This may seem petty but …

Do we really have to wait another year for the new Interstate 395 leg from Maine Route 9 to I-95 itself to open?

It’s only a few miles and minutes but eliminates a lot of aggravation in getting from here at the eastern edge of the country to most of the rest of the USA. That half-hour of narrow roadway competing with Canadian tractor-trailers on icy pavement plus small-town radar speed traps is an aggravating bottleneck, believe me, even before you factor in all of the Acadia National Park seasonal crush. The new route will ultimately get us around Bangor/Brewer more swiftly and maybe save us ten minutes or so at most, but on a five-hour drive that can be huge.

As it is falls back into a Trump-era vision of what’s supposed to be good at least as the fireworks and firearms retailers along the way declare.

 What’s the biggest traffic hang-up you hate?

When an interlude becomes pivotal

Rather than being a retreat to the hills, as I initially saw the period between her future father’s leaving Daffodil after college and his return a few years later, I now see him undergoing a major slow-motion transformation amid frenetic surroundings.

For him and for me, this was a personal High Hippie time, pro and con, no longer a mere interlude to a landing somewhere in the future but a rich mix of its own.

And now, thanks to the daughter, Cassia, I had a better sense of where the larger story was headed.

Before writing and publishing my novel What’s Left, I had depicted his situation in two parallel volumes – Hippie Drum and Hippie Love – one full of near misses when it came to new love, while the other (R-rated) more often connected.

As I returned the drawing board with Cassia standing beside me, I had to admit the dual presentation was a luxury that did nothing to advance the overarching story. The two conflicting books, while beginning and ending at the same points, ultimately confused the reader. Still, it was a valuable experiment for me to file away. Thanks, Cassia.

Reuniting them into one book was a bigger challenge than you’d think. Finding the right tone, verb tense, and balance were only a start. More clearly profiling Kenzie’s country and in-town circles plus his workplace required another big effort.

If I ever do another novel, I don’t want more than four or five characters, if that. (Fat chance.)

~*~

Helpfully, What’s Left now gave me a clearer sense of Cassia’s aunt Nita as a central figure. Only a year older than Cassia’s future father, she now expanded from being his guardian angel, as she was in Daffodil Uprising, into something more of a magnet and Wise Woman who came and went as needed as he underwent crucial encounters, many of them emotionally painful.

~*~

In my revisions to what now stands as Pit-a-Pat High Jinks, I also wanted a better integration into the urban parallel to Kenzie’s life at the time, the subway novel, which would undergo its own thorough reconstruction.

My own job hours at the time would have been too constrained to allow the escapes to the Big Apple that I compress into Kenzie’s timeline. I didn’t even have a two-day weekend – only Sunday off after a late Saturday night, and then Wednesday; four of my days I had to be at the office by 5 or 6:30 in the morning, and it was brutal. In one of my later career positions, however, I did have a floating three-day weekend, which I adapted to Kenzie’s situation. Once every month he could head off somewhere, which soon became jaunts to New York City.

Another thread that I strengthened was his introduction to Tibetan Buddhism and subsequent growth in its practice, giving him a good reason to be heading off to the big city as often as possible.

~*~

In the years after moving from Binghamton, the scene of the action, and off to the ashram and beyond, I lost touch with all but one person from that period. Well, make that two, but he was an older sports editor who had nothing to do with the hippie scene. The other was a former girlfriend where the parting had been mutual.

As for the rest? I wondered where they all went, though I’ve even forgotten most of their real names. Why couldn’t I have been more snide, like calling a character “fat, stinky Frank” or “gaunt Ellen”? Nicknames were only a move in that direction.

As I revised, though, I now had the Internet at my fingertips.

Satellite maps allowed me to see that two – and maybe all three – of my housing sites there had been demolished. (I’m wondering whether I even tried driving past them in my calls on the newspaper editor when I was with the features syndicate. I don’t recall.)

And then a few ghosts from my past reconnected, first from the ashram years – I hadn’t been ostracized after all – and then my former housemate in upstate New York, the one who forms the basis for Drummer in the story.

He event came up with his wife for a visit in Dover. It was about time I met her. She was a much better fit for him that the Latina who commanded his devotion in the book. (I couldn’t invent a character like her out of thin air, by the way. She really was a center of attention in any room we shared.)

Back in the day, he had gloried in a full naturally blonde Afro back in the day, only now it was shaved bald. His smile and intensely blue Nordic eyes were the same, along with his eternally goofy outlook on life, but that chrome dome was disconcerting.

It was time to catch up.

“Did Jnana really have long hair?” my elder stepdaughter asked.

“Oh yes,” came the reply.

Somehow that was enough to get one of my younger generation to relent from their vow to kill me if mine grew out again.

“If you’re writing hippie novels, you might as well look the part,” she conceded. So I got their permission to grow a ponytail. Maybe she was just tired of what was called a combover for the balding.

