GLIMPSED FROM THE FREEWAY

When I grew up in the heavily farmed Midwest, a beaver dam or lodge was a rarity, an awe-inspiring emblem of wilderness.

But if you pay attention while driving the freeways around here – including those near Boston – you’ll catch a glimpse of a beaver lodge and then recognize the surrounding pond, frequently soon followed by another.

The sight reminds me of a wonderful documentary I once watched on public television. The program followed the life of a beaver colony through an entire year, and then, at the very end of the hour, the camera pulled back from the dam and lodge to reveal a busy limited access highway at the edge of the pond.

It’s enough to make me appreciate both kinds of engineering.

This beaver lodge appears to sit securely in remote wilderness ...
This beaver lodge appears to sit securely in remote wilderness …
... until you turn around to see it's built right at the side of a busy freeway.
… until you turn around to see it’s built right at the side of a busy freeway.
Further back in the pond is the large lodge that first invited me to pull over to the side of the road.
Further back in the pond is the large lodge that first invited me to pull over to the side of the road.

 

IN THE PERSPECTIVE OF TIME

As a writer, I love taking a phrase and rolling it around, substituting one word or thought and seeing what happens.

With the Grimms’ fairy tale opening, “A long time ago, when wishes came true,” I began substituting “prayers” for “wishes” and realized many people seem to assume that prayers really did have more effect a long time ago – say back in the time of Moses or King David – than these days.

But that also has me wondering about the depth of our wishes today. Are we too directed by advertising and material possessions to seek what’s truly desirable? The fairy tales and Holy Scripture, as I recall, have a lot to say on that account.

OF MINISTERS, ELDERS, AND OVERSEERS

Traditionally, Quaker meetings recognized and nurtured individuals who had spiritual gifts as ministers, elders, or overseers. These roles could be filled by men or women, and their service extended over the entire congregation.

A person who offered vocal ministry during worship might be designated as a minister, if the messages were considered theologically sound. Because a minute would be drafted and approved in the meeting’s records, the individual would be known as a recorded minister.

Elders were those who held the ministers and ministry in prayer through the service. In other traditions, they might be called bishops, except that in Friends meetings, they function within the congregation, rather than over it. In the novel, Miz Lil and the Chronicles of Grace, Miz Lillian Leander upholds this role, even though her Lutheran denomination might not recognize its importance.

Overseers were individuals who were skilled in sensing the needs of others and in knowing how to respond. They were the ones who could transform the meeting for worship into a community of faith or a people of God.

After the painful divisions within the Society of Friends in the 1800s, these distinctions typically fell by the wayside. For quietist Meetings, there was an increasing aversion to hierarchy, especially one where ministers or elders might be appointed for life; other Friends, especially those west of the Appalachian Mountains, moved progressively toward services led by a pastor – someone who was often expected to embody all three gifts.

Still, the work’s there to be done, by somebody. Some forms, I’ll argue, work better than others.

NAMING THE GIFTS

The Nominating Committee is as close as my Quaker meeting generally comes to recognizing and perhaps nurturing the varied spiritual gifts present in our community. In New Testament terms, these are the charismata – abilities in emotional and physical healing, prophecy, discernment, teaching, and the like, but the list could be expanded if we closely examine our community. My name, Jnana, arises from a similar application along a Hindu path. In Quaker tradition, these inclinations were acknowledged indirectly in selecting our overseers, ministers, and elders, back when these positions were acknowledged.

A vibrant Friends Meeting has all three roles present, even if we no longer see them that way. There’s also evidence that some of the historic problems resulted when one was lacking and another tried to compensate for that deficiency. I’m not sure when committees supplanted the old structure, but it often seems that Friends have wound up with a system based more on the work to be done than on the talent and energy to be released. In quietist meetings like mine, the clerk, incidentally, now typically becomes the de facto pastor – including the role of Public Friend, permitted to speak on behalf of the Meeting – while one of the difficulties for pastors in “programmed” meetings is the expectation they can perform in all three roles, overseeing, vocal ministering, and eldering, in addition to being the congregation’s chief executive officer.

