THE SCYTHE

Our first spring in the house, we discovered that our lawnmower wouldn’t work. Maybe we wouldn’t have been able to use in it the Swamp anyway, considering how wet that side yard can be. By the time the mower was back, though, the Swamp had gone wild. Waist-high with growth.

That’s when our elderly neighbor, Ernie, told me he had a scythe, offered to lend it to me, showed me how to cradle it and cut, and just how sharp he’d honed it.

So off I went. He was right, there’s a trick to using it right. But it’s work, all the same. Hard work.

So it’s something I’ve now done once in my life. And, hopefully, never again.

Yes, there’s good reason weed-whackers have taken over.

SCYTHE

 in the meantime, waiting to refurbish
the red cobwebbed mower my wife salvaged
from her first marriage. The plot grows waist-high
and matted until our elderly neighbor extracts
a scythe from his garage and demonstrates its use

after which I vow, “never again!” while admiring
its hungry edge and once commonplace muscular skill

yes, before I get a functioning lawnmower
the swamp erupts in waist-deep weeds

on its far side, elderly Ernie laughs knowingly
before lending my his scythe
and demonstrating its use

“just call me Scythemaster”
my girls are instructed
watching me rock the cradle

oh, then, do I ache deeply …

poem copyright 2015 by Jnana Hodson

 

50-50-50 RULE

Many folks won’t swim in the Gulf of Maine even in the height of summer. It’s just too cold, they say.

I can sympathize, though some perspective helps. Rarely is the Atlantic around here warm enough before the Fourth of July. Oh, there may be a few rare days, but nothing dependable. We’ve found that anything below 57 F is foolish – even when the air temp’s over a hundred.

Yup, 57. That’s the blue-toe limit: edge into the surf bit by bit. First, the toes. Then out. Back again, top of the foot. Out again. Back again, to the ankles. You get the idea. If you actually make it to total submersion, you come out fast. Like a bullet.

Over time swimming here, you might even get to the point where you can guess within a degree or two. Sixty’s about my bottom line for swimming. Sixty-five is where the water starts to get comfortable. And 70, a rare delight, is heavenly.

For reference, I’ve come to rely on the NOAA Northeast USA Recent Marine Data Web page, which includes readings from buoys. Lately, as the water temps have been edging 50 F – finally even a tad over before ebbing – it’s become a topic of conversation.

Which prompted this response the other day: Ever hear of the 50-50-50 Rule?

Eh?

Fifty minutes in 50-degree water gives you a 50 percent chance of drowning. (Or 50 percent chance of surviving, depending on your outlook on life.)

In light of the blue-toe limit, I had no idea the odds could be that favorable. Not that I ever intend to press them.

CASCADES MEMORIES

Driving toward Rainier.
Driving toward Rainier.

The Cascade Range in Washington state holds a special place in my heart.

It’s reflected in several of my novels and many of the poems.

In the high country, the range seems to extend forever.
In the high country, the range seems to extend forever.

Few photos, though, do the mountains justice. But they do help keep the memories vibrant.

North Cascades where Gary Snyder, Philip Whalen, Jack Kerouac, and other writers worked the remote fire lookout posts.
North Cascades where Gary Snyder, Philip Whalen, Jack Kerouac, and other writers worked the remote fire lookout posts.

 

 

IN A POD

One of our first harvests each spring is the peas. The sugar snaps and snow peas, especially, soon after the asparagus kicks in. It’s a challenge, keeping up: you need to pick the vines every day or two, while racing the first heat wave. Then it’s a matter of removing the pea vines so the cosmos and cabbage coming up underneath can breathe a bit more.

What we don’t eat now or prepare for the freezer will wind up in the compost, a sorry alternative.

Do you have any idea how delightful it is to serve the survivors on a cold day in February? Priceless, as they say.

AND YOU THOUGHT TURTLES WERE SLOW?

Somehow I avoided most of the usual traffic tie-ups and wound up with some extra time to kill in the Boston area on what turned out to be the first afternoon with real spring in the air. Given the time to kill, I headed off, camera in hand, for a walk along the Charles River.

At one point, I looked down along the riverbank and saw a limb draped out into the water. Five turtles were sunning on it in a wonderful composition. The camera was in focus and I needed one more step before I aimed and clicked. Just as I did, they slipped one by one into the water.

Maybe next time.

On the way back, I came up on a couple, hand in hand, as they strolled along the pathway. Another great shot, this time of street fashion. They were in matching all black, except for his shorts, which were black with great swirls of yellow and orange. I should have taken a shot but wanted to respect their privacy.

