As for some fresh historical perspective

Eastport has an active energy committee, which is good considering how many times we get hit with electrical outages. We live at the edge of the grid, after all, as well as on an island subject to some wild weather.

So while lunching at their Earth Day set of presentations, the man opposite me was asking about our house renovations. This is a small-town, after all, and everybody knows everything – or will.

As I explained the history of our place and some of its makeshift, even shocking, carpentry over the centuries, he interrupted me with an account of a father and son working on a project.

I thought he was talking about John Shackford senior and junior building our place.

As the two were working on the rafters, the son questioned his dad, “That’s six inches off, let me fix it.”

Naw, came the reply: “Just nail it!”

~*~

Sadly, I’m having to admit my realization of how often in my life that’s been the case.

And also, in our home project, how grateful I am that our contractor Adam would never settle for such sloppiness.

We fully intend for this house to last another 239 years.

 

We’re supposed to be flush with improvements

Naturally, you must be curious about our new bathroom – what we’ve called our real bathroom, in contrast to the water closet on the first floor.

Well, for now, so are we.

As we considered our shrinking funding options, we admitted we didn’t have to finish the upstairs bathroom at this point, though having it done would deliver a definite quality of life improvement.

We wanted a tub that would be deep enough for a real soak – one that I could actually fit into without attempting hatha yoga with water. The tub also had to have a left-hand drain if we were to avoid having the pipe run against the outside wall, where it might freeze and burst in deep winter.

Our original choice, built-in or alcove, switched to a free-standing model after seeing one in a neighbor’s home during a party. We went back a week later to get a second look and measurements.

~*~

The toilet had to be a back-flushing model due to a shallow space in the flooring.

Having lighting above the sink and electrical outlets in the room would be huge advances over the water closet downstairs, as we learned in the 4½ years of its being our only option. Do note that having a carpenter who was also a licensed electrician meant that all of the lines and outlets would be in place before the drywall went up.

As for storage? A large medicine cabinet and a vanity for the sink are considered boffo additions, ones you probably take for granted in your own digs.

~*~

But once the bathroom and laundry room were plumbed, awaiting the next steps, we ran into complications.

First was actually ordering the tub and toilet and getting them delivered to our remote locale. Getting agreement on some of the selections added to our delay. Our plumber kept delaying, too, especially once in took a lucrative gig out in Indiana and then further out in Seattle. A potential replacement wasn’t interested in delivering what we wanted rather than the generic stuff they had it stock. All the while, our available money went to other parts of the renovation. So for, now, alas, this is moved over the next phase, whenever.

 

Decompression opens refocus

When the upstairs finally became available, we began moving items from the first floor and a few boxes from the storage units.

My new bedroom/studio was the first one to be fully ready for occupancy. It’s the smallest of the four, while the front two rooms were still being used by the carpenters as they worked on the front exterior. They still have some tweaks before coming into their intended use. The fourth, our guestroom, is at the moment mostly storage. This does seem to feel like musical chairs.

Still, things that had long been packed away have finally came out into daylight and become accessible. We’ve even had some more room to stir about in.

Not for long, though. The future dining room aka my former bedroom/studio was quickly designated as a staging area when we cleared out our storage unit at the other end of the state. In time, it will likely be a storage space when we get to renovating the kitchen and downstairs bathroom. Those Ikea kitchen cabinets, for one, will take up a lot of room somewhere before they go up on the wall. As for appliances? Or an extra sawhorse or two?

And we thought we were done with that sense of camping in this house?

Get ready for Phase Two, hopefully still in my lifetime.

Should you want to compare the before and after

You may have guessed we’ve taken tons of photos of the renovations in our historic home. You’ve been viewing some as progress reports in this weekly series, but those show steps along the way.

Sometimes it’s helpful to skip over those, going straight from how things looked at the beginning and then leaping to what the work delivered in the upstairs phase of renovations.

Should you be interested in that comparison, I’ve assembled a gallery of before-and-after contrasts in a free photo album, one I’m making available to you, should you be interested.

As I’ll explain next week, we’re hardly as far along as we had hoped. So I’m calling the album “Before & Midway After.”

In assembling the photographs, I was emotionally overrun in seeing how dramatic some of the advances have been. It’s helpful in facing the remaining work ahead.

