You never know what we'll churn up in cleaning a stall
So we’re having coffee once again, one of my favorite authors and I, and while he’s a decade younger than me, I still marvel at his relentless output.
Why do you pace yourself that way, I ask.
Because time’s running short, he answers.
As I said, he’s a decade younger.
Maybe we should talk to an older painter we know, a good decade-and-a-half ahead of me. The one who’s still painting furiously. Quite possibly better than ever.
You have to wonder what makes some voices so distinctive. Maybe it’s what makes a master. They way a few notes instantly separate Mozart from Haydn or announce Beethoven. A few strokes, a Rembrandt from Vermeer. Any number of writings.
I think of particular musicians, too. The conducting of Max Rudolf, for certain.
The way God claims to know each of us by our voice.
Here in New England, the battle for control of the Market Basket supermarkets remains the biggest news story – but with a storybook twist. Rather than ending up as another soulless corporate bottom-line victim, there’s been a resurrection.
The bitter DeMoulas family feud finally led to an agreement less than a week ago in which the Good Guy (aka Arthur T) buys out the other half for roughly $1.5 billion. Ownership stays here at home. And, yes, there have been cheers all around in this remarkable alliance of stakeholders – managers, workers, loyal shoppers, and their communities – against the faction that fired the Good Guy and his visionary leadership.
The boycott held through August. The parking lots were vacant. Workers saw their hours cut. Some managers were fired … and now they’re back.
There’s almost a party atmosphere in the stores, but nobody’s slacking. Managers began showing up to work at midnight just an hour after reports of the agreement surfaced. Suppliers offered to deliver goods directly to the stores, rather than the distribution center, to speed the restocking of depleted shelves.
Many details remain to be ironed out, and a lot of damage will take time to repair. But at least there’s also a rainbow.
It’s hard to believe five years have passed since we made the loft of the barn much more usable.
When we moved here, the loft was accessible only via a second-floor catwalk from the master bedroom, and getting there and back could be tricky, especially when snow was piled on the deck.
I’ll save the home renovation project description and photos for another time, and just mention that it involved removing the catwalk, deck, bedroom doorway, and barn loft doorway, installing stairs inside the barn and lighting in the loft.
What it essentially did was give us another 450 square feet of usable work and storage space – especially once we replaced the leaky roof two years ago. (Gee, I think that’s the size of some of those Ikea model apartments.)
Admittedly, it’s not someplace you linger for much of the year. It’s not insulated and there’s no heat, so you do little more than dash in and out in January-February or July-August, but for me it’s been a huge blessing.
As I wrote in August 2009, an “especially humid Tuesday: No Rick yesterday or today.” Our carpenter/master electrician was “off on another project.” We were in no rush, anyway. Still, enough of the project had progressed for me to note, “Having the top of the barn – the Squirrel Piss Studio or Jnana’s Red Barn or the Summer House – finally available as usable space is mind-boggling. At last! Ten years. A time for decompression, unpacking. The difference in scale as a result of the larger space (framed posters, for instance, now appear so much smaller).” I detailed more effusively in my journal. What I noted was “t
he array of items: places I’ve gone off to, to live. Sometimes unwillingly. The skulls – steer, horse, dog. Elk bones. Shells.
“So much to discard, too. My burgundy valet bag, an artifact of the past (after 9/11, nobody travels with one). Burgundy, LAL’s color. Same as the Chevy. The specially designed coat hangers, with their folding hooks – open for the hotel, closed to slide into the bag. Those two years, a ‘backpack for business travelers.’
“A Quaker altar: a candle on a piece of squared birch firewood, the side with bark facing the sitter; incense; in time, flowers or dried arrangement; Bible, Gita, notebook?
“I sit in the space and recall how Roger Pfingston could sit for hours in front of a blank piece of paper without writing a word. Maybe smoke a cigar. Now see it as his way of meditation and self-collection.”
The space also gave me a place to resume hatha yoga exercises after way too long a hiatus.
I love having large surfaces where I can spread out the pages for a poetry collection and rearrange the sequence. I’m not one who works easily with a crowded desk, unlike many of my colleagues. No, it’s Zen order or Quaker/Shaker simplicity I desire.
The loft is far from the year-round office studio I’d envisioned when we moved here. To get there, though, apart from the money, we’d have to cover the wooden underside of the roof I’ve come to enjoy viewing. The feel would become much different than the funky, well, summer cottage I so much enjoy now – even when it’s fall and spring rather than summer when I most use it.
Besides, to be candid, as I’m able to clean out and dispose of more and more, and as I move increasingly to online, paperless writing and submissions, I don’t really need the big office of those earlier dreams. At least that’s what I’m thinking now.
