THE NOVEL AS A TIME MACHINE

Anyone else wonder about the appeal of stories set in another century? Just what’s the attraction?

The future, of course, is one direction, a whole set of “what if” projections that for now cannot be tested against historical development. (Admittedly, Orwell’s 1984 certainly has become an exception in the years since I first read it, gee, was it ’64? As has the movie 2001.)

The past, however, seems to be the more romantic option, beginning with historic period romances and Westerns. I suppose it’s not that far removed from those who inquire of astrologers or palmists or mediums about their past lives, although what I’ve always found most fascinating there is how many people who do so claim to have been Cleopatra or Anne Boleyn or Helen of Troy or the like, rather than one of the common, suffering, exploited populace. No, the stories tilt toward royalty, court intrigue, the power struggles of the rich and mighty – the glittering elite far removed from everyday life. (Maybe that’s our fascination with celebrities, too, as if wealth and beauty leads to true love and happiness, not that it ever seems to hold over the long haul. In pure weight, tragedies trump over comedies.)

My wife sometimes jests that I would have been more at home in 18th or 19th century America, especially in a context of the Enlightenment, scientific advancement, and perhaps opera, along with a flourishing Quaker culture. (Never mind that the Quaker discipline of the time banned music and fiction as superfluous, vain, and untrue.) Again, though, the projection is toward a place of refinement, culture, and ease rather than the long, hard, physical labor of the masses.

So what, ultimately, is the attraction of historical fiction? Is there some time or place you’d willingly be relocated to, if it were possible, even if you could never come back? And, while we’re at it, what about the importance of location, even over time itself? Who and where would you like to be? Just what is it about other eras? Ah, the intrigue! To say nothing of the underlying connection.

VISUALS FROM THE HIPPIE ERA

Nobody, I bet, can think of the hippie era without thinking of wild color. Just try listening to the music without it. Or reading my Hippie Trails novels.

There’s the clothing, of course, as well as those incredible hand-lettered Fillmore concert posters, the Peter Max illustrations, and the record album covers. The old Rolling Stone weekly newspaper, from the years it was based in San Francisco. Maybe some hand-thrown pottery, macrame, or a paisley pattern or big brass belt buckle.

So what comes to your mind’s eye when someone says hippie?

What would you put on the list?

FIRST, YOU READ

As long as I can remember, I’ve been a reader, thanks, especially, to a third-grade teacher who got it rolling and a fifth-grade teacher who extended the Landmark history volumes. Robinson Crusoe, Tom Sawyer, Gulliver’s Travels were all early triumphs. Curiously, Huckleberry Finn was easier at age nine than it was as required reading at seventeen; the second time around, the dialect was more difficult to handle. My general interests, however, soon veered from history to chemistry until the writing bug hit me through a very demanding high school sophomore year English teacher who drilled grammar so thoroughly we were diagramming 250-word sentences and arguing our alternative versions. She also solidified a tentative curiosity in my enrolling in journalism the next year, which wound up leading to my career path. In my senior year, when I was editor-in-chief of the high school newspaper, another English teacher confidently insisted, “You know why you write.” Followed by, “Yes, you do.”

In truth, I’ve never quite been sure what her answer would have been. I assumed she saw a desire to be noticed or appear important. But that’s not what I would have answered. I was, after all, a skinny intellectual in a school that valued football and basketball players. Moreover, my father’s side of the family – the ones I knew, since my mother’s parents had both died before my birth and the rest of her blood relations were in Missouri – had little use for either art or learning for its own sake. They were a practical, God-fearing people where a gift in language would be best employed as a preacher. (Lawyers were another matter.) Only after my father’s death did I learn he had once dreamed of being a sportswriter or the pride he took in my work as a professional journalist. When that flash connected with my grandfather’s saving copies of all of the Dayton Journal and Herald newspapers from the World War II era (“Someday they’ll be valuable”) and his mother’s lifetime of meticulous reading of the daily news could I finally perceive their approval in what I had come to see as a low-paying, and increasingly low-status,  occupation.

From them I also carry a deeply ingrained sense of social responsibility, one in which my personal relationships are often motivated more by duty than love. Here, then, my leap in concern from history to politics would seem natural. Little wonder the novels Animal Farm, Brave New World, and 1984 re-ignited a passion for fiction and what the written word can do. Politics is also the mother lode of journalism, especially for those of us who believe progress is possible through civic action. And so I might have answered Miss Hyle’s statement with, “I write to improve the world.”