Maybe it was a matter of viewing the story through my Quaker perspective, but this dynamic runs through Walter Wangerin Jr.’s Miz Lil and the Chronicles of Grace, a novel about a young Lutheran minister assigned to his first parish: black, inner city, Midwestern. That congregation survived largely because of the dedication of one elderly couple, Miz Lil and her husband, Douglas – one, the wise elder; the other, the mostly silent overseer. Together, they gently guide their young pastor in spiritual and personal growth, and in doing so, bring about a rebirth of the parish that survives them.

I still hear a recorded minister in Ohio with his counsel, “When something becomes everybody’s responsibility, it becomes no one’s,” and wonder how we ensure that our responsibilities and individual talents are aligned effectively. When this happens, we are blessed – in large part, because our nominating committee has been doing much more than routinely filling in blanks on an organizational chart. From there, the matter of developing gifts also means we need the worshiping community more than ever. Mentors, helpers, friends – however you want to name them – all growing together.

COCHECO MILLS CLASSICS

A typical water-powered textiles mill would have thousands of these foot-long bobbins feeding its looms.
A typical water-powered textiles mill would have had thousands of these foot-long bobbins feeding its looms.
A sampling of the designs that made the Cocheco Mills world-famous.
A sampling of the designs that made the Cocheco Mills world-famous.

The short distance between New England’s mountains and its Atlantic coast means its rivers and streams drop in elevation rather quickly, and that has provided both powerful currents and many opportunities for power-generating dams. As a consequence, the region is peppered with old mills – usually brick but sometimes stone or even framed wood – that were once the industrial backbone of America.

Downtown Dover, for instance, is built around the Cocheco Falls, where the river plunges into the tidewater. The falls are topped with a dam, and the diverted water once powered a complex of textile mills that produced world-famous calico, among other woven products. The Amoskeag Mills in Manchester, meanwhile, were noted for their denim, which supplied Levi Strauss in his legendary San Francisco production. Nor was fabric the only product coming from the mills. Everything from precision tools to locomotives to shoes and socks and cigars was being shipped from the cities and towns along the waterways.

Over the years, many of these mills have fallen into disuse through a combination of newer technologies, cheaper competition from steam-powered Southern mills, and overseas production. But the legacy remains.

As I learn from my elder daughter while examining a glorious sampling of cloth she’s intending to turn into quilts or comforters, the designer Judie Rothermel has recreated some of the classic patterns found at the American Textile History Museum in Lowell, Massachusetts, and reproduced them in partnership with Marcus Fabrics.

The Cocheco Mills Collection, issued serially over several years, is one of the impressive results.

Let me say, some of the technical results are mesmerizing while the colors are deep and delicious.

How did we ever stop making this?

REGARDING A GRANDFATHER CLOCK

When I was growing up, “going to the farm” meant a trip to my grandmother’s sister and brother-in-law in the other corner of our county. One of my memories was of the grandfather clock that stood at the top of the stairs and Aunt Edna’s mentioning that it had been carried over the mountains in a Conestoga wagon “from the place where Conestoga wagons were made.”

As a history buff, I eventually realized that was Lancaster County, Pennsylvania, now famed for its Amish population. The plot thickens, as I explain at my genealogy blog, The Orphan George Chronicles.

Decades after the farm had been sold and I began working on the genealogy puzzle, I received a few photographs of the clock, and a few days ago I scanned them into my computer. You can’t see many of the details, but I remember the small moon and sun that would rotate in the clock face. A few years ago, back in Ohio, I was surprised by how short the clock itself is. We think of grandfather clocks as large, but this one is probably shoulder-high to me.

Most amazing, though, is the sweet ringing it issues in singing its quarterly rounds. Not a gonging sound at all, but more like the clinking of crystal stemware.

