If only I could have come out as a bloody liberal

Or maybe that should be, “bloodied.” The experience has been bruising, even without physical violence.

For the record, half of the newspapers where I worked had Republican identities on the editorial page. Of the remainder, one was liberal, one was neutral, and two did not endorse political candidates, period. And in the ‘80s, when I was presenting editors with a range of political columnists, the only ones that sold were conservative.

Early on in my career, I learned that as a true journalist I had to put personal feelings aside and attempt to listen to both sides of an issue. Much later, in Quaker decision-making I saw how that could lead to a third, and much better, solution to a problem before us, not that the general public seems open to that these days.

As for critical neutrality, the critical lesson came the time I was an intern and wore a Nelson Rockefeller button sticker into the newsroom after our paper endorsed him for president. I was told to remove it, and I did. Remember, he was a Republican and this was a Republican newspaper in a town that still had two – the other one was pro-labor and Democratic and had the bigger circulation. And this was during the period presented in the TV series Mad Men. My daughters are still aghast and intrigued by the outrages and great fashion style of that period the series presented. They’re still appalled by the hippie influences that followed, the very ones I found liberating.

As a journalist, the point I learned was that to listen to people, I had to be neutral, all ears. Unlike Fox TV, still far off in the future. It’s still not news in any vein I respect. But I come from a camp that abhors sleeping with your sources, OK?

Apart from that, the reporters and editors I knew weren’t paid enough to identify with the rich? Our incomes were an embarrassment, even to the local Catholic priest the first time I married. As well as my-then wife’s uncle. If we identified with the poor at a gut level, we had good reason. And, across the nation, most of our newsrooms were non-union – trying to organize in the face of national conglomerates was suicidal, since they could outsource at a moment’s notice. Do note the party divide here.

For much of my career, newspapers were incredibly lucrative. Period. Not that pay levels reflected that. But then the business model, sustained by advertising far surpassing the newsstand or subscription price, came crashing down. Somebody has to pay the bills of covering a community. Walmart definitely wasn’t, nor were the other Big Box stores and their colorful inserts didn’t match the rates of those local ads abutting the news.

So, even apart from that, I’m not surprised American newspapers are in crisis. In my four decades as a professional journalist, I saw news coverage under attack – not just from the outside, but more crucially from owners who first bled billions from its renewed growth and vitality and then started giving the product away online without a viable business model in sight. My novel, Hometown News, paid homage to the battle and what could have been, along with journalists’ role in the survival of communities across the continent and democracy itself. In the book, it was like Richard Brautigan and Molly Ivins met Dilbert and Kafka in an industrial city vaguely in the Midwest, even when their names, sex, and races were changed.

My career as a journalist placed me in enough decaying Rust Belt industrial cities to shape one novel of high-level global investor intrigue, though it will likely remain in unpublished draft. It definitely rambles.

What is available for you to read begins as a factual distillation of some of the communities and newsrooms where I labored, but it soon turns surreal in the face of corporate management (make that mismanagement) and global conglomerates that step-by-step decimate the local economy and very existence.

While the initial draft of the book was completed in the mid-80s, revisions took time, and the work failed into fall into a marketable genre. Publishers saw it as too much of a risk and then, as newspapers lost their power and prestige on the public stage, reader interest in what really happens in newspapers dropped sharply. We are in trouble.

Let me emphasize, though, I never saw political arguments sway the development or placement of developing news stories. The decisions were made on other factors, like is it interesting? Does it have impact? Oh, really?

If we true journalists do have a bias, it’s for factual truth. We hate being lied to or being used as unwitting dupes. The consequences to that, unfortunately, have been diluted under the right-wing deluge.

For local perspective, let me recall a candidate for the board of education telling me point blank, for the record, that he wouldn’t be moving away after winning reelection and renewing the contract of a controversial school superintendent – and then he did precisely that, It still leaves a dirty taste in my mouth, may he rot in hell, no matter his professions. We ran his quote, that much was exactly what he said. But he lied, on behalf of a Republican majority on the board. Would that affect how I saw the rest of them? You betcha. And it wasn’t the first time, even back then.

But they would still get a fair hearing, even if I hadn’t moved on.

Something similar went on elsewhere with a maverick sheriff who got elected to Congress as a Democrat while being investigated for Mob connections and a host of corruption charges. Somehow I’m recalling that an undercover agent fell from above the ceiling and onto the restaurant booth table where our suspect was dining – or whatever. We pursued that story and more, not that it didn’t keep him from winning and being reelected. For details, look up Jim Traficant’s wild record.