~*~

(How audacious that sounds now, more than four decades later. How innocent, too.)

~*~

What she may have seen was unmistakable ambition – a desire to win for the sake of winning, apart from being noticed or appearing important, regardless of the game at hand. Winning as an act of self-affirmation. Winning as the reward for solving the puzzle faster than your rivals. With or without the laurels, trophy, or monument.

Secretly, though, there has been the hunger for a monument, the book in every home or library, the paperback cover in the supermarket and drugstore, the repeated praise in the New York Times Book Review section. Even, at one early point, the aspiration to have not just volumes of poetry and fiction but a play or musical on Broadway as well.

But then the plot thickened.

And how.

ABOUT THOSE ROMANTIC MOONLIGHT WALKS ON THE BEACH

If we can believe their proclamations, two things single women in this part of the country typically seek with a partner are romantic candlelight dinners and long strolls on a moonlit beach.

The dinners, we can suppose, are either at elegant restaurants or in his dwelling (where he displays his gourmet cooking skills to her fullest appreciation), either way with suitable wine in sparkling stemware. Let’s just hope he remembers to ask her beforehand if she enjoys his signature dishes. (Mea culpa, on my end.) I don’t think hamburger and fries, by the way, go with her candlelit setting.

From observation, let me add that the restaurants often wind up as intimidating experiences for the would-be couple. When my wife and I go out, we expect to laugh, to banter with the wait staff, to be entertained by the possibilities of food and ambiance. When we were reviewing dining spots, even the disasters turned into fun-filled adventures – OK, if we’d been paying full fare, we would have been justifiably miffed. As columnists, though, we got our revenge.

The nighttime beach, though, is another matter. Having had opportunities to spend time approaching midnight on local beaches, I can tell you few couples are found strolling there, much less romantically. Except for a few nights in prime summer – the days hovering around the century mark, the night’s nippy and windy. The moon, for its part, is in its fullest stages only a few nights each summer, and many of those are cloudy. Without a bright moon, it’s impossibly dark near the water – even spooky, with or without sea fog rolling in.

You can come to love the ocean that way, but it’s a stark environment.

For romance, though, I think you need a driftwood fire. Plus the right wine and a corkscrew.

Wine? It’s the one thing both events seem to have in common.

REVISITING THE PERSONALS

Finding yourself single after the dissolution of a marriage or the death of a spouse is bewildering, at best.

The loneliness and grieving can be nearly unbearable, and emerging from that into some kind of social scene is, well, a lot worse than high school ever was.

Trying to find the right place to meet appropriate potential partners is no less challenging. You hear all kinds of suggestions, from health club to Laundromat, and all of that’s problematic. These days, as a male, I’d look at a yoga studio, just saying …

Another of the complications is the fact – well, it was a quarter-century ago – that the available women were concentrated within the bigger cities, while the corresponding men were an hour or more away, beyond the suburbs.

In the time since then, a number of online dating sites have appeared, and I’ll let others relate their adventures and successes or failures.

But when I was available, the personals ads began to flourish. Out of necessity, I suppose. They even had their own free booklets, like TV listings.

Coincidentally, around the time I remarried, there was a blowup at my newspaper when the publisher went livid over a personals ad where one hopeful had described himself in opposite terms to the usual cliches. (He touted himself as fat, lazy, unemployed, and the like, as I recall.) It was enough to get me and now-elder stepdaughter (and fellow writer) to start reading the Boston Sunday Globe’s more varied ads for insights in the ways people perceived themselves or tried to portray their desires. Usually, they churned out short resumes full of contradictions or things only others could adjudge. “Beautiful” or “handsome” was common, usually preceded by “very,” but that’s something purely for the viewer to decide, thank you.

At any rate, a few entries would stand above the crowd.

One, for instance, described herself as a “Land’s-End kind of gal,” and you really do get a good sense of her in those five words. (We gave her ad a B+ or A-.)

The all-time winner, though, was along these lines: “Happy blue-eyed plumber in search of articulate, well-poised woman to bring (something) into my life. Children a plus.”

He alone could say if he was happy, and “blue-eyed” certainly told the reader about looks. “Plumber,” meanwhile, indicated responsibility and economic status. As for children? Few novelists deliver as much with such economy.

The ad, we noticed, ran just once.

