the Tiki torches, hints of pathways in five directions
from the Smoking Garden
* * *
twilight
with charcoal, glowing and ready
poem copyright 2014 by Jnana Hodson
You never know what we'll churn up in cleaning a stall
the Tiki torches, hints of pathways in five directions
from the Smoking Garden
* * *
twilight
with charcoal, glowing and ready
poem copyright 2014 by Jnana Hodson
One of the downsides of owning an old house is an awareness of just how expensive any repair is. (And it’s always more than you’ve planned.) Add to that just how many repairs are needed. (Remember, most of them are for things you don’t even see.) And that’s before we get to any upgrades.
The awareness has also afflicted many of my dream-house observations, especially when I’m nearing the ocean. Where I would have admired a stone retaining wall under construction or a long pier from a private boathouse or deck to the mooring, what I now see is dollar signs. Often, more than I would have made in a year. It’s crushing.
It can make you wonder what people do for that kind of income. Or what kind of wealth they were born into. Or how long it will last.
One thing I know is that fishermen used to live in some of these coastal communities. But not anymore. Not by a long shot. Some of them live closer to me.
I wish he hadn’t said it. My former landlord in the Yakima Valley, visiting us here in New England, remarked on how many of the houses he saw that were in need of new paint. That was before he saw ours, too.
Now, in this seemingly picturesque location, everywhere I turn, I see houses with peeling paint. Or worse.
I wish he hadn’t said it.
At least he said nothing about roofing.
Looked up as I drove by a big green lawn the other day and saw it was dotted with pink. A bright pink unlike any flowers we grow in these parts.
Then I smiled, realized the house had just been flocked – there was even a note stuck on a stick.
In a flash, even at a distance (this was the kind of place that has a small pond between the house and the highway), I sensed the two dozen flamingos were all uniform, likely brand-new, unlike the motley band we “quarantined” for our own use all too many years ago now. Why, ours even multiplied in the course of their service – some of the dads were making new ones from plywood, rather than plastic.
Flocked, you ask? Oh, I was sure I’d told that story, somewhere.
Come springtime every year, there’d be a predicable domestic spat. I’d say the compost was ready. She’d look at it and retort, “No, it’s not: you can still see bits and tell what it’s made of.” (Actually, two shes – mother and daughter.) “Then you’ll have to wait another year for it to finish to your specifications,” I’d shoot back, only to be told we couldn’t wait that long. And so on.
Part of this seemed to question my very manhood. I was, after all, the one doing all the work, from collecting the bags of leaves around the neighborhood and dumping the kitchen garbage in the covered bins to changing the rabbit cages, in large part for their precious, nitrogen-intense pellets.
Well, most of the work. The red wigglers would also do a large share.
Still, I suspected that if we waited as long as they wanted, all of our organic matter would evaporate.
At last, I had a flash of genius. I’d slowly sift the pile, trowel by trowel, and whatever came through the screen turned out beautiful. They approved and used buckets of it on the square-foot garden beds as fast as I could provide them. The part that didn’t fit through the screen was also beautiful, along the lines of woodland detritus with flecks of brown eggs. I put that aside to decay further, perhaps to be spread as mulch in July or August.
The motion of sifting itself can become a kind of Zen practice as you admire the material before you and the thoughts flitting through your awareness.
This movement’s like panning for gold, as I found washing my dishes in the glacier-fed river below Mount Shuksan. Back and forth, back and forth, with all that matter getting smaller and sparkling more in each round of swirling.
All the peach stones are tokens from our cheap peach bonanza after Hurricane Irene ruffled nearby orchards.
The squirrels plant a lot of our wild black walnuts.
Listen to all the cardinals and mourning doves.
Plastic, in flecks, is inescapable.
How loud, those geese overhead! Me, I’d be more stealthy.
We eat a lot of eggs.
At the beach the other morning, observing the beauty of the blue surf at low tide on a crystal-clear day, I realized my mind and heart were not in oneness with the postcard view before me. Yes, I was there, but on a mission, and I was all too aware of a desire to be home before my wife left for her afternoon and evening obligations.
