POLONAISE

ballet dancer en point in imitation of Winged Victory
upholding her billowing banner

long-winged owl in flight

the double-yellow banded highway
entering green Romance

safe and dry before the deluge

will she dive into the pool
or just jump
after posing with her arms outstretched

“overwhelmed” or “swamped” fits the bill better these days

or remains locked up within synapses of thy cranium and heart
the little mysteries complicate our existence
give it minor excitement or turmoil

behind the apricot, white grape, and plum tomato
sake labels

a long flat stone
spans the meandering pond
of a Japanese garden

passing the gift-energy

oh, how you, too, bound eastward

this scream
from cascading streams
together, on fragile new wings
surely left out some news

to find rumors about us subsiding

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

DOWNHILL FROM THE HEART

Beethoven’s chamber pot beside the piano
revealed a man truly engrossed in his work
when there was nothing else to touch.

Not even another Zelda Fitzgerald, seeking
a Daddy-Daddy-Daddy who
never was what she’s expected
nor was I.

It was all downhill
from the heart.

She rather melted away, like the music,
at the end of the page,

while I expected another.

To continue, click here.
Copyright 2015

NOMADS

Some cultures believe a man’s spirit exists in the soil of one’s ancestors. My grandmother’s ground furnished my own, with her muddled knowledge extended in part through Grandpa. But I never knew Mom’s parents, who had been born in other states. Here, though, apart from the Indians, we are all nomads. Many of us, spiritless nomads.

~*~

In this Census round I ponder multiple categories of Hispanics: Mexican, Mexican-American, Chicano, Puerto Rican, Cuban, other Spanish, Hispanic. Also, some of the other categories I keep encountering in the Valley: Japanese, Chinese, Filipino, Korean, Vietnamese, Asian Indian, Hawaiian, Guamanian, Samoan, Eskimo, Aleut, other (specify). Indian (Amer.) print tribe.

I have no idea what I am other than a homogenous WASP. English? German? Norwegian? Czech? Not a clue.

Kokopelli, for his part, is offended there are no distinctions between Hopi and Navajo, even if he’d checkmark both and a few more.

For more insights from the American Far West and Kokopelli, click here.

PRELUDE & FUGUE 38/

 

in a salt marsh
in a lush gorge
against a glacier

*   *   *

at sunrise twelve horses
set out far below
a totem pole at sunrise in a salt marsh

horses set out below a totem pole
of twelve waterfowl trumpeting

at sunrise, yes, twelve horses
set out far below waterfowl
in a salt marsh

graze for yourself in a lush gorge
the agenda opens rhododendron
or a bald eagle on ash-covered slope

growling, yes, rhododendron openly graze
in a lush gorge under the bald eagle
the agenda of fish covering a slope

there, the rhododendron blooms
growl in the lush night, in its  gorge
the agenda you graze, hovering

no bald eagle on ash-covered slope
growls its agenda on ash-covered
rhododendron grazing into night

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

REGARDING THE GATE HOUSE AT BLODGETT’S CANAL AND LOCKS

Thoreau turned upstream on the Merrimack
rather than to the ocean

before heading back

~*~

needles and rotting leaves
the floor of the stream steep
water the color of tea

it’s a dangerous
river that was home

shores denuded
when tall pines older than the railroad
were felled to make way
for fiber optic cable

they say you log on
in its branching current

owls and herons take him away
above the hydroelectric turbines

~*~

landing adventurously
perhaps to shout

I remember where you are

the cuisine isn’t that much different
than our second city together

To continue, click here.
Copyright 2015

ALONG WITH THE REZ

When you drive, details pile up.

Where mat-house villages once stood, Highway 21 now runs along a large irrigation canal. Because the roadway goes nearly straight, a few subtle curves become especially treacherous.

Illegal aliens buy cars but have no driver’s license or training. No insurance, either. There’s a headlamp out, few repairs, or brakes gone bad. Talk about trouble.

In the dark, a big white furry wing sweeps in front of my windshield. An owl. An omen, nearly colliding. It’s hard to say who’s more startled.

It might have told me the Pom Pom or feather religion, Washat, remains the most practiced old religion on the reservation.

Kokopelli was a member.

Twenty cars park in a hollow point toward what appears to be a white frame meetinghouse. Inside is a congregation of dove hunters.

There isn’t a cloud in the sky, only one jet contrail as crows circle some relentless screeching. As they flap up, slaughter moves out of the shadows and coyote pursue the only antelope in these parts, the ones on the Army reservation.

On the bright side, the State Fair is a three-hundred-pound pumpkin multiplied. Its doe-goats are judged by measuring and weighing their teats in a beauty pageant stripped to essentials.

Back home, her moodiness could be impossible.

