LOOKING FOR THOSE LOCAL DISTINCTIONS

As I said at the time …

Greetings again from this old mill town along the Merrimack River.

There is still a special feel to an octavo-size, typeset journal – a unity of design and purpose carried throughout – even in this era of desktop design and photocopy wizardry. A major challenge, whether it’s in shaping a literary journal like yours, a daily newspaper, or even an old-fashioned country dance, is simply: what can we do to make our own locale distinctive?

An example: a few years ago, the New England contradance scene was becoming generic: you’d drive for miles to a village town hall only to find the same faces and same pieces you had faraway the week before. Fortunately, that seems to be changing as different callers, musicians, and promoters are striving to put their own distinctive signature – and a local stamp – on each venue. So there’s your challenge!

I’m struck by the fact that even familiar voices from our round of journals seem to sound different in varied locales. If you’ve ever been around paintings, as I was when married to an artist, and seen a piece go from her studio to our living room to an art gallery to a major museum, you would be amazed how different it appears it each setting. Publishing is the same.

ASPARAGUS

My fondness for asparagus arises in the years I lived in an orchard in the Yakima Valley, where, thanks to an earlier agricultural disaster, asparagus seeds had gotten into the irrigation water and spread everywhere. The green sprouts were often touted as “Local ’Grass.” As a consequence, we had about a month when we could take our knives and, being careful to avoid areas of pesticide use, return with a basket of stalks for lunch or dinner. I learned to glut out in season, realizing it would be another year before we’d indulge again.

Now that we have our own asparagus bed and repeat the ritual, albeit on a smaller scale, we’ve also come to regard the damage asparagus beetles inflict as well as the miracle appearance of lady bugs to the rescue. That, in itself, has convinced us of the value of organic farming.

As for Shiva, he’s the horny Hindu god of creation and destruction, and he wields a wicked blade.

INTO THE GREAT PLAINS

To grow a leafy tree requires more than thirty inches of rainfall or its equivalent each year. If you drive west across the United States, you can cross an imaginary line that passes through the Dakotas, Nebraska, Kansas, Oklahoma, and Texas, and beyond it deciduous, or leafy, trees are quite rare. Soon, so are conifers, the evergreens. Irrigation becomes a fact of life if you want to raise food or flowers or even a lawn.

The Great Plains eventually pass into desert – and you might be surprised to discover that most of Oregon, Idaho, and Washington state is actually desert. The rainy belt is little more than a thin band along the Pacific-facing side of the Cascade and Olympic mountains.

Quite simply, it’s a different world from the one most Americans know.

~*~

As for the Great Plains, let me recommend Kathleen Norris’ Dakota. It’s a unique and marvelous book.

 

THE CUSTOM OF QUAKER JOURNALS

The custom of publishing the journals of influential Friends was no doubt intended to encourage others to strive for exemplary service. The journals themselves form a curious genre – part diary, part autobiography, part memoir viewed from the vantage of advanced age, part travelogue (often tediously so, unless you’re looking for individuals and places being visited), part glimmers of spiritual brilliance – often published after the specific Friend’s death and at the direction of a yearly meeting. Closely related is our custom of memorial minutes.

Best known are the journals of George Fox, spanning the initial decades of the Quaker movement, and John Woolman, whose lifelong mission essentially ended the ownership of slaves among Friends before the Revolutionary War. Both works are in our meeting library and highly recommended.

But there’s a host of others, as you’ll find digging around.

Like the journals themselves, collections of writings or of journal excepts serve as similar prophetic inspiration. For instance, Terry S. Wallace’s A Sincere and Constant Love: an Introduction to the Work of Margaret Fell allows us to look into the remarkable thinking of the woman who became George Fox’s wife and confidant and did much to shape the emerging Friends organization. (How I wish we had a similar cache of material for Elizabeth Hooten, who mothered Quakerism from its very beginning! No such records, unfortunately, are known to have survived.)

For now, let me name one other volume in our collection: Wilt Thou Go on My Errand? Three 18th Century Journals of Quaker Women Ministers edited by Margaret Hope Bacon.

There’s also a host of books and pamphlets that put the lives of Fox, Fell, and Woolman in context or add to their outpouring – too many, in fact, to detail here.