“You’ll be the next Tom Wolfe,” one creative writing prof promised me. I loved the guy’s flashy writing and, for the most part, his subject matter.

Where he eventually rubbed me wrong was his consternation that no big novel of the hippie era had appeared. There, he kept ringing as a prompt for me.

Part of his hook for me was the fact that my dream job in the newspaper world would have been as a columnist, especially one like Hub Meeker’s State of the Arts in the Dayton Journal Herald. Arts journalism was, alas, a shrinking field, along with the more general community columnist, like that paper’s Marj Heydock or Binghamton’s Tom Cawley.

Wolfe had briefly been one of those, at the New York Herald Tribune.

The bigger part, of course, was about that novel. He was dismissing Richard Brautigan’s unique voice altogether and others, like Gurney Norman, John Nichols, Tom Robbins, who rode the vibe.

Wolfe was also snidely suggesting that he had been the one exception, with his Electric Acid Kool-Aid Test, which really wasn’t a novel and predated the blossoming of the hippie movement.

His idea of the Big Hippie Novel reeked of the misguided quest for a Great American Novel.

Quite simply, there were too many strands of the movement to fit into a single book. Political or social action, anti-war witness, civil rights, gender equality, environmental awareness, organic and vegetarian foods, intentional community, group housing, alternative education were all part of it, even before the sex, drugs, rock’n’roll, hair, fashion, or slang.

These other factors would come more fully into play when I revised Daffodil Sunrise into Daffodil Uprising, and Hippie Drum and Hippie Love into Pit-a-Pat High Jinks.

I’d like to think of those books as nominees for the Big Hippie Novel distinction.

Wolfe’s charge also overlooks the outstanding nonfiction books that reflected the experience, such as Zen and the Art of Motorcycle Maintenance.

Moreover, I still feel that many of the difficulties in the current political scene arise from a failure to clearly understand the demons raging from the Vietnam conflict, both for those who fought in the army and those who fought the unjustified war itself.

So here we were, struggling through disco without having faced the lessons of either the hippie outbreak or the Vietnam disease. Hippie had become a dirty word, and many who had been happy to be one were no in psychological denial. It was something nobody wanted to relive either, apart from maybe Woodstock.

As others have observed, an ignorance of history carries a heavy price.