Who knows what’s really ahead.
I’ve always been a visual person. Had even considered a career in art before the writing took over. As further evidence, remembering a story or argument I’ve heard has always been more difficult to recall than one I’ve read. As for names, I’m hopeless unless there’s been a name tag.
Somehow, though, I can remember a musical line much more than I can any lyrics, including those we’ve been working on in chorus. So I’m not memory deaf, exactly.
As a visual person, I’ve found the point-and-shoot digital camera entries you’ve seen posted in my blogs to be a wonderful way of sharing the way I look at the world and many of the details that catch my attention.
But there’s another range of experiences I can’t begin to describe. Often, especially while watching people, my vision shifts from photo-realism to real-life cartoons. I hope I’m not staring, but the transformation is incredible. R. Crumb had nothing on me, other than technique. Sometimes they’re squiggling black-and-white line drawings. Sometimes, baroque etchings. Other times, wild blobs of color.
Even before they start moving.
As I said at the time …
When I was 38, several developments occurred in a way that allowed me to give myself a year of unemployment, drawing largely on savings. Rather than travel the world or undertake some related activity, I hunkered down in a writing spree [that resulted in the novels now (finally) being published]. The sabbatical meant that for the first time in my life, I had a period of uninterrupted concentration on this work. The writing itself. Three fast novels, now to be revised, and thud! skidding to a crash or whatever. Enough to expand to a dozen, in the hours of revision after I went back to the paying work. Looking back, I know it had to be done. And done then.
Nevertheless, in my struggle between practicality and art, there’s been a longstanding sense of guilt in spending time on myself. To my surprise, a resolution came through a workshop on prayer, when we were divided into smaller groups and then asked to write out a prayer request. Not for what others might need or a social issue, but for something we needed individually. “Ask for something for yourself,” which the others would then pray for.
Of course, each of us works differently. I’m not one for the blank sheet writer’s block syndrome: I’m usually springing from notes jotted down earlier. (Pacing is another matter: just where is this going? And why?)
In contrast, I recall a poet friend who was also a public school teacher; he was quite prolific during the busy school year, yet during the summer, could produce little, though he could never quite figure out why. (He could also stare at a piece of paper for five hours and then turn out a sharply focused gem.) The other friend, having all the leisure in the world, could produce only disconnected flashes. Could it be some juggling or resistance is also essential to the practice?
As I mentioned to her sometime back, I’d spent much time in a recent year reflecting on the jagged pathway that landed me here. Often I’ve felt I took one took many turns somewhere back there, and on some mornings after we moved into this house – well, some moments in my homes before that, too – I’d find myself wondering just where the hell I was, after all. In a bigger sense, I’ve been trying to envision how it all adds up. Guess it’s another version of the old “What is the meaning of life” conundrum. At least I finally figured out what I wanted to be when I grew up … retired! Meaning free to concentrate on the Real Work. (Now that I’m there, I’m finding more questions.)
In the round of reflection I’m discussing, I concentrated on high school and college – the emotional side, especially – meaning the time before I actually started keeping a journal, and a period that’s largely been a fog in my memory. I uncovered some wonderful prompts for revisiting this, especially letters from the sophomore high school English teacher who put me on the writing/strict grammar path, as well as a confession that despite all the contrary efforts, high school was a bummer. Unlike yours, my public school system was geared largely toward instilling conformity and retarding the growth of gifted students, unless you were a male athlete. Still, much has come back, making me wonder how I survived at all.
This round, I kept asking “What if” … for instance, one of those I saw as goddesses in high school had swept me away (or, more realistically, if I’d been able to say something close to what was really on my heart, or hormones, leading to some, shall we say, quality time together). Would I have continued at Wright State, rather than transferring to Indiana, and eventually stayed in Dayton, maybe even as a Republican? Or if either of my two girlfriends through the college years had led to marriage and home … both of them from Dayton, though neither ended up dwelling there, from what I can tell. Most of those goddesses wound up settling into mundane adult suburban lives, as I find from the class website and Internet – including our online class reunion site. I’m not kidding. (Who are all those old people in those silly photos? The ones holding beer bottles, especially.) (Note to self: Do not allow yourself to be photographed holding a beer bottle. Ever.)