Downtown, about nine at night, a wino-cowboy walks into the office. “Where’s the city desk?” He has no place to stay. “It’s a long story.” A quarter in his pocket, stub of a cigarette, and scabies — mites that are highly contagious. “I don’t want to spread them the way some bastard did to me.” So he went to the hospital from the Gospel Mission, received medicine (how’d he know to do all this?). Didn’t get back in. (“He refused to stay for the service,” they explained.) Angry, turns to ask: “Where does a stranger go for help in this town?”

How should I know? I’m just filling in for somebody else.

“Well, if anybody whizzes you,” the stranger says, “it was a matter of amphetamines. Maybe you heard about ‘The Duke’ in Traders? The trial dismissed on procedural grounds?”

He buried $67,000, but when he returned, the money was gone. So he says, far too articulate for the typical migrant.

Later, Kokopelli tells me that guy’s trouble.

Details pile up as I stay downtown at night and taste the psychic toll of economic theories in wasted, untapped talents. The stench stirs tears. Lonely men at counters stretch cups. Icy evenings of waitresses, cowboys, GIs, prostitutes drive from many towns, a migrant worker family whose car broke down, out-of-work loggers, midnight mechanics and nurses. Add to them an assortment of skinny wannabe rich bitches or real estate and insurance brokers. Clerks trying to live on earnings from clothing stores. A few lumpy bag ladies. Walk in, and all look up from their coffee with vacant eyes. It could be Dickens.

I see another hunger, but my own faith isn’t strong enough — I’d yield to despair.

Later, I sing to Kokopelli, “All of man’s good resolutions turn sang froid in the seasons of samsara.” Noticing his quizzed expression, I translate: “Our good intentions turn cold-blooded in the web of life’s illusions.”

It’s the spider again. Coyote’s cousin. Their damned net.

“Sometimes, Bozo, I wonder about you,” Kokopelli says, exhaling blue curlicues.

“There’s no Dedicated Laborious Quest, no magic without the strength of sitting or dancing.”

I dare not be entrapped in any desire to move freely through the vertical and horizontal dimensions of wherever I simply am. So far I’ve surveyed past and present. The future must wait. First, I need to map the emotional and sensual planes of this realm. Every dance has distinctive rhythms and expressions, as Kokopelli reminds me.

For more insights from the American Far West and Kokopelli, click here.

FADEOUT

a woman in an improbable hoop skirt
and headscarf
lights a wall of candles

salmon-colored bands on a wall, plus a solar diagram
and an Elizabethan woman

black chair, as two birds flying in opposite directions
as she reads her book

in a balloon, the fog

handbag and coffee New York

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

WITH FINGERS AS THICK AS HOT DOGS

Resting on the park bench, she complained
she couldn’t keep pace with her children.

When the seven-year-old pest returned,
demanding, “Ma, give me money”

for a cola, she complied,
thinking it love.

~*~

She couldn’t touch her toes.

~*~

Her legs pushed away from each other, yet

in her cotton dress, unexpectedly
as she swatted a fly, she began to float

and meticulously shrank from sight,
bouncing along the horizon.

To continue, click here.
Copyright 2015

 

STAY FOR THE SERVICE

I’m invited to photograph an Indian funeral for a 109-year-old woman. It’s a traditional affair, with a Pendleton trapper’s blanket on a casket lowered by hand. Even so, young punks surround me: “Don’t you think you’re crazy,” they ask, implying?

I look around for Kokopelli, who might intercede on my behalf. He’s nowhere in sight.

Later, with a Styrofoam cross and dozens of American flags, the casket rides the back of a pickup, viewed by faces in Cool-Ray sunglasses — ancient traditions side-by-side with the cheapest, most honky-tonk trinkets of the New American Way.

I wasn’t permitted to enter the house, either.

For more insights from the American Far West and Kokopelli, click here.

PRELUDE & FUGUE 41/

in the dune of the black-eyed Susan
a schedule diametrically opposed to my own

*   *   *

a stargazer adjusts a pile of broken
shell and black-eyed Susan polished by sea-spray

in the dune behind an urchin
adjusting broken shell, the black-eyed Susan

polished by mist, the blanched dune
kelp adjusting a pile of broken shell

and black-eyed Susan polished
by surf sweeping along the dune

an astronomer adjusts a schedule diametrically opposed
to purple shoreline in the type case of shells and dull-edged
glass where my own pile of green stones in the box of shells
pile up a schedule diametrically opposed to dull-edged glass
the purple astronomer adjusts the typeface in case
shoreline shells pile his green-stone telescope somehow
diametrically opposed to any heavenly schedule he attempts
tuning the dull-edged glass of  my own type case of shells
piles in a schedule diametrically opposed to dull-edged
green stones along shoreline where I’ve set my own telescope

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.