And to think, the clock itself had been rediscovered, hidden away on its side in a loft of one of the barns. Just goes to show, you never know quite what to expect when you go rooting around in an old barn now, do you?

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DEAREST MADAMOISELLE, LOVELY AND EVER CHARMING

As I said at the time: Hey! Somewhere along the line, the Postal Service lost a letter, it seems. At any rate, I’ve been wondering about you, how you’re doing, whether you decided to run off to New Mexico or Arizona and start having babies one-two-three or whatever. Even whether I’d said something that offended terribly. (So much for self-esteem, right?)

At least, thanks to the wonders of Computer Era (or, too often, Computer Error) I be able (that, I’m told, reflects Chicago schooling regarding the conjugation of the verb to be) to resurrect my last letter to you. Is this the one you responded to, meaning I never got your last letter? Or did you not get this one? And the poems in the new Indigo, um,  are they the two you didn’t know you had or, surprise, are they the ones I sent in July? Mysteries, mysteries!

At any rate, I’m anxiously awaiting the new issue – and all the news – and maybe even the missing letter!

On this end, to update from what’s there: Am still waiting for the chapbook … the usual unexpected delays and complications; in this case, a near-fatal blood clot suffered by the editor’s wife.

As you can see, I’m in the midst of a major computer conversion – from a fourteen-year-old XPC II system and nearly 300 five-and-a-quarter-inch floppy disks (Word Perfect 4.1) to a 6.4-gigabyte Pentium II Windows 98 Word 97 unit with both HP scanner and inkjet printer. It’s taking much longer than I anticipated; am still not on-line (one step at a time!) It’s like household he-man repairs and remodeling: everything takes three times longer than you believe it will, should, or can. Just ask your Italian father: if he’s anything like my ex-father-in-law, the one I miss greatly, these jobs are just that. (One of Sam’s great lessons to me, by the way: be sure to leave something undone for tomorrow!)

So I built, from kits, a new credenza and hutch, plus a “utilities cart,” projects that proved the timing theory: the credenza that took the salesman two hours to assemble took me six or eight, in part because the instructions are written in three languages but proficient, from what I could determine, in none. Ditto for the printed illustrations. Then, when the electronic goodies came, there were all the boxes to unpack and the new wiring to figure out (and whatever you need for the big rebates seems to get lost with the trash). Guess I’ll never purchase again where there’s a rebate involved! Just give me the discount, now! To say nothing of the software to install, nearly wrecking my Windows 98 in the process. (A Sunday morning phone call to Hewlett Packard nearly averted that!) At least much of the software installation is so much easier than it was a decade ago! My computer guru, the one I’ve “hired” for a bottle of Jim Beam or Jack Daniels, has been a big help, dropping on me a stack of magazines that could be used instead as the coffee table; his real challenge is in rigging the system that will allow me to convert and transfer a dozen or so novels and tons of other writings from the old system to the new. All this must seem foreign to you, who appear so much at ease with stylish desktop publishing! (So when did you first delve into cyberland – and desktop and all of the great touches you display?)

Hmm, that’s interesting, the date on the page break and all. One more thing to figure out, eventually – modifying these damn templates to my own style! (Spent a couple of hours a few weeks ago trying to do that, only to finally learn I couldn’t do it – see now there are other ways to go about it, thanks to a $40 book that tells me what Microsoft’s can’t.)

Did get away for a week in a small cabin in the Maine woods – no heat and no glass in the windows, but there was a fireplace as well as sliding shutters across the screened windows: good thing, too, with the nights getting down to freezing! Snuggled in with a stack of novels to read, learned to canoe solo on the five-mile-long lake and winding river, and even drafted some decent poetry.

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How long ago all that seems! Well, it does come from a few years before I acquired the barn and everything that’s gone with it … including a great wife and family. Which makes it ancient history, indeed, even without the computer updates.