He also filled me in on some of mutual friends. One was an OB-GYN in inner-city Philadelphia. Another, a federal attorney in upstate New York. Yet another was a functionary for the United Nations. And the biggest lover of the lot had settled down to raise a large family while working as a social services executive. So much for one of my hippie circles.

I even found a girlfriend, via a Chicago Tribune photo and story, who remembered very little of the time and only vaguely pictured me. She had been much more of a presence in my life, even at our distance, than I was in hers, it turned out. I had even hoped she’d be The One.

In fleshing out the characters in my pages, I now had a second Summer of Love to draw on as well as related experiences. I could ask people about their own hippie identities, and many of the thoughts filled earlier posts here at the Red Barn.

While connecting the dots for one figure whose account to me had never neatly added up, I broke out weeping. Signs of adolescent abuse were abundant. I suspect one of her teachers as a villain, but have no proof, of course. Is he even still alive?

As for the others?

Let’s be honest. We freaks weren’t as close as we’d like to think. I hate to consider that the despised fraternity brothers of college may have had the more solid connection.

So what did happen to those who shared the farmhouse? And most of the lovers?

Not that I’m thinking they’d make another novel. Not unless a unique structure surfaced, say something like postcards.

Is this how A.I. is supposed to improve our lives?

I don’t know about you, but I’m finding myself spooked when another social media platform suggests I “friend” someone I know has deceased. It’s not just a one person, either.

It’s even scarier when the next suggestion in their line is a former lover who scooted off from our engagement.

Even if there are some things I’d like to clear up with them, I must admit it’s too late for this round of mortal life. In one case, I was set for reconnecting only to hear she was in the final stages of Hospice care.

Another disturbing reaction to these pitches is the seeing how hard it is to remove an outdated site by anyone other than the account holder. Yes, as I was saying about deceased. Perhaps you’ve been a member of a group that’s run into a similar problem, where someone set up the site and then moved on without leaving the administrative details. Beyond that I’m seeing instances involving people who live alone, or did, and receive no obituary. That’s where I find this can get creepy.

As I said, how about you?

Can we really communicate with the dead?

Shelter-in-place boredom? You kidding?

This post was supposed to appear four years ago but somehow it fell through the cracks. With a few tweaks, it retains relevance, IMHO.

Here goes, from back in Dover, New Hampshire:

~*~

Catching up with my dentist, now that his office is open again, we noted our astonishment that so many adults were complaining of being bored during the official shutdown of most businesses, schools, churches, and public services.

Bored? I repeated my adage that boredom is a luxury of the teenage years – most adults I’ve known simply don’t have time for it. Alas, it must say something about the people I associate with. (Well, frankly I find most TV to be boring, but others might say the same thing of the operas I’ve been streaming every night. ‘Nuff said there.)

My dental doc, meanwhile, expressed his gratitude for the time off as “paternity leave” he suddenly had to devote to his two- to four-month-old daughter, a once-in-a-lifetime opportunity, as well as time to catch up on a pile of desired novels. Not a bad combination.

We also touched on studies of the eye damage being done to children under age two by their extensive use of digital screens. Well, and their need for boredom to allow essential self-exploration, discovery, and growth, too.

On my end, I have to acknowledge how little cash I’ve used since March 11, the last time I went to the bank. Mostly, it’s been plastic, which fortunately hasn’t spiraled out of control.

What did you discover in this period of changed focus?

What’s love got to do with it?

In research for my novel What’s Left, I wound up learning about the people we now call Roma. I won’t say how it applied, but it was an eyeful.

For instance.

  1. All Roma are expected to marry – and to another Roma, not an outsider.
  2. In many tribes, the parents arrange the marriage.
  3. Rejection of a formal proposal is considered a disgrace.
  4. Acceptance leads to the negotiation of a bride price to compensate her parents for their loss.
  5. A festive ceremony may follow a few days later, signifying the engagement.
  6. No formal ritual is required as a wedding itself, though some tribes turn the occasion into a multiday celebration.
  7. Wedding gifts almost always consist of money.
  8. After the wedding, the bride is never seen in public without wearing her headscarf.
  9. They settled into the groom’s parents’ home, and cannot move to a place of their own until after the birth of their first child.
  10. The couple cannot refer to each other as husband and wife until their first child is born. Up to that point, it’s only their first names when speaking to each other or about the other in public.

Gee, we haven’t even touched on the death customs and rituals.

Drawn from Gypsy at larp.com.

 

Sometimes this recalls a recurring and troubling dream

The dream itself isn’t so uncommon, or so I’m told.

In my case, it involves trying to go somewhere or finish a project, as in meeting a deadline, except that interruptions and complications keep popping up.

Quite simply, like Zeno’s Paradox in philosophy, the finish line becomes more and more elusive and then impossible to cross. You can never get all the way there.

So that’s how I sometimes feel looking all that remains to be done on this old-house project, even before I confess to myself that I don’t even know about many of the other items on the list.

List? Where is it? Which one?