For that matter, he could have been an inspiration for Trump.

~*~

Leap ahead to the current polarization in the political spectrum. My decision to subtitle the novel “Reports from Trump Country,” seems prescient, given the array of Blue states as metropolitan centers with a sense of vibrancy and a future – largely on the East and West coasts – while the Red states are more rural and stagnant in between.

The hometown in my novel wound up on the rocks and, from what I’ve seen since, that hasn’t changed.

What I am finding disturbing is the rampant spread of patently false stories. It appears that way too many people don’t want to face verifiable facts, like half-empty arenas. As journalists, we knew all too well that some seemingly great stories proved baseless once we made “one phone call to many.” Do note the unsupported delusions being repeated by people with very definite biases.

Maybe I’m shouting in vain to the wind, but I’ll leave that up to you to determine.

You can find Hometown News in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. It’s also available in paper and Kindle at Amazon, or you can ask your local library to obtain it.

Lithium, in case you were wondering

It used to be considered a rare element, though as a budding young scientist I had a sample that arrived inside a blue box the size of cigarette pack that arrived in the mail one month. Included was a small yellow booklet with suggested experiments, not that I remember any of them. Gee, that was back in the ‘50s!

Today, of course, lithium has become a household name due to its special applications.

Here are ten considerations:

  1. In its pure state, it’s a soft, silvery-white metal, highly reactive and flammable, requiring careful storage. The lightest of metals, No. 3 on the periodical table of the elements, it can float on water, a quality it shares with sodium and potassium.
  2. It’s highly corrosive, tarnishes rapidly, and is hazardous to the touch.
  3. It’s soft enough to be cut with a knife and has a density comparable to pine wood.
  4. Lithium compounds are the heart of rechargeable batteries for laptops, cell phones, electric cars, and cameras, as well as non-rechargeable batteries.
  5. Industrial applications include lubricants, heat-resistant glass and ceramics, and iron, steel, and aluminum production.
  6. Medically, it’s used as a mood stabilizer, an antidepressant, and other mental health issues.
  7. It serves as a fusion fuel in thermonuclear weapons and is critical to the operation of many nuclear reactors. It’s also used in rocket and torpedo propellants.
  8. It colors some red fireworks and flares and is also used as an air purifier.
  9. Although found in rocks and brines in low concentrations, lithium has few deposits of commercial value. The largest reserves are in Australia, Chile, China, Argentina, Boliva, the Czech Republic, and Afghanistan. Maine is also optimistic about potential mining sites. As for economic value? Think of the next Saudi Arabia.
  10. It was an ingredient in the original 7 Up recipe.

Is anyone reflecting you or those you know?

Look in the public media around you and tell me where you see your life presented. Is there anywhere in TV shows, movies, advertising, magazines, newspapers, or novels that reflects life as you know it? Beyond that, is there anywhere that voices your aspirations and values? You know, where you want to be?

Writing this is a painful admission, but true. Somehow, though, I don’t picture myself in a typical suburban strip mall, either, no matter how often I’ve wound up there or been stuck in associated traffic.

What I do see, though, points to the reality that so much of what’s being presented and ingested is an escape from the daily grind. I don’t intend this as a judgmental stand, though I would counter it with the spiritual approach of trying to live in harmony with life as we encounter it in a specific place. Still, what I’m seeing generally rings hollow.

I’d issue a call for revolt but doubt that anyone would follow. Oh, well.

My, I didn’t expect to be hitting at the psychological malaise in the national soul, definitely not this quickly, but here we are. Just don’t hand me a cape and expect me to save anyone. I’m just a lowly writer, remember? Well, you could hand me a very dry martini (gin with an olive), but that would be my own favorite escape.

Now, to return more or less to the topic.

During my stint as a field representative for a major media syndicate, I called on newspaper editors in communities across 14 states. What struck me was how little sense their papers gave me of a unique local identity. There was rarely a distinctive voice in the generic mix. Maybe I’ll wax on some outstanding exceptions as a future post. I did try, mind you, to accomplish some of that where I was as an editor.

~*~

When I entered the workaday world, it was in the height of the hippie explosion, as well as the Vietnam quagmire and the first moonwalk and civil rights and, well, you could say generally everything was in flux and has remained so.

The pace of daily journalism, however, left me feeling there was so much change in the works that we were overlooking, especially in any in-depth way. For me, my impressions became fodder for fiction, which would allow me some leeway and definitely free me from footnotes and fact-checkers, not that I’ve veered from relating what I witnessed or even imagined as truthfully as I could, even with a degree of inventiveness and aspiration.