On my part, what I keep finding is a sense of inevitability. Or, as Friends say, “As way opens,” if we’re faithful. There are good reasons I’m where I am, and for that I’m grateful, after so many seasons of sojourning. Even so, when your note arrives, there’s a tinge of sadness or gentle envy, as you live out what appears to be so close to what I had desired when I dreamed of being an independent writer living in my Promised Land, with a house full of my children and visiting friends and a quiet studio hut on the ridge behind. (My wife finds that vision humorous, by the way – finds holes in it all the way around, beginning with who’s going to clean up after the big parties I intended.)
Still, looking back, there are many things I don’t understand, and too many points where I’ve looked away or accepted a glib answer, rather than probing. I’ve always been prone to seeing what I want to see and overlooking the rest – usually, the warning signs and difficult details. (Again, my wife is good at bringing me back to the wider range of questions.) I’d say that trying to answer the inquiry of why you and I didn’t wind up together would be one of those. The astrological answer that you and I would never wind up together but remain prime friends fails to ask why. I believe there’s far more to be uncovered there, if we’re willing. Just why have you always made me feel better, for starters. Or feel special and elated.
As I said at the time …
So here we are. Who would have thought we’d be attending kids’ soccer and rugby matches? Not us!
Or dealing with declining parents. Your mother’s dementia must be difficult. You mention that she still remembers people and is in a wheelchair, which makes me wonder if she’s afflicted with Alzheimer’s or something different. My wife and the girls talk fondly of Grandpa Marion and how his Alzheimer’s brought out a sweetness in him, while another, with episodes in the past years, turns mean and paranoid. Parkinson’s is rough, too, with its long decline; I lost a dear Mennonite mentor last January, in Virginia, and one of my best friends here is in the early stages – so far, controlled by medication, when they get it right.
Galapagos? My elder girl will be very envious. At age 11, she went on a big Darwin kick, a passion that has never abated. A few years ago, we went down to the Boston Museum of Science for a special exhibit they had, and it was quite impressive. In all of the historical debate over his insights, I’m surprised we don’t hear more about the religious roots of his work – most of his encouragement and support seemed to come from clergymen. Me, I’m quite fond of his later affection with earthworms. Maybe it has to do with my monster composting.
Now I still want to hear how you distinguish between mystery and magic. I have a few ideas, but I doubt they’re as expansive or insightful as yours.
In the meantime, I’m hoping to get back to poetry by early fall. Why can’t I stick to just one kind of writing? Or be somehow easily identifiable? A good friend’s son, who is a successful serious novelist, seems to have the same problem. He, too, wants every book to be unique, rather than a continuation of or variation on his others.
Gotta run … time to commute, again. And tomorrow, another birthday. How can that be?
It’s hard to think 17 years have gone by since this correspondence! As I said at the time …
Your first letter had me repeating to myself, “She has to be a water sign — or at least have a lot of water influence prominent in her chart.” Now you blithely inform me you’re a Pisces. Ah-ha! Figures! Could that be why you’re so alive in your emotions, as astro-informed friends from my past would insist? (For Aquarian me, meanwhile, aloft in encyclopedic data and logical constructs, staying alert to my own emotions can be a real challenge — especially when retreating into my brainiac self became my way of surviving some pretty intense emotional abuse way back when.) So, in some wonderful ways you help me tap dance into some chambers of my soul. (Molto grazie!) As for the writing skills: do the nuns at dreaded Mother Theodore Guerin get any credit? (Mother … Theodore? And I doubted your age?)
And you wish you look older? Na-na-na-na! Listen to Swami Jnana, kiddo. Do you have any idea how … thoughtful you appear in that photo? It doesn’t get any better than that. Why can’t any of the women I know/have known appreciate being they way they are — which inevitably is much, much lovelier than they presume. (Assignment for future edition, probably when you’re ensconced in that high suite overlooking the Loop and Lake Michigan — I know that view, having been in Jeff MacNally’s eerie in the Chicago Tribune tower a time or two: interview Cindy, Nicky, Cristy, and the rest of the supermodel cult and see if you can find anyone truly satisfied with her looks; bet, deep down, they aren’t.) Ergo: enjoy your current condition while you can. (And may that be for a long, long time!) Most women I know would kill to have the body or the looks of an eighteen-year-old, or so they say. You have the rest of your life to look older. (And may you age gracefully, like Sophia Loren or Joan Collins.) Maybe it’s not really a matter of age, after all, but of self-confidence. Those who are radiant, no matter what, versus those who are wrapped up in their misery. Watcha think?
As for feeling one’s chronological age, you’re an excellent writer: that automatically makes you middle-age. (I know: part of me’s always felt old, too. Maybe it’s just ancient soul.) (My age, by the way, is ninety-two.) But, because you’re an artist, you’re also going to have to find ways of remaining fourteen or fifteen forever. I wouldn’t recommend adult orthodontics as a strategy, although it is an interesting trip and seems to be an good way to open conversations I wouldn’t otherwise have. (And you said something about rambling? Heavens!)
