When food opportunity knocks

Among the talent that shows up to work at the family restaurant in my novel What’s Left is a very, very talented baker. As they conversed with him, they could smell opportunity.

Still, these two lines were more than the scene needed:

What can you do here with what we have?

Pierre rolls out a list. We’re impressed.

Oh, I’m so glad Cassia stopped talking like this! In the final version, she’s pretty snippy.

~*~

Let’s just say everyone rose to the occasion. As a result, he started making real French bread to southern Indiana – and a lot more many of us take for granted nowadays.

Of course, the world doesn’t always come to you. When it comes to food or drink, where would you like to travel? Or, for that matter, return?

Getting ready for the big moves to begin

By this point in the story, we have what could well be a business-based fairy tale. Everything seems blessed. For me, as the author, this required a lot of business-cap thinking. For the reader, though, many parts can be distilled and compressed – a suggestion rather than detailed descriptions will do.

Here’s how part of the timetable stood in an earlier draft of my novel What’s Left:

We modify our plan. Bliss will open first, at the beginning of summer. It requires minimal behind-the-scenes support and will give us a sense of the new building’s food storage and laundry functions. The traditional Carmichael’s and Taverna would close for the month of August and reopen in the new space at the beginning of the school year – each with twice the seating of before. Graham worries that what’s felt cozy might now feel cavernous if we don’t attract a lot of new clientele.

Barney will have his hands full training staff and adjusting to the expanded operation. What dawns on us is that we’ll be veering sharply away from a purely family-centered operation. We’ll have to rely on a large staff. The kitchen design, for one thing, now has men’s and a women’s locker rooms, plus staff restrooms. Not everyone can run home to wash up and change into uniform, not the way we have with Big Pink around the corner. Will Barney be comfortable in his new role? This, too, is a gamble. If nothing else, though, he needs an office to shelve his cookbooks. 

Oh, I’m so glad Cassia stopped talking like this! In the final version, she’s pretty snippy.

~*~

Someplace around here I should have been asking myself what Harry Potter would have done in this situation. Despite the fact that many of these details are among those I turned up in my research, I’m on some very unfamiliar ground, as one insider reminds me.

If you’ve ever worked in a commercial kitchen, what would you most want to see in the new Carmichael’s? What common-sense touch would be most welcome from the workers’ end? What improvement is usually overlooked?

A little more lighting on their restaurant redesign

How trendy do we want their restaurant upgrade to be? It’s a great location they’re developing, and they already have an established reputation.

Here’s another passage I cut from the final version of my novel What’s Left:

Barney also welcomes the opportunity to have a menu more in tune with our vegetarian precepts. At first, he reasons this would naturally go in the cellar – Carmichael’s Underground, as he dubs. But we want natural light in the vegetarian enterprise and the building sits right at the edge of the sidewalk, so basement windows are out of the question.

The basement is more suited to the Taverna anyway,

Oh, I’m so glad Cassia stopped talking like this! In the final version, she’s pretty snippy.

~*~

Hey, how about taking a break to make time for a shout-out? Who are some of your favorite food bloggers? What makes them stand out for you? I’m curious how many of your choices are ones my wife already follows.

 

How would it look inside?

As an author, I had to have a clearer idea of where their redesign was heading. So this is what I settled on, even though it felt like too much information when I got to the final revisions. By the way, I’m still not clear how many seats the place should have.

If you’ve been in the food biz, I’d love to hear your thoughts. Is 200 too many for Carmichael’s Indiana? Is 60 too small for Stardust upstairs? And how many could sustain the much smaller vegetarian Bliss?

~*~

Would we have lots of booths or one long banquette along a wall with small tables? And if there are booths, will they be tall, for privacy, or low, at seated shoulder-blade or back-of-the-head height?

You take all this things for granted, don’t you? I had no idea. It’s just the way things have been as long as I can remember. Little did I anticipate all the heated discussion!

Baba’s passion for sleek, stainless-steel contemporary design runs into opposition. Not here, Graham insists. Too sterile. Imagine what you’d want coming in off the street on a damp November night. You want warm and comfortable.

Pia pipes up in favor of something organic by local woodworkers and weavers. Something homespun. She’s right.

Could we have wood-burning fireplaces? How efficiently could we clean everything, anyway? Think of a mop between the stools and base of the counter. We’ll still have a counter, won’t we?

Graham takes up another consideration: the restrooms. They need to be integrated into the whole package, not an afterthought.

And what about the wine cellar?

That’s a new one – wine cellar?

Yes, if we’re going gourmet, we’ll need a decent wine list. It’s something the Taverna’s never dealt with.