ANOTHER PROMISCUOUS READER

I had thought the phrase “promiscuous reader” originated with Virginia Woolf to describe someone who reads widely and passionately – even the sides of breakfast cereal boxes – but now fail to find it. (So much for relying on memory.) Instead, she left us The Common Reader, itself drawing on Dr. Samuel Johnson’s phrase in his “Life of Gray,” where he bellows, “I rejoice to concur with the common reader; for by the common sense of readers, uncorrupted by literary prejudices, after all the refinements of subtlety and the dogmatism of learning, must be finally decided all claim to poetical honors.” Woolf, of course, takes Johnson to task as she peruses her own wide range of literature, while Johnson, in that cruel twist of fate, exists almost exclusively in the realm of university English literature departments.

I think, too, of a girlfriend’s reaction the first time she entered my apartment and saw the rows of peach lugs displaying my collected books along one wall: “Wow, you’ve read all these?” Well, mostly, I probably replied, silently realizing there would be some serious differences here. Looking back, I see how many more volumes had slipped away – in the divorce, to other lovers – or simply been borrowed and never returned. (The lugs, by the way, were inspired by a description in Kerouac’s The Dharma Bums – the orchard no longer used apple crates, but the wooden peach lugs were still available.)

On the other hand, you may be one of those who enters a home and immediately heads for the shelves to see what the host reads – or even plays on the CD or phonograph. As my ledger of readings demonstrates, the spines of the volumes can say a lot about a person. Besides, the paradox of books and magazines is that they dwell in our private experiences, yet also engage in a dialogue, often across decades or even centuries. Sometimes we even find others whose readings overlap and can speak together of our travels. At the moment, I’m beginning to feel like an open book.

All the same, here’s hoping you enjoy my shelves, such as they are. And thanks to those of you who have already weighed in.

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FROM ONCE UPON A TIME TO HAPPILY EVER AFTER

Continuing this month’s survey of Books Read, here are a few more entries:

  • Maria Tatar, ed.: The Annotated Brothers Grimm. As one who’s come to treasure the grittier sides of both Native American mythology and Biblical texts, I’ve long wondered about the earlier versions of the stories collected by the Grimm brothers and, as the notes to this volume also discuss, their French parallel Charles Perrault, especially with his Mother Goose. At last we’re getting glimpses into those unsanitized roots, in large part thanks to the work of Tatar and others. The introductory pages by her and A.S. Byatt make the volume worthwhile on their own, as they examine the fine line between folktales and mythology and recognize that these are really wonder tales, full of magic and harsh reality, a kaleidoscope of rapid presentation where fairies rarely have a role. The mentions of versions having Gretel as a trickster, Rampunzel as not realizing her weight gain is pregnancy, Little Red Riding Hood performing a seductive striptease, Snow White’s pricked finger blood as her menstruating or deflowering all add powerfully, as does the sense of polyphony in the overlapping voices. Although reading all of these close together can be a bit much, it does allow the patterns to emerge: sibling rivalries where the youngest and seemingly dumbest child is in reality blessed, and so on. As for the surrounding forest, where is it in the urban reality? The ghetto? The cellar under the apartment house? The subway?  Another volume I’ll be returning to frequently.
  • Philip Pullman: Fairy Tales From the Brothers Grimm. Reading Pullman second gives the astute reader a sense of what a translator can add or omit. As a famed writer himself, he admits to taking liberties at times, drawing on similar tales and the like. You can see the differences from the very outset, with “The Frog King, or Iron Heinrich,” which Tatar begins, “Once upon a time, when wishes still came true,” versus Pullman’s “In olden times, when wishing still worked …” His translation is often more direct and less tradition-bound, and often has a deft detail or insight that is simply brilliant.
  • Nicholson Baker: The Size of Thoughts, U and I, and A Box of Matches. Back in high school, hearing a teacher proclaim that all fiction is based on conflict, set a challenge for me: can a novel work without any essential conflict? Baker comes close here with his Box of Matches, set as daily reflections before sunrise one January, as he lights a fire in his fireplace (hence the matches) and drinks coffee — the closest he comes to conflict, in fact, may be the struggle of making coffee in the dark, a consequence of his decision to keep the lights off. Lovely meanderings through the minutia of daily living. U and I is his notorious paean to John Updike, full of deliberate misquotes that reflect the ways of time on the memory and wonderful confessions on the joys of reading and the trials of writing. (I’m happy to see I’m not the only writer who has a lifelong admiration for a great model, or at least an adult lifelong admiration.) The Size of Thoughts, meanwhile, is the perfect volume to end this month’s collection of readings. Each of its quite varied essays follows a topic through a wandering net based on thinking itself. Of special importance are his pieces on the loss of learning that occurred when university libraries junked their card catalogs and his 148-page investigation of the other meanings of “lumber” as they evolved in the antiquity of English poetry. As the second essay begins, “Each thought has a size, and most are about three feet tall, with the level of complexity of a lawnmower engine, or a cigarette lighter, or those tubes of toothpaste that, by mingling several hidden pastes and gels, create a pleasantly striped product.” If you’ve sensed something similar emerging through this month’s discussion, just remember, The Size of Thoughts mentions many, many fine books in passing. Just in case you’re ready to read more.

