WITH THE SUMMIT SOMEWHERE ABOVE

Let me confess to struggling with the preposition for the title of this collection.

The initial thought was of being atop a mountain, with its panoramic views. But that runs the danger of suggesting superiority, submission of nature to man’s will, or placing more value on a given result rather than the process of getting there (and back). The climb, I’ll contend, is purification for what lies ahead.

An alternative “on the mountain” allows for the sense of having one’s feet on a trail or even presenting a series somehow “about” the mountain as a set of explanations.

I settled on “under” for its sense of looking upward, in awe or even reverence, as well as the fact that even in mountainous terrain, we live in the valley, with some degree of protection from the elements. Where the streams come down and weave their threaded branches together. Where at times the clouds nestle in. Where the eyes wander from the summit.

Mountain 1~*~

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HERE COMES COMPANY

Chief Seattle, who appears in the Grilled Salmon section of this poetry collection, is an elusive figure in American history. Whether he pulled a fast one is another question, but he did get a major city named in his honor.

As for his role here?

I enjoy his company. I hope you do, too.

Olympus 1~*~

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PICKING THE RIGHT, RIPE WILD BERRIES

I keep thinking about the stories children are taught, especially here in America. Carol Bly once wrote of the Scandinavian tales the descendants in Minnesota never heard, unlike the mass-media mishmash they were served. I’m left wondering if Ohio ever had anything like Kokopelli or Coyote from Native American lore and wisdom. I can keep hoping.

The fact is, most Americans are estranged from their roots. We don’t even know where we live, not really.

Forget the Zombie Apocalypse, we rarely know how to select the healthy wild berries. Leave it at that.

As for the hornpipe? It’s a Celtic dance, faster and more complicated than a jig – or gigue, if you insist. But I also like the vision of a pipe carved from a horn and played.

Care to join me for a dance?

Kokopelli 1~*~

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MOODY RIVER WINDING AWAY

What may appear to be a lazy river meandering amid its wooded isles deserves consideration and room to run wild.

Passions arise and freeze over. The flow dwindles to rock. Rats run along the shoreline of factory brick at the dam. A few miles on, either direction, the dairy herds gather.

All of it reflecting my soul when I lived there.

Susquehanna 1~*~

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ENDLESS PERSPECTIVES

Rarely do you stand at the summit. It’s a lesson of life.

Even on the trail, the climax awaits, somewhere overhead.

We need something to look up to, from infancy on.

And then there are clouds – or the surrounding range.

Or the streams, threading together, below.

Mountain 1~*~

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FORGET ZEUS AND HERA, FOR NOW

The Olympic Peninsula is an extraordinary extreme in continental United States. It juts out in the far upper left-hand corner, surrounded on three sides by ocean and inlets and featuring a jagged mountain range in its center. Much of it is lush and tangled, and there is relatively little human habitation.

It could be a land of the gods, as its very name suggests. Or as the Native Americans, with their stories still intact, will relate. Forget Zeus and Hera, then – this is a panoply arising from American roots and its westward focus.

Come along into the rainforest and then camp just in from the beach. As I did, collecting these poems.

Olympus 1~*~

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