Oh, I’m so glad she stopped talking like this! In the final version, she’s pretty snippy. And by then, so am I.

~*~

Thinking of great restaurants, Fore Street in Portland, Maine, with its industrial shop airiness, would be at the top of my list. No nonsense and yet crisply ordered. I could mention others, much smaller, in Providence, Rhode Island, or Wellfleet on Cape Cod, or our all-time favorite, a tiny house in South Berwick, Maine.

And we can also name some others with great decor that greatly disappointed us, at least when it came to our plates.

One of my favorites is actually take-out only.

So what’s your favorite place to eat? Does it have a window with a view? Or is there some other dimension beside the food itself? Please, don’t you dare mention clowns or big-screen TVs.

Filling shelves with cookbooks and food perspectives

In the expansion of the family restaurant in my novel, What’s Left, her father proposes an office for her uncle Barney that includes a wall-length bookshelf for his cookbooks.

At this point, of course, I could have been led to page after page of a bibliography! My wife would have Anthony Pellegrini’s pioneering volumes right up there. And I’d go for Julia Child, not that I’ve ever followed one of her recipes to a T. I just love her descriptions.

Now let me ask, what food books would you put on Barney’s shelves? And why?

~*~

Waitress in unidentified diner, Pike Place Market, Seattle, Washington, 1981. Photo via Wikimedia Commons.

In my novel, the family restaurant could have been like this.

Starting with death

My new novel, What’s Left, opens with her being taken out of her classroom and being told of the death of her father. Well, there’s still a thread of hope, since his body had not been recovered from the avalanche. But the finality weighs in.

What’s an 11-year-old to make of this? She’s been raised in two traditions, each one differing from the mainstream around her.

It’s not the only death in the novel. There’s the tragic collision that kills her grandparents and creates the opening for her father to marry into the family – they no doubt would have thwarted that development. And there are the other ancestors gone by the time Cassia appears on the scene, as well as two uncles who die when she’s too young to understand. But the questions remain.

Some of my favorite answers arise in the 14th chapter. But please remember: no fair peeking ahead.

~*~

The subject of death is difficult enough for adults. For children it’s all the more baffling, once they push past the notion of sleeping but not waking.

What’s the earliest funeral you remember? What were you told? What would you say to others?

~*~

The Athens restaurant in downtown Manchester, New Hampshire, is a longstanding tradition. Cassia’s family could have followed in its footsteps but chose a different route.

How outrageous!

In my new novel, What’s Left, her great-grandmother Maria could quite possibly take off as big juicy book all her own. Well, I sketch what I can of this most colorful character even when the core of this novel is about Cassia and her grief.

In the arms of Ilias the Cypriot, Maria’s left a seedy past in Havana and found forgiveness and redemption in converting to Orthodox Christianity in Chicago. And then, in the next stage, she’s actively contributing to the lives of her grandchildren down in Indiana, including Cassia’s mother, Diana.

She’s indirectly responsible for inspiring her grandson Barney’s great culinary signature creation, the Streetcar sandwich. I’m not even sure if she’s still around to lend it her approval as it comes out of their ovens.

I’m still surprised I allowed Maria and Ilias to fade out of the picture as they do. Maybe their deaths would have simply been too much to add at that stretch of the story. But they are memorable, aren’t they?

~*~

Oh, if only there were figures like them in my family! Oh, now that I’m thinking of it, I can come up with a few. Care to look at the comments in the family cookbook?

Not that we got together that often.

Looking at wider circles, though, the list soon grows.

Who are the most outrageous – and yet loveable – people you know? (Well, I’ll settle on outrageous or loveable. Or even past tense, have known.) What makes them so?

~*~

Cassia’s family restaurant has me looking more closely at the ones around me. (Somersworth, New Hampshire)

If this were a business school case study

In my new novel, What’s Left, her father (Baba) has an influential role in transforming the family restaurant even though he’s new to the business. But he’s not alone.

~*~

Here are some passages I cut from the final version:

Baba is an active participant in that year of intense planning, before heading off for his focused Dharma training, those three years in the Tibetan monastery followed by his permanent return here.

…

My search reveals to me how much Baba contributed to the final result. As a visual artist addressing challenges beyond the kitchen itself, he’s amplified the wisdom Dimitri displayed in bringing him on board – and all of his touches fill me with pride.

…

Reflecting on Baba’s contributions to the project, what impresses me most is his sensitivity to the underlying unity. What emerges simply feels right and natural.

~*~

In a traditional business school case study, the spotlight would likely fall on Baba’s future brother-in-law, Dimitri.

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