In that journey I wound up living in places that were outside of the big media spotlight, and what I faced ultimately differed from what was coming out of New York, Washington, Los Angeles, Chicago, San Francisco, or similar backdrops. My record reflected, I hope, just everyday folks who had to muddle on, best we could, in irreplicable circumstances of human progress or tragedy.

Ultimately, I tried to distill what I experienced from these unique viewpoints into novels that originated as “contemporary fiction,” though I’ve come to see the paradox of the label. Even without the scheduling conflicts of working a “day job,” I was caught in a time-delay of drafting and revising, even before trying to find publication. At the least, that would be a two- or three-year gap before a piece became public. Tastes and trends drastically change in that span. And here I am, shrinking from the crap shoot of fashion.

Or, now we are, decades later, perhaps trying to make sense of it all.

Not that I was alone. Every book author was running behind the frontlines where even the boldest got shot down, should they make it that far.

The consequence, quite simply, is that too much has gone unexamined beneath the superficial rush of what we once Baby Boomers and now creaky seniors and perhaps great-grandparents lived through, individually and jointly, from Watergate to today. No wonder things are such a mess. Look, kiddos, it wasn’t all our fault. Do note, I’m among those who wants to lend you a hand.

Mea culpa, then, though I’ve left some evidence of sorts to build on. Please stay in touch. That matter of “Don’t trust anyone over 30” was a brilliant slogan but ultimately BS.

As I’ve noted, we definitely needed elders. And so do you, on the frontlines now.

You can find my ebooks in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

Among my goals for the coming year

I don’t do “resolutions,” which all too easily become self-defeating. Goals are more like compass readings when you’re trying to get somewhere and want to leave some flexibility for when problems arise. So here’s what I’d like to improve in my life in the upcoming year.

  1. Be a better listener. That includes asking more questions rather than spewing so many facts.
  2. Do a better job of putting names and faces together and then recalling them with ease. I’ve met a lot of new people since moving Way Downeast. Too often I’m baffled when greeted by name.
  3. Cull my collections of vinyl albums and CDs, books, and private journals. There’s only so much shelf space, even with our home renovations, and no way I can play or read them all in my remaining years. Which leads to …
  4. Indulge in a reading orgy, meaning print on paper: mags, books in general, Bible, and personal journals. Put another way, that means less time at the laptop.
  5. When I am online, I intend to interact more actively with others. Yes, that includes you.
  6. Distill my files of original poetry. There’s a lot to revisit in my 50-plus years of serious writing.
  7. Get out in the wild more regularly. I’m not the hiker I was, but that shouldn’t keep me from pursuing more trails around here or even sitting quietly in the open air.
  8. Explore neighboring Canada. We got a start on that late last year. So far, the border crossings have gone smoothly. I’m hoping Grand Manan, an island reached only by ferry, will be a highlight.
  9. Do a better job of house cleaning. There have been complaints.
  10. Give more attention to my Beloved.

A true confession of one writer’s life, in perspective to date

If we’re counting from the time I got hooked on what became a journalism career, I’ve pursued a writing life for six decades now.

It began with hope, of course, including the dreams of glorious success and celebrity. You know, prizes and bestsellers and fame plus fabulous romance, family, and social life all reflecting intellectual brilliance. These were all wrapped up in the dream of a teen and beyond.

The reality, as you’re probably already about to pipe up, is that the practice of writing – whether literature or any of its other forms, including newspapers – is ultimately grubby work with none of those high-life perks for most of its faithful ranks.

That side’s not any different from all the fine pianists in our communities who never solo in public, despite their talent and passion, or the athletes who exercise daily and play unpaid in the parks on weekends, or a minister’s lifetime of well-crafted, scholarly Sunday sermons. The list of examples can go on and on. Practice, as I’ve come to embrace, is essential in many life activities, even in medicine and law. Forget the results, just do it.

While daily journalism paid my bills for most of my adult life, I was shunted to the editing side of the field, sharpening the prose of other reporters and correspondents and crafting headlines to capture the essence of their dispatches for a parade of readers rather than appearing under my own byline. Spare me the liberal elite label of the rabid right, please; real journalists, unlike the folks at Fox, put their leanings aside before touching anything. Facts are facts, which I see as important in fiction and poetry, too. Well, let’s not rule out their role in anything smacking of rationale behavior.