~*~

That said, check out the free tour at Thistle Finch editions.

You’ll also find the history of the house and its previous residents in another booklet, should you be curious.

Finally, something the public could see

When the scaffolding around the front and side of the house came down after more than a year, the public could finally see what we had intended.

The result actually took off in some tweaks that left it looking, well, we hope for the better – things like the double windows upstairs, which I’ve discussed in previous posts.

In a small community like ours, people were bound to gawk and talk, and so far all we’ve heard has been admiration.

As it now stands.
Starting from this.

When we embarked on this project, I quipped that old-house fixes took three times the estimated time and budget, and ours (alas) has been no exception on both fronts.

Actually, more, or maybe less, if you consider the Covid whammy and inflation. Besides, we got into a great deal more than adding space overhead: many of the extra costs addressed items in our home inspection report, things like rot, wiring issues, plumbing, masonry. Oh my, it was a long list in addition to the more pressing roofing situation that concerned our insurance policy.

So much of what we paid for would be unseen: the aforesaid rewiring (throughout the house, cellar to roof), sculptural work to allow the new farming to sit atop the old (how this structure ever survived before this is a miracle), spray-foam insulation, caulking. The interior storage lofts weren’t as simple as promised but they add for architectural drama (and the name of our architect, mainly us and Adam), nor were some of the exterior efforts to preserve the Cape image as seen from the street while drastically altering the reality.

But then, when our new cedar shingling was finally finished and the construction scaffolds were removed after more than a year, how handsome, as one of the coconspirators put it. Or, from my perspective, dramatic.

I’m hoping both Anna Baskerville and Captain John Shackford, as previous residents, would approve. As well as the list of others who have left their imprint here.

Frankly, we treasure all of it.

What do you think about doors?

Most of us, I suspect, seldom think about them at all – they’re just there, open-or-shut as we move on to something else or perhaps seek some privacy. Oh, sometimes they stick or squeak or the knob needs tightening, but for the most part we rarely even see them. As for simply walking into one, BLAM! Sometimes it’s not a joke or only a black eye.

As perspective, when our renovation project began, I was occupying a bedroom that had no door. Ours is an old house, after all, and the back parlor, as we also call the room, sat off the kitchen and our tiny bathroom. At least the bathroom had a door, though it didn’t close fully. As a matter of fact, few of the indoor doors in our house closed fully and the exterior ones were equally suspect.

Adam, our amazing contractor, raised another question about which way each of our upcoming doors would open. I assumed, erroneously, that they would be situated to minimize obstruction of open space. Instead, it seems that doors conventionally open with the right hand. Not the left. From either side, at that. Try it and let me know if I’m wrong.

The discussion thickened, no pun intended, when one of the coconspirators in this renovation declared she wouldn’t have hollow-core doors in the house, not even the bedrooms. My leaning for two of the upstairs bedrooms had been for Japanese-style curtains and for leaving the laundry room open. But then considerations of noise, privacy, and smoke-and-fire emergencies overruled me. A bathroom, of course, needs a solid closure, period. Would ours upstairs have a frosted window, like the one downstairs? As you see, this can get complicated. Those popular flip-this house cable TV programs are so lacking.

But back to topic.

The other coconspirator proposed picking up antique doors salvaged from other renovation projects, and we decided to go that route. They didn’t even have to match, did they?

~*~

Still ahead was what to do with the two exterior doors downstairs.

They were leaky, as far as bad weather went, warped, and rotting. The front door presents a neighborhood impression as well as the challenge of upholding the town’s historical character. Its storm door had already fallen away, due to frame warping.

To see some examples of exterior doors of Eastport homes, take a look at the Doors Fit for a Cape photo album at Thistle Finch editions.

As an added concern: working from home

Thanks to my poetry and fiction enterprises in my supposedly free hours – well, they’ve rarely paid me, unlike my career in the newspaper office – the idea of having workspace at home has been a given all the way back to the mid-‘70s.

For other members of our household, though, it’s something that’s certainly taken hold since, well, before Covid.

When the downstairs became crowded once the renovation overhead got going, we soon felt cramped. That big printer provided by an employer, for instance, took up some prime tabletop real estate and a precious electrical outlet. We still had a smaller one for our own use. Then there were other things, like a traveling table for presentations, a ream of printing paper, hand-out literature, and it all adds up.