 

THE UNENDING MYSTERY OF MUTUAL ATTRACTION

To my mind, one of the great questions about the human condition is just why an individual is romantically attracted to one person but not another.

We can start with physical attraction, of course, which opens a whole list of possibilities. Since I’ve always been a heterosexual male, I suppose my checklist would start with blonde, redhead, or brunette, although I must confess that on a few women, bald can be incredibly stunning. By the way, I happen to love long hair, which to my good fortune my wife possesses. We can move on to blue-eyed, true green, hazel, or brown eyes. And that’s even before we get to height or shape or … you get the picture.

Of course, things get really complicated after that. How much do we want the other to share our deepest interests, even to the point of being a mirror image of ourselves, and how much do we want them to differ? Where are the crucial points of commonality and mutual life’s mission – and how much deviation can we accept or allow? And just how do our emotional styles work together … or clash? What about our attitudes toward money, time, wealth, possessions? How much risk can we tolerate? And so on and on.

For me, keen intellect is essential. One who reads widely, at that. And then there is the spiritual side as well as strong ethics.

On top of it all, one of my measures, if pressed, would ask if this is someone I’d like to gaze on over the breakfast table. And, I could ask, is hers a voice I would always enjoy hearing. Would she always have fascinating stories and insights?

No matter how much I once tried to refine the list, though, something was always missing. In all my years between the collapse of my first marriage and the beginning of the one that counts, I came across a few women who were top candidates on paper but, when we were together, nothing clicked. So what was the missing magic? In the end, I still haven’t a clue.

I come back to this question of mutual attraction when I consider the Apostle Paul’s counsel, “Better to marry than to burn” (1 Corinthians 7:9), and ask, “What if heterosexual marriage does not quench the burning?” My examination of Scripture long ago led me to conclude that the ideal of Christian marriage is not so much the bearing of children but rather the “suitable helpmeet” and that, in turn, points toward monogamy and a unique kind of balance I see as more than an equality in the relationship. You can see where I’ve landed on that debate.

Of course, that also spurs another question – one that involves keeping the focus and the flame strong. Anyone have any suggestions there? These are, after all, central enigmas of our human condition.

SO MUCH FOR ROMANCE

A reporter assigned to cover a large singles scene mixer returned to the newsroom with a telling image.

Three women had been remarking about an earnest young man who wore a tag proclaiming himself an “Incurable Romantic.”

As they snickered: “Sounds like a venereal disease.”

~*~

And you wonder what happened to the traditional English love poem? Please think again.

FASTER! FASTER?

I hope nobody’s getting whiplash from the wide variety of my recent Red Barn postings. Much of it I’d scheduled ahead, anticipating the usual rhythm of the seasons. And then the book-length publications jumped in, along with a few other surprises.

As we bounce from one category to another, I’m feeling like somebody’s turned up the speed on a merry-go-round. Way up. As you might sense, life’s been getting chaotic around here. More than usual, that is.

But as I’ve been hearing from others, that’s not unique. Seems May, especially, has everybody on the run while much of the winter cycle wraps up and summer events start to kick in.

And we thought it was a long winter? Maybe (and I hope this isn’t too heretic) it wasn’t long enough?

Oh, and now I’m thinking of all those house painting projects still ahead. The ones I can’t put off any longer.

THE CONUNDRUM OF DATING

With the publication of my latest novel, Promise, I’ve been chancing on a number of blogs addressing the issues of dating and romance, and, to be candid, I feel so blessed to be in the relationship where I am.

From what I’m reading, the first date – usually fraught with terror – is a dinner followed by some kind of anxiety leading to either silence (usually one-sided) or a less-likely follow-up.

From my own distant past, I realize how little some things change, even when they should. There have to be better ways to interacting with potential partners in more natural, less stressful settings. Simply having fun, for starters, rather than having to put everything on the table in something that resembles big-stakes gambling. Well, if you enjoy gambling, maybe that’s fine, but it’s not something I ever would have wanted in a mate.

For contrast, Amish youths have want seems to be a far saner way of finding a suitable companion. From age 16, the kids are active in social groups that include both boys and girls, and out of their playful outings and interaction with other similar groups, they get ample time to evaluate the others before centering on the one. And then it’s pretty much a lifetime agreement.

Similarly, in my novel, Jaya and Erik build the foundation of their relationship before they go out on anything resembling a date.

Anyone else have that experience? Or, for that matter, any suggestions for those looking for ways to meet the right one?

Promise