As far as my own writing pursuits went, I engaged in my free time in what I consider “the real stuff” – poems, fiction, work somewhere in between – much of it getting published in underground literary periodicals around the globe. It was enough to sustain me in the larger quest, no matter that the big successes kept eluding me, despite some near misses.

So here we are, at the beginning of another new year and a birthday soon to follow, and I have to admit the impact of aging, this time from the perspective of a writer. Narrow that to novelist, poet, blogger, and Quaker. One who finds there are still too many piles of drafted material remaining in the way to wherever comes after.

While I don’t have a new major writing project on the horizon – especially no new novel – I am feeling drawn to see what might still have energy in some of the drafts I’ve done in support of my earlier literary projects. There may be some fresh lessons to be gleaned or perhaps even wisdom in the light of time. It’s even an opportunity to reflect on a writing life.

An important elder for me has been the poet Gary Snyder, usually at a distance. This time, it’s from his Zen perspective of reaching an advanced age, almost a generation ahead of me:

My wife is gone, my girl is gone,
my books are loaned, my clothes
are worn, I gave away a car; and
all that happened years ago.
Mind & matter, love & space
are frail as foam on beer.

So for now, I’ll be going through the piles and clearing them away – before someone else has to. Yes, sort through the debris and move on.

It’s one more step in the practice of writing, something like daily prayer, something that needs to be done even if it seems nobody’s listening.

Now, let’s see where it leads.

‘New Year’s Day is every man’s birthday’

With that insight from English essayist and poet Charles Lamb, let’s consider ten more quotes befitting a new year.

  1. “You know how I always dread the whole year? Well, this time I’m only going to dread one day at a time” — Charlie Brown, Peanuts
  2. “We should celebrate every year that we made it through” — Ellen DeGeneres
  3. “Don’t live the same year 75 times and call it a life” — Robin Sharma
  4. “An optimist stays up until midnight to see the new year in. A pessimist stays up to make sure the old year leaves” — William E. Vaughan
  5. “Be always at war with your vices, at peace with your neighbors, and let each year find you a better man” — Benjamin Franklin
  6. “It wouldn’t be New Year’s if I didn’t have regrets” — William Thomas
  7. “Many years ago, I resolved never to bother with New Year’s resolutions, and I’ve stuck with it ever since” — Dave Beard
  8. “I’d rather regret the risks that didn’t work out than the chances I didn’t take at all” —Simone Biles
  9. “Celebrate endings, for they precede new beginnings” Jonathan Lockwood Huie
  10. “8 p.m. is the new midnight” — unknown wit of a certain age who just could have been living where I do

Another day, another year

Here we go again. As if we need an excuse to party and pop bubbly.

  1. First, let’s be clear. What we’re celebrating is the Gregorian new year, set as January 1 back in 1582 by Pope Gregory XIII.
  2. New Year’s Eve has always been December 31 going back as far as calendars have existed. But the Romans celebrated the New Year on March 1. Because January and February were late additions, the Roman year oringinally ran between March and December.
  3. Here in the U.S., New Year’s Eve is the most drunken night of the year. The average BAC (blood alcohol content) is reported at .095 percent.
  4. About 48,700 people are injured in car crashes.
  5. It’s not the most dangerous holiday for driving. Memorial Day, with 448 fatal accidents, is the worst, followed by Labor Day, the Fourth of July, Columbus Day, Father’s Day, and Cinco de Mayo. Still, with an estimated 408 fatalities, the New Year holiday can be bloody. Christmas, by the way, is the safest.
  6. Americans hold to their resolutions for 36 days, on average, but 16 percent admit they don’t stick to any of their goals. Some of us don’t make ’em at all.
  7. “Old Long Syne” is an old Scottish tune that got new words from Robert Burns in 1788. It means “times long past.”
  8. Canadian bandleader Guy Lombardo is responsible for making it a New Year’s staple. He performed the piece at midnight at a New Year’s Eve party in New York City in 1929 and eventually broadcast it on radio and TV stations around North America.
  9. Even though it’s become the go-to song every New Year’s Eve, very few people actually know its words. Do you?
  10. January was not named for the two-faced Roman god Janus but rather originates in the Latin word ianua, meaning door, reflecting the opening of a door we’re about to enter.

Not that it’s led to fame or fortune

All those hours away from family and friends or at least video viewing or home repairs or whatever writing I intended weren’t like sitting there simply yet pleasurably reading. No fault to other authors, by the way.