The kitchen table typically became overrun with two or three laptops, stacks of documents and notes, and perhaps a few groceries for one coconspirator. Just what would happen when we were joined full-time by the second, who has her own online ventures? We needed to plan for those.

What became obvious was that each of us could use a second room of our own for these labors. Or at least a room that could do dual service. One where we could even close the door on a project without having to pick it up and put it away for the night.

The smaller front parlor, once cleared of “temporary” storage, would return to use as one office and conference room and, as needed, overnight guests.

The back parlor, which had been my bedroom, studio, and laundry room, would become a dining and crafts room, likely also dedicated to the other coconspirator’s business. And, yes, some of those crafts.

The new guestroom upstairs held the potential of also accommodating some of my overflow. It would also need a desk for our son-in-law in his visits. His company had obliterated its own offices long ago, and he was almost always on call.

And you were wondering what we were going to do with all of that new space? Oh, my.

We still had two storage units to empty, too.

As for the clothes washer and dryer

In the original layouts for the upstairs, I thought a laundry room was pushing our limits. On the other hand, I didn’t want a washer and dryer in the bathroom, either. That just would have looked, well, utilitarian. Besides, keeping them separate would avert crowding when competing uses erupted.

So what would be wrong with keeping them downstairs?

That’s when the fact that we would have to carry our laundry up and down stairs was pointed out to me. They’re the bulk of our wash load.

OK, I relented and was willing to go see where the new plan would lead.

I had to admit that no longer having it in my bedroom and studio was going to come as a relief.

~*~

What I’m seeing now is how much this “luxury” really enhances our daily living, starting with the sheets and blankets storage.

I’ve long been a fan of having elbow space as part of my work area. For perspective, I recommend Richard Swenen’s 1992 bestseller, Margin: Restoring Emotional, Physical, Financial, and Time Reserves to Overloaded Lives.

The laundry room – and the slightly wider than normal hallway between it and the stairwell – reflect that thinking.

The laundry tub also fits into that idea of margin, with its deep bowl facilitating household and painting projects cleanup more easily than a bathtub does.

Add to that the ease of ironing.

There’s even thought of running a clothesline out from the window.

Frankly, I’m not so sure about that, though I’m willing to be convinced otherwise.

Fitting me like a glove

As I posted a year ago, this would be the first time I’ve had a tailor-made personal space. How heavenly! Look at those two windows higher up on the wall, allowing for shelving below and cross-circulation of air in the warmer months in addition to natural light.

Roughly 12-by-14 feet, including the closet and writing corner, much of it would be taken up with a very comfy double-sized bed, but the room was also intended to enclose my 200-plus journals, rows of LPs and CDs, a turntable and Bose stereo, hundreds of books, plus clothing, filing cabinets, and a writing corner. Hey, I’ve been downsizing.

The room is isolated, tucked away from everything, unlike the previous space where I could keep an eye on passers-by on the street and deliveries to the back door, the entry that got 98 percent of our use. I could even see the deer in our yard. The new room, in contrast, feels more like a treehouse, even with that double-sash window that displays a corner of the ocean and all of its changes.

~*~

My bedroom is the smallest of the four, but it fits me like the proverbial glove. If I sometimes think of it as being like a treehouse, that was something I never had as a kid, though I did climb often to the top of the elm in our back yard. I can nearly clamber to its tippy top in my sleep, almost 70 years later, hundreds of miles to the east.

In our renovations, the room is also envisioned as a place for my continuing downsizing, a consideration for my heirs who have no interest in my journals, manuscripts, recorded music, clothing, or ancestral snapshots and formal photographs. I don’t want to burden them with any of that. Still, despite my previous efforts, there’s so much I still need to sort through in my remaining time. Back to those journals, manuscripts, recordings, clothes, and photos. Some of that labor may even lead to future posts here.

Back when we moved into our Dover house, the one with the red barn in New Hampshire, I needed tons of space for my literary projects – everything was on paper. Not so now, especially after so much of that paper is now available to readers in digital publication.