Now I’m wishing I’d gone ahead anyway.

Two nights before, as I was heading off to a committee meeting, I saw the perfect shot of the tower on City Hall, its gold-leaf dome and golden weathervane brightly lighted by the setting sun against a slate-gray background. Unfortunately, I wasn’t carrying my camera.

That has me thinking how many great photos turn out to be like those turtles, just slipping out of sight.

Maybe it provides all the more respect for the good photos we have.

WHALE WATCH

Humpback, launching a deep dive.
Humpback, launching a deep dive.
Often, several whale watch tours will circle in the same vacinity.
Often, several whale watch tours will circle in the same vicinity.

One of the traditions I established after moving to New England meant venturing out for a whale watch each year. You never know what you’ll encounter. Sometimes it’s only a minke whale or two – the smallest of the ones we have. Or, at times, it becomes more than you can count.

The whales have the most beautiful light blue underbellies, visible if you get close enough.
The whales have the most beautiful light blue underbellies, visible if you get close enough.

In the past dozen years, though, the custom’s fallen by the wayside. Just too much else to do – and the ticket price has gone up. But as a way of getting out to sea, it’s still a cheap cruise … and it can be very peaceful, if you don’t get seasick on the way.

NEW ENGLAND COLLEGE ART MUSEUMS

Some of the best art museums in the country are found at New England’s universities and colleges. In other parts of the country, the larger ones would be the region’s jewel. But here they often sit in the shadow of some pretty powerful competition. Some, like Harvard, charge admission, but others are blessedly free.

A crown jewel at Harvard.
A crown jewel at Harvard.

Here’s a sampling from our travels and travel plans:

  • Yale University Art Museum, New Haven, Connecticut: Reopened after extensive renovations, this is quite simply the best university art museum in America; possibly, the world. And admission is free.
  • Fogg Museum, Harvard University, Cambridge, Massachusetts: This newly renovated jewel delivers a fine array of Old Masters, although I’ll emphasize its Turner, Blake, and Whistler for variety. Admission ($15) includes the Sackler and Busch-Reisinger boutique galleries, now under one roof for the first time, thanks to a contemporary, glass-pyramid roofed addition by Renzo Piano Building Workshop.
  • Smith College Art Museum, Northampton, Massachusetts: I wasn’t braced for the magnitude of this collection when I zipped out for an hour lunch break during committee meetings just down the street. I’d run into examples from its collection in art books (it has five Childe Hassam paintings on display), but its range of Impressionists and outstanding regional and American landscapes is worth the whirlwind, even before getting to the old European masterpieces. Am I off-base in thinking this display nearly rivals Harvard’s?
  • RISD Museum, Providence, Rhode Island: As the collection for the Rhode Island School of Design, New England’s premier art school, the museum is smaller than one might expect, with a respectable sampling of earlier eras, often masterworks by lesser known artists.
  • Williams College Museum of Art, Williamstown, Massachusetts: An unanticipated but celebrated gem in the western part of the state. We’re told it’s worth the trip.
  • Hood Museum of Art, Dartmouth College, Hanover, New Hampshire: Wonderfully diverse, with uncommon awareness of the Americas and Africa, it mounts an impressive array of special shows and is part of the Hopkins Center for the Arts.
  • Bowdoin College, Brunswick, Maine: Small, with some emphasis on the regional past and the founders’ roots in its permanent collection. Renovations unveiled in 2007 more than doubled the exhibition space, moving the entrance to a glass cube to one side of the building and opening the basement level, where visitors now begin their tour. The special exhibits make for some exciting use of the facility — a recent trip for me included a focus on Marcel Duchamp and his influence, downstairs, as well as prints by Dutch master Hendrick Goltzius, upstairs.

WRIGHT AND MORE WRIGHT

The Zimmerman House in Manchester, New Hampshire, is one of the few Frank Lloyd Wright structures in New  England. I remember chancing upon it on an evening stroll and thinking, "It's either by Wright or one of his students."
The Zimmerman House in Manchester, New Hampshire, is one of the few Frank Lloyd Wright structures in New England. I remember chancing upon it on an evening stroll, looking at the lights in the windows, and thinking, “It’s either by Wright or one of his students.”
Now owned by the Currier Museum of Art in Manchester, New Hampshire, it's open for tours.
Now owned by the Currier Museum of Art in Manchester, New Hampshire, it’s open for tours.
Just a block away, though, is an example of his more mass-produced Usonian project.
Just a block away, though, is an example of his more mass-produced Usonian project.
This one's still a private residence.
This one’s still a private residence.