now city – is different, however subtly.

Let me illustrate with Watertown, where my choir rehearses.

  1. It’s on the Charles River, which once powered its paper mills and other factories. Today the river has lovely parks and pathways, as well as crewing teams practicing out on the water in season.
  2. The impressive Arsenal produced military armaments from 1816 through World War II. Today it’s a shopping district, and its restored antebellum commander’s mansion is a kind of museum.
  3. Settled in 1630, Watertown soon became the seat of the Whitney family of invention, investment, and horse-breeding fame.
  4. It’s largely overshadowed by neighboring Cambridge and the Harvard crowd. The famed Mount Vernon Cemetery, the first garden style burying ground in America, 1831, is usually thought of as being in Cambridge, when it fact it lies mostly in Watertown, with a who’s who of famous Americans buried in its rolling grounds.
  5. Watertown has a wide ethnic range of residents, mostly working class or professionals.
  6. The Armenian Library and Museum of America is well worth visiting for exhibits that acknowledge many genocides beyond their own. Watertown is the third largest center of the Armenian diaspora in the United States, surpassed by only two cities in California.
  7. When it comes to cheap eats, I think it definitely beats hipper Cambridge. Some of the best Chinese I’ve ever had was in a modest storefront in Watertown Square, and I’m really sold on the Iranian takeout just up the street. But we also like Wild Willy’s.
  8. The Perkins School for the Blind, founded in 1829, is the oldest such institution in the U.S. and is world famous. It manufactures its own machine to record text in braille. It moved to Watertown in 1912.
  9. I really like the public library, which even has its own coffee shop.
  10. The Gore Place is an opulent summer home built by a man who a fortune in speculating in Revolutionary War debt.

 

Sometimes a character dictates the story

For a writer, nothing is more magical than when a character begins dictating the story. Sometimes, you can’t type fast enough to keep up with her.

As I was saying about the “zipper” that sometimes appears while revising a work? This one, I’d say, is the most satisfying.

~*~

Now that I’ve confessed, it’s your turn.

Do you ever hear “voices” while doing something? Do they help or hinder your action?

~*~

My novel’s available at the Apple Store, Barnes & Noble’s Nook, Scribd, Smashwords, Sony’s Kobo, and other fine ebook distributors and at Amazon in both Kindle and paperback.

The paperback cover …

Finally, finito

cleansing is more than mere output or holy observance to be done would require not noticing dampness along the wall disclosing leakage what can I then breach anew or newly demolish in the storm churning up from some underside of an altar or anvil? air thickens and clears as a matter of practice with desiccated houseflies or wasps or shards of chimney brick in the attic

Structuring a big book

As a reader, you probably don’t pay much attention to the bones of a book — the number of chapters it has or how many sections they fall into. For a writer, of course, these can be central considerations. Ideally, there’s a beginning, middle, and end for each chapter and each section as well as the entire book itself.

In my psyche, one ideal structure is the symphony — typically, but not always, four movements, each one different, having an underlying unity that ends in an exciting climax. (Oh, there are some gems that do end quietly — so much for expectations!) A typical novel, on the other hand, may be twenty to thirty chapters of roughly 20 pages apiece running in chronological order, not that I’ve ever stuck with that convention.

In What’s Left, my novel I set out hoping you could start or end in any chapter, yet in some way they’d join to build the tension and resolution of the whole. The model that inspired me appeared to use chapters as mosaics or panels that could be moved around independently, if the reader desired.

I can’t quite see doing that in the final version my work, though a reader might leap over a chapter or two, if needed, and still pick up on some action — if, that is, the chapters are complete enough in their own right. Think of a string of short stories.

~*~

If you’ve had a chance to read What’s Left, give me your feedback.

Does this structure work for you? Would you rather I’d broken the novel out into two, three, or four shorter books as a series? Did you skip over any parts? Would rearranging any parts work better? 

~*~

In my novel, the family’s upgraded Carmichael’s restaurant could have emerged like this one in London. Instead, they took a bolder direction, even if a Greek menu wasn’t a viable option where they were.

My daily rituals

  1. Wake up and fill a mug with coffee.
  2. Grab the paper from the front steps.
  3. Do Spanish. (Not a bad way to wake up.)
  4. Check emails, the blog, etc.
  5. Clean the coffeemaker and refill for tomorrow.
  6. Write, revise, whatever.
  7. Household chores plus yardwork and errands.
  8. Check the mail.
  9. Try to get some exercise in. Laps in the pool, a hike up the hill, that sort of thing. Maybe followed by a nap.
  10. Sit down together for a lovely dinner.

~*~

So much for the plans I’d set up for my retirement years. Extensive meditation, Bible study, copious reading?

What frames your days?