What we did with the wall between mine and the front bedroom is especially delightful. Originally, the space was supposed to be divided between the two bedrooms, but then she who must be obeyed ceded it all to me, except for the space overhead. Her reason was that this was the wall where she decided her bed should go, and the bed would have obstructed the closet. OK, then.

Gee, I had been thinking about what might go up my side of the space. Instead, I have a bit of upper wall, which makes me wonder what might be displayed there instead. My Far West cow skull, perchance? Or a moose antler rack from around here?

My proudest part of my upstairs quarters is the writing center carved out of what would have been closet, up against an outside window. Here I can see a corner of the harbor and yet also have so much at hand overhead.

~*~

The back two bedrooms – mine and the one we’re designating as guest room – are largely square in their floorplan but were to have a signature charred beam running upward along the exterior wall, a reminder of the 1886 downtown fire that charred our rafters but didn’t get further than that. For us, these are also reminders of a chimney fire or two that the house also survived. For the most part, the rooms are mirror images of each other, except for differences in the wall that has the closets. More on that in a later post or two.

When it came time for the drywall to go up, we yielded on preserving that detail and instead went for an unbroken wall, mostly because of the expense of the labor needed to execute the details. Alas.

~*~

In the renovations, my room took priority because so much stuff from where we were dwelling downstairs had to move up to make room for ongoing work as it shifted to the first floor.

Besides, I was tiring of trying to sleep and write in the same chamber as the clothes washer and its noise. That future dining room was getting very crowded. We would need it as a staging area for the next stages of renovation.

Just to thicken the plot

As we looked for ways to personalize our bedrooms, I quickly settled on white as the dominant paint color for mine. We had already agreed on keeping the downstairs walls white, on the creamy side, especially for the way it enhances the marvelous natural light we have here on the island.

In my case, I wanted the purest white possible, a reminder of the incredible beacon at the fringe of the moon immediately before and after a full solar eclipse. On a more practical note, the white theme guaranteed that the line between the ceiling and walls would be continuous rather than jagged.

To close off the closet, I wanted a curtain rather than a door, in part to maximize space in the room and in part for a bold accent. I quickly gravitated toward indigo for the fabric. Yes, I have a taste for sushi and sashimi and Japanese design in general. The curtain inspiration, should you ask, springs from a few favorite restaurants. Besides, I have a long love of ascetic clarity, including the Shakers as well as Zen, even before I became Quaker and flirted with its historic Plain style, which can also be seen here.

The bedspread and bookshelves would add their own colors and textures to the mix.

~*~

Playing around with the blueness, I even did some online scans and duly noted:

My desired bedroom blue accent
Somewhere around 13 red, 27 green, 54 blue, 100% opacity
Just give me a name, somehow
Hex #0D1B36, for starters
As for the purest white of whites?
Is it even possible?

Just so I’d be ready when it came time to trot off to the paint store or fabric shop.

~*~

Christmas intervened before the upstairs was ready for painting.

Gift-giving in our family often turns into an art, sometimes including items found at yard sales. Other times it includes items you never knew you wanted or needed, though you soon discover otherwise – I’ve often been advanced on high-tech edges that way.

So, this past holiday, I unwrapped one box and encountered sample strips of cloth, all blue, nine in total, traditionally Japanese and dark blue. Along with an offer to make the curtain from my fabric of choice.

Just to see how they might work in the room.

I had no idea it could get this complicated.

They were darker than the indigo I originally envisioned, as well as more intriguing. How would each one interact with the rest of the elements in the room? I invited reactions from others in the family, and weighed those in with my own observations. What caught my fancy early on soon moved toward more subtle patterns. I’ll leave it at that for now.

The full array plus a batik dinner napkin that had started my thinking.

~*~

Beyond a café curtain on the double-hung sash window, I’m planning no “window treatments” in the room. (How I detest that term.) Privacy isn’t an issue, considering the height of the other windows, nor is direct sunlight in a north-facing room.

~*~

Continuing with the color choice palette and turning to the floor, online searches quickly convinced me that dark blue would be too much, even in small exposures. Dark red, which we had in Dover, would have resulted in a red-white-and-blue cliché. I started leaning on hunter green but began wondering if going lighter, as others in this project were thinking, might make sense.

However this turned out would be nothing like anything I had before.