What is ‘home’?

The definition, like that of “family,” can be complex and elusive.

I’m looking at home as someplace much more than where I sleep at night or eat the majority of my meals. It’s more than a house or an apartment or even a tent, for that matter, even though for much of my life, my address has felt more like an encampment before I arrive, well, at what’s truly home.

The Biblical sense of sojourning matches much of what I’ve experienced, pro and con.

Think of a sense of comfort, for one thing, and belonging, for another. Not everyplace I’ve dwelled has measured up there. Rental units have always had limitations on how much you can personalize the space, even to the exclusions on painting the walls. And who knows what happens when the rents or lease go up.

As much as my native geography and its character are imprinted on my soul, the house I grew up in isn’t. How curious. As for family? I’ve now spent the majority of my life on the Eastern Seaboard, mostly New England. Four years in the Pacific Northwest were especially transformative. Yet deep down, I’m still a Midwesterner, though one now amazed almost daily by the movements of an ocean close at hand.

The place I’ve lived longest is Dover, New Hampshire, in an 1890s’ house that’s appeared often in this blog. As “home,” it had shortcomings, but it was where I built my own family, did some very serious writing and revising, ate marvelous food we had raised in our garden, delighted in some extraordinary neighbors (especially Tim and Maggie), delighted in the parties and guests we hosted, and thought I would spend my final moments within. Well, I almost did – but that’s another post or two. As I told the kids when we moved in, I would be in a pine box when I left.

Not that my plotline wound up following that course. It might have, actually, if my elder beloved daughter-slash-stepdaughter hadn’t whisked me off to the emergency room in time for a cardio-stent.

Back to the bigger story. As I retired from the office, it became clear we needed to downsize. I won’t go into details, but my elder daughter/stepdaughter (those distinctions blend for me but not everyone – room for many future blog posts) fell in love with a remote fishing village at the other end of Maine. And then, so did her mother. My introductions to the place were positive, but even though I had begun some intense decollecting and downsizing, and was well ahead of the others on that front, there was still a long way to go. Besides, I was in the midst of a major writing project and knew how long it would take to get back in gear if I packed up in the midst.

Even so, after a few furtive efforts, we bid on a property that had been for sale forever and were accepted. I was promptly dispatched to keep an eye on the place – essentially, as a writer’s retreat.

It needed, to put things succinctly, tons of work. But somehow, it’s felt more like home than anyplace else I’ve dwelled. As you’ll see.

How to really play a Strauss waltz

Most conductors try to make it melodious and strictly in time, constrained by starched shirts and gowns. Seated audiences typically go for that tuneful approach, not that humming along is approved.

What I find more compelling and exciting, though, is when the performance is filled with bubbles, like champagne, and a tad tipsy. One dance partner stepping on the other’s toes. Even better, when there’s some tension between, say, the brass and the strings, with a hint of freedom within the beats, the way one dance partner is a hair ahead or behind the other. Yeah, a little swing, if you will. And a little playful unpredictability.

Well, here we go, in the air approaching another new year.

Hodie, hodie!

My choir has been singing a joyous Renaissance piece that translates, in Allen M. Simon’s rendering, as:

Today Christ is born:
Today the Savior appeared:
Today on Earth the Angels sing,
Archangels rejoice:
Today the righteous rejoice, saying:
Glory to God in the highest.
Alleluia.

I first heard it in the second classical concert I ever attended, around age 12, with the velvety Roger Wagner Chorale on tour. Never, ever, did I imagine I’d be part of presenting it myself.

Still blows me away, all around.

Can it really be a whole year since the book appeared?

Have to admit it’s been an exciting, though not exactly lucrative, past 12 months since Quaking Dover appeared in print. The 255-page volume is quite different from my earlier publications. It’s history, rather than a novel or poetry, and its tone and outlook pushed my journalism training in new ways. I’ve even come to see this as my major creative nonfiction opus.

Reader reaction has been enthusiastic, and the book’s perspective has challenged the conventional take on New England history and its impact on the rest of America.

Friends Journal magazine called it an “eminently well-argued and documented account,“ while others declared it “a rich feast of a book” or said “It’s like you’re speaking right to me! It’s not like a history at all!” or simply “enjoyed your conversational writing style.”

Unlike my novels, its publication led to a festive book-release party in the Dover Quaker meetinghouse, followed by other events – some of them with unique PowerPoint visuals – in Dover, New Hampshire; Haverhill and Cape Cod, Massachusetts; and Eastport and Pembroke, Maine. Ten in all, and all well received. Didn’t get to do that with the novels. I’ve even had strangers stop me in the street to tell me how much they like my reading. And creating the presentations and accompanying illustrations has been fun in a whole new way for me.

One thing that’s impressed me is the way this has connected with people. It’s about places they live in or have visited, about families and communities they know, about values they share. It’s more concrete than fiction but no less personal.

Overall, it’s sold close to the U.S. average of 200 copies a year. Considering that the book is, at its core, the story of a small congregation in a small city in a small state, I’ll take that as a good start.

Back from sea

Or should I say “bay”? My weekend at the Common Ground Fair was followed by the better part of the week cruising Penobscot Bay in a historic schooner. My first time overnight in a ship, at that.

I’m just beginning to digest the experience, but it was my second digital detox within a month – a healthy opportunity, to my mind. I’m sure you’ll be reading a full report sometime in the future here.

At least my body’s home now.

It’s not all about food or forestry, either

As long as we’re at the Common Ground Fair in Unity, Maine, let me mention a few presentations today that go beyond the solid fare of food, forestry, livestock, fleece and fiber.

For instance, a home funeral demo is followed by discussions on green cemeteries and community death care teams for those interested in alternatives to costly funeral traditions. There’s also a blacksmithing demo and a hands-on assembly of a ¼ scale timber barn. Chicken first aid could be amusing, as could the basic of breeding your own pigs.

Of special interest to me are the two contradances, a traditional shape-note sing (hope I remembered to pack my Sacred Harp hymnal) alas at the same time as an Indigenous storytelling session, and three Maine legends appearing together: folksinger Noel Paul Stookey, comedian Tim Sample, and guitarist David Mallett.

I’ve sung in the choir behind Stookey twice and can say he’s an amazing person and musician.