My oneness, however, was with the seaweed before me as I put it into buckets and transferred these to black bags in the trunk of my car. The drive home was also a meditation, as was spreading one of the bags over our asparagus bed.
The goal, of course, is to be fully present where I am. Rather than off somewhere far ahead or far behind me.
feeder, especially:
report of one wild turkey one November
overhead:
* * *
someday maybe I’ll know by song
all the birds that stay hidden in our treetops
The world of fellow bloggers keeps reminding me how far behind the curve our northern New England calendar can be when it comes to springtime. We still have snow in parts of the yard, for one thing. Yet since we’re near the ocean, our weather is a week ahead of places only a few miles inland, meaning to our west or our north.
Still, there’s been a definite change in the air. A very welcome change. And even a few signs of green, in addition to the final gray puffing of the pussy willow stalks.
Let’s not neglect those gardening bloggers in the Southern Hemisphere, either, reminding us of their approaching autumn.
For many of us, then, it never lets up. Plug on as we will!
~*~
Although I’ve posted in previous seasons on our use of seaweed as a mulch for our garden, I don’t think I reported on the results. Yes, many things get lost in the cracks of daily living.
The short answer is that I’ve been returning to the beach lately to load up on more. A lot more. Since the master gardener in our household can’t seem to get enough of this magical mixture, I fill black plastic bags and tote them home in the trunk as I can. So far, that’s been five trips.
While last year’s weather wasn’t exactly typical, meaning we can’t factor out its impact cleanly, we can say that we had our best garden yet – and the seaweed appeared to play a big role.
Since our soil is largely clay-based, we’re usually plagued with garden slugs, but last year they were at a minimum. Apparently, the slugs don’t like the salty mineral nature of the mulch when it’s fresh, and they don’t like its prickly nature when it’s dry. On top of it all, the plants love the mineral nutrients. And so I’m trying to load up between the end of the frozen weather and mid-May, when the town down the road in Maine closes its beach parking to non-residents like me.
~*~
While I’m still thinking about the snowfall, I can say our seasonal total unofficially came to a hair under 80 inches. (Yes, we can still get more, but it will melt quickly.) We’ve had more, but this just felt onerous. At least we didn’t get any storms that dropped two or three feet in one swoop to push the season’s total into three figures.
Where we live, harsh winters come in one of two varieties: either unusually cold and dry or else with a heavier than normal snow total. This year we had both rolled into one. Four months of snow cover and all those near-zero lows (or below) have taken a toll on even the heartiest among us.
And, yes, the black flies and weeds are already appearing. Mud season is upon us, after all.
It’s been a little over a year since I went largely paperless, as the high-tech crowd would put it. Not entirely by choice, but rather because my printer died and the one we have for the household no longer interacts with any of our three laptops. So much for technology. Alas.
Yes, it can be an annoyance, especially when I have a choral score to print out or my wife’s found some great coupons. But we’ve found ways to cope.
When my printer went kaput, I was already finding that most poetry journals were accepting submissions only online, and that included the printed quarterlies. Keeping duplicate files of online and printout versions was troublesome and led to several embarrassing duplicate acceptances. So I decided to go to online-submissions only, and had only a few instances where I had to decline an opportunity.
Blogging, of course, has allowed me to move many pieces straight to the Internet without using paper, so that’s cleaned up a corner of my studio.
The big breakthrough was the ebook publishing with Smashwords. There’s no more need for multiple printed manuscript copies or files of postal correspondence to cope with. It’s so clean!
Not that the piles of paper don’t continue. Rather, they’re smaller these days. I’ll still pay my bills with a check, thank you, and there are always paper notes for consideration. Admittedly, I used to jest that sorting papers was one of my hobbies. In a way, it still is.
The fact is I love the feel and look of paper when it’s used well – fine stock and good typography, especially, along with masterful photography or illustration. And I still have a lot of that to sort through, to say nothing of all my years of journaling, which I’ve done with fountain pens for nearly two decades now. The old-fashioned fountain pens I ordered the same time I bought a PC that’s long been out of commission. The pens that dance in my hands, unlike this keyboard.