So here I’m looking through some Diane Wakoski volumes for a great insight on adolescence and find instead: “My search for the perfect man, the perfect love, Romance, sexual life, has always been emblematic of my search for something else, you know. In Pretty in Pink, a wonderful character played by an actress who must be thirty but still looks like she’s eighteen, the wise older woman in the film is nostalgically wearing her old high school prom dress and dancing to some golden oldie with the star of the movie (Molly Ringwald) and she says, ‘Wouldn’t it be wonderful if we could start old and get younger every year?’ I recall my elders always saying that ‘youth is wasted on the young’ … “
I very much enjoyed both the batch of poems you sent along. Do you write as effortlessly as it appears? You have some real knock-‘em-dead connections here: “sometimes she’s a ballerina/hanging by her neck/from the rafters/of some wretched dollhouse//sometimes she’s a little girl/with treasure chest eyes/and a bowl-of-pudding smile” is astonishing. Brava, brava, brava! (Envy, envy, envy!) Ditto: “the sky is pink lemonade.” And the line, “trees singing,” keeps triggering to my ears Isaiah 55:12b, “and all the trees of the countryside clap their hands.”
I, too, prefer direct language — although in my writing, it sometimes seems that by creating a deliberate short-circuit, I’m more able to get down into that painful raw nerve you talk about. I wonder if some of the “trying to hide behind huge words and flowery language” you object to (rightfully so) has more to do with a lack of a real emotional underpinning/experience. A few days before your big package arrived, I received two hardbound prize-winning volumes by those “professional poets” we’ve already defined—and I found myself annoyed. You’re right: there is a lot of hiding going on. And it feels like WORK, both the creation and the reading of it.
Then your latest edition came, and I found myself often laughing aloud with delight, because the pieces were coming from another place in the psyche. (Pieces I checkmarked: “Dead Horse,” “Yes, There Still Are Some Good Ones,” “Sam I Ain’t,” “I read a book about a woman …,” “Sardines,” “The Painkiller,” [hey, is that true about the Walibri???], your centerfold [sick! heh-heh!], your on-going adventures [really fine line: “my feathers are slowly being replaced by rocks … being covered by cold, gray cement”] — and the insights in the paragraph beginning, “i have always been on another planet.”
Please, please, please, send a copy of your chapbook. (What a marvelous title — I can almost taste it. A turnabout on Psalm 34, “O taste and see,” which Denise Levertov uses as a title for a wonderful collection of her own poems — so delicious it opens your eyes.) Watercolor nights, what a vivid linkage, almost a micropoem itself … softness, yet I wonder if night scenes can be done in watercolors: now you make me ask a watercolorist I know.
Was kinda curious about where your neighborhood is — thought maybe it was around Hyde Park, or some other brainy neighborhood. Was surprised to find it on my road atlas as being out toward Mother O’Hare instead. So I asked my boss, who says he’s spent a lot of time in Chi’town (he’s from western Michigan), and he said he thought it was mostly duplexes and bungalows out that way. And then Sunday night I was zoned out in front of the tube, not quite watching some dumb detective story set in Your Fair City, and there they went, ripping onto — you guessed it, your fair street, which may have been filled with some fair number of criminals by then or a fairly high-speed chase. Is life weird or what? Looked like ‘50s ranch houses, mostly. Some trees. Short front yards. Many bathtub Madonnas? (Couldn’t tell.)
I’ve done a lot of travel on maps. Some places I’ve never been I seem to know better than some people do who have actually been there. As Howard McCord has written: “A chest of maps/is a greater legacy/than a case of whisky.//My father left me both.” Another quote: “or what my father said/‘go along the coast as far as/you can without getting killed’/my saint is Hsuan-tsang/who got _ back.”
Well, hope you’re still enjoying that big old Dodge Diplomat (go along as far as you can and then come back). Assume college has started. Took me three-and-a-half years to figure out how they rig the game against you: the moment you walk into a classroom, you’re already a hundred pages behind. (Wright College? I went to Wright State University, then transferred to Indiana University in Bloomington.)
So here’s to a rewarding and eccentric friendship. None of my other editors get long letters like this. Actually, they’re lucky to get cover letters. But then, they rarely reply with more than a marginal scrawl, either. I wish I were having as much fun with the newspaper as you’re having with Indigo, but, hey, we don’t have centerfolds, either.
Good thoughts to you, always.
Your midnight rambler.