As for riches, I would have been better off financially by investing those savings I had back in Baltimore and later by working an overtime shift once every week or two, back when they were still available, an option that had vanished by my last five years in the newsroom, a time when I had instead thought I might indulge in fattening the nest egg for retirement now that the kids were off on their own.

Back to that urban studies certificate. I loved big cities, at least the ones I had visited. Museums and classical music, especially, were the big draw for me, along with the kinetic buzz of a place. I might not be able to afford all the fashion and bling, but I could admire. Binghamton afforded repeated opportunities to hit Manhattan and its other boroughs.

What New York City had new for me was the subway, an initially terrifying underground that turned into a kind of amusement park, once I acquired a few ins and outs for navigating it. So much for a prompt.

How ironic, then, to think that I’m now living in a very small city where the entire year-‘round population would fit aboard a single NYC subway train.

By the time Hitchhikers appeared in print, I was living in New Hampshire and had added the subways of Boston, Chicago, Philadelphia, and Washington plus the Seattle monorail to my rail mass-transit rail checklist.

I had even lived in Iowa, not far from where I had placed Kenzie’s childhood.

For the most part, my creative writing focused on poetry, which fit around my paying and crazy work schedule better.

An intense round of editing reshaped the book to its original scope and produced a lacy air, something that reminded me of the Robert Rauschenberg pop art collages of the period. But it also left me with many pages of outtakes. Could I salvage them? I believe I did and then some.

For half of my life now, I’ve felt the time for literary success was running out, both on the project at hand and my own life. I could start with one apartment’s neighbors and a fire and the new owners in bankruptcy. After that, just as I was moving across town, I got a nibble. But no sharp editing help.

In terms of writing fiction, I’ve been solo. Believe me, I would have loved to have had an editor, someone to guide me through the ropes and help me see what I was really hoping to develop. Instead, I worked on a manuscript, put it aside to season, and came back to it months or years later, usually on a vacation week dedicated to the project.

Curiously, working in that role that guide for a friend who has a truly amazing concept, I recently got a look at an evaluation of his manuscript by a literary agent and her two associates. While they were passing on the book, their reactions fit in that old-fashioned close combing of the manuscript and pointing us toward a right pathway for the next steps on transforming the opus. I’d be envious if I weren’t so impressed and grateful.

~*~

Much of this series of posts has reflected the role of deep revisions.

An insight I haven’t yet mentioned is what I’ll call “finding the zipper,” a perspective that pulls everything into place – a new, better place. A big book might have several.

In What’s Left, the zipper appeared when Cassia’s childhood black clothing of mourning evolved into goth during her adolescence and then Eileen Fisher when she starred as a young adult high-finance exec. That move also spurred some crucial scenes in her teen years and helped bring her oldest cousin to the fore as a character. Another zipper came in peppering the dialogue between Cassia and her best friend with texting slang. WTF, but I feel it works.

Another helpful approach is the use of photo prompts, especially when a stretch of dialogue falls flat. Online searches are helpful in building look books, which in turn can provide sharp details I would otherwise overlook in real life. Just how does a particular character look in contrast to another? It definitely stretches my thinking.

Satellite photos have also helped me reconstruct physical locations and also revealed how many of my residences in my moves across the country have been razed. Health hazards? Fires? Condemned? Mine really has been a tenuous journey.

One other technique I’ll mention is editing from the last chapter forward, especially in a later revision. We tend to put most of our effort into the opening chapters and then peter out toward the ending. Reversing that provides some extra sharpness and also encourages foreshadowing in the earlier parts of the work.

~*~

In the old days, when I began, newspapers had copy desks, which was where I wound up working. They were usually U-shaped, with a chief editor, called a slot man slash copy-desk chief, sitting in the middle surrounded by the rest of us. A lot of serious editing and rewriting still took place, especially at the first paper I interned at, but already I was hearing the laments of how standards were declining. I can’t help picturing Harry Perrigo, sucking on his pipe while evaluating a headline and story before sending them up the pneumatic tube to the composing room or casting them back to the rim editor for another try. Once computers replaced typewriters, that physical configuration generally faded from the newsroom. Still, I now see that as my introduction to intense revision. A story had to go through a series of hands and eyes to make it into print, even on tight deadlines.

In contrast, in my literary efforts, I was working solo. As I’ve said, the best I could do was work intensely on a piece, put it aside for a while to season, and sometime later to return to it afresh.

Much of my work fell under the label “experimental,” along with the accusation that I’m more of a poet than a novelist, as I heard from one of the best novelists.

Whatever the case, having something of my own in hand still feels good.