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FROM POETRY WINNERS TO MIRACLES

Continuing this month’s survey of Books Read, here are a few more entries:

  • Poetry book competition winners, mostly. Mary Biddinger, Prairie Fever (Steel Toe); Chuck Carlisle, A Broken Escalator Still Isn’t the Stairs (Concrete Wolf); Mark Conway, Any Holy City (Silverfish); Becky Gould Gibson, Need-Fire (Bright Hill); Michelle Gillett, The Green Cottage (Ledge); Noah Eli Gordon, Acoustic Experience (Pavement Saw); Jason Irwin, Watering the Dead (Pavement Saw); Joshua Kryah, Glean (Nightboat); Rachael Lyon, The Normal Heart and How It Works (White Eagle Coffee Store); Dawn Lundy Martin, Discipline (Nightboat); Rusty Morrison, The True Keeps Calm Biding Its Story (Ahsanta); Heather Aimee O’Neill, Memory Future (Gold Line); Simon Ortiz, From Sand Creek (Arizona); Pitt Poetry Series, New and Selected 2012; Liz Robbins, Play Button (Cider Press Review); Jonathan Thirkield, The Waker’s Corridor (Louisiana State); Cider Press Review, Vol. 12; Slipstream, No. 31.  By and large, how dreadful – even meaningless or worse, false – I find these hermetic works of creative writing MFAs, often incestuously selected by associate professors of creative writing or literature. Far from finding anything I might wish I had written, I’m instead left grasping at straws for anything I might even admire – even a single line or stanza seems elusive. On top of it, the pervasive anti-Christian invective in many seems to amplify the shallowness of much of any thought running through these – often, there’s only a vague link to the title. And all of these similes!  Admittedly, many of these are gorgeously produced – their covers, especially. So what I’m keeping, this round: Need-Fire, with its impeccable scholarship of early Christianity in England and its lovely reconstruction of early English verse; Glean, with its lacy evocations. Ortiz remains in a class by himself.
  • Albert Goldbarth: Heaven and Earth. Wonderful collection (poems).
  • Poetry, December 2011-April 2012. Catching up! Some good work by Dan Beachy-Quick, Dick Allen, and Linda Kunhardt (December), varied responses to prayer and faith (“One Whole Voice,” February), Marina Tsvetaeva plus Kabbalah-influenced work (March).
  • American Poetry Review, March-April 2012. No keepers, apart from an essay on metaphor.
  • George Fox: Book of Miracles. A reconstruction of pastoral work by Fox, with extensive introduction looking at the expectation of miracles and providences at the time.
  • Evelyn Underhill: Abba. A close gloss on the Lord’s Prayer and its radical implications.

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