In the revisions, the plot of our shooter’s college years ominously thickened

Sometimes, in writing, at least, starting at the end and moving forward is the way to go. Now that I had What’s Left as the ending of my hippie series, I could revise the earlier books to provide a more uniform development. I had hoped the process would involve simple tweaks.

I was wrong. A thorough overhaul was ahead.

Crucially, Cassia gave me a clearer idea of her father, the aspiring photographer. And in filling him out in the revisions, he went from being known simply as DL to Kenzie, to conform with What’s Left as well as present a more substantial figure.

She had also grown up at the edge of the campus where he had come to study. (Just as I had.) In my return to the university as a research associate, I lived at the far fringe of the college town and saw faces of the community that were quite different from my undergrad experiences.

Some of these played into her story, What’s Left, but others were woven into the transformation of his undergraduate years, what would emerge as Daffodil Uprising rather than Sunrise.

This time, it was more character-driven rather than action.

It’s also darker, including an ominous air and an admission that the hippie movement was often drab rather than psychedelic. Drugs and sex could have serious downsides, and Vietnam weighed heavily on the spirit.

Yes, Bloomington was a gloomier place than I had wanted to paint it, but now, thanks to Cassia, I could acknowledge Gothic and tragic sides – even a paranormal streak.

The plot was restructured into a full four-year chronology, and the hippiedelic excesses, as well as Kenzie’s situation of being a reincarnated Tibetan monk, were toned down or erased.

Age differences, from freshmen to seniors, took importance in the nurture of a student community. And there were significant new characters, including Lee Madbury, named after a New Hampshire highway exit sign.

The college dorm of the first half of the book was loosely modeled on the Men’s Residence Center, which was suffering from neglect on high. I am happy to see via Internet that what I call Mulberry Row in the book has been renovated into the Ralph L. Collins Living-Learning Center, one that’s not all males, either. Sometimes hard reality follows the dreams of fiction.

In moving the second half of the book more off-campus, I imported a large and once-impressive Victorian apartment house from my upstate New York hippie experience after I had graduated. Instead of having the Susquehanna (as well as the Upper Mississippi from yet another one of my personal relocations) just a block or so away, we now have the Ohio River. The distances do create a bit of a joke for folks closer to the action.

I originally thought Daffodil was about hippies. It’s really about the rise of the modern mega-university. David and Goliath with a dash of counter-culture in the face of the military-industrial complex. Really sexy stuff, right? Except that our kids and grandkids are burdened with huge debts in the aftermath of seeking its credentials. I’m thinking of it more as tragedy, with the focus essentially on Cassia’s future father, lost as he was. It might even be seen as a critique of the hippie outbreak. And did my failed engagement a decade and a half later also seep into the story? I was now looking at these events about a half a century later.

~*~

Cassia also gave me a clearer understanding of her aunt, Nita, who had functioned as guardian angel for her father in the campus years. In the revisions, Nita becomes a more central thread through the entire series.

And, thanks to What’s Left, Cassia was freed to comment on her father’s college years life. Why not? She had the advantage that looking back that history allows.

~*~

Cassia even had me adding subtitles to my novels. They’re commonly used for nonfiction, but somehow rarely for fiction. Well, why not? Adding “the making of a hippie” does give a browser (meaning a human rather than an online device) a clearer idea of what might be inside the covers. Should I have used that for the title, rather than what I did?

I do like the colorful batik flowerbed by MsMaya that now adorns the cover, even if I miss the bold single daffodil of the earlier version. To me, it more aptly conveys a sense of the era.

Daffodil The revised story now carries more heft and is, to my eyes, something of a baroque book.

Well, if Kerouac thought his experiences were remarkable, why shouldn’t I, looking at my own? And he did write in big bursts that released a lot of pent-up energy.

Take up a new activity means learning words that go with it

My week on a schooner enlarged my vocabulary.

For instance.

  1. A quarterboard proclaims the name of the ship at the bow.
  2. Quarterdeck, the little raised house behind the main mast, where the wheel is. The forecastle is the one at the other end, up by the bow.
  3. Dropping the hook, meaning anchor.
  4. Gaff, the more or less horizontal spar at the top of the mainsail and foresail. It makes those sheets irregular quadrilaterals in shape rather than triangular.
  5. Beam, the width. Crown, the roll of the deck for water to roll off. Sheer is the cut of the profile, usually voiced with aesthetic appreciation or disproval.
  6. Hatch, with the ladders down into the hold.
  7. Stern, the back, where we steer.
  8. Transom, the flat back of the boat , or, as you know now, at the stern.
  9. Yawl. It can be a kind of auxiliary sail, but in a schooner’s case, usually refers to the yawl boat riding at the stern when it’s not off somewhere on its own.
  10. Windward, meaning the direction the wind’s coming from, and leeward, the direction the wind’s headed. In a heavy wind, the windward side of the ship’s higher, while the leeward one dips toward the water. (When it’s really touching the water, the ship’s “running the rail,” meaning ripping along.)

I also like the term “running on one screw,” meaning propeller, except we didn’t have one.

We won’t even start talking tonnage, which seems to mean a lot for insiders.