ST. LOUIS AND CIVILIZATION

As I said at the time …

We share a debt of gratitude to your grandmother, who has spent many hours assembling a remarkable gift for you – a knowledge of your ancestors. I hope you will come to treasure her findings, and the love she has put into this project.

Through Eide Henry Hopke, you and I also share a common bond, although our legacy from him varies in one crucial aspect. For you, he provides not only your surname, but also some distinctive DNA strands that come only through the male line. For me, he is part of a maternal genetic mix that is ever-expanding, the further back we go. (For example, while Eide Henry is one of my sixteen great-great-great-grandfathers, only George Hodgin carries the equivalent DNA strands for me; Eide Henry’s endowment, meanwhile, comes down through my mother’s father’s mother’s mother, in a bit of a zig-zag path.)

I hope you won’t look at your genealogy simply as a long list of names and dates – a sort of variation on the Biblical begats. (That’s not to deny the frustration and pleasure that goes into the investigative digging and puzzle-solving involved along the way of gathering these details.) Rather, the power comes in building the story of these seemingly common people and the ways they addressed their time in history and the places they dwelled. Researchers who try to connect their ancestry to ancient royalty or who stop the moment they find an ancestor hanged as a horse thief need to rethink their vision. In this venture we need to accept the facts, good or bad, in their full truth; what we eventually have is a personal history, one that will often stand at some distance from the one taught in schoolrooms or give us some insight into a greater framework. As you read historical accounts, you may find that through these ancestors, you, too, are in their time and place. Oh, yes, and as stories go, genealogies can turn up the most unexpected twists. For instance, the first of my Hodson surname ancestors in America arrived as the only surviving family member after their ship had been captured by French privateers (pirates); his great-grandson, a miller, owned a gold mine in North Carolina; and, on my dad’s side, all of my ancestors until the Second World War were staunch pacifists in their religious principles – I knew none of this when I was growing up.

On my mother’s side, Eide Henry emerges as a remarkable figure. Maybe you’ll be the one to figure out how he arrived in the New World, whether he came alone or with family, how he paid for his journey, or what led him to St. Louis; there are certainly many details to fill in about his life, and every answer seems to produce more questions. But what we already can sketch from the facts at hand point to an enterprising character who adapted himself well to his new surroundings. While we don’t know for certain what prompted him to leave Prussia, we can imagine the values the place instilled in him – truthfulness, modesty, self-control, and loyalty, in the words of Peter F. Drucker. “This Prussia had been a military state” and “was not educated, let alone cultured; but it was pious, with a narrow and sentimental Lutheranism,” Drucker notes, including an observation credited to Bismarck “that the Germans require a father figure, and that they will fall victim to a tyrant unless they have a legitimate and lawful king.” (From “The Man Who Invented Kissinger” in Adventures of a Bystander.) We can ask ourselves how much of this played out in Eide Henry’s life – in his decision to serve in the Mexican-American War, for instance, or in naming sons during the Civil War Robert Lee Hopke and Jefferson D. Hopke. This, despite the reported universal opposition to slavery by the German population in St. Louis during this period. (As you grow older, you may come to realize how often our values conflict or how much ambiguity arises in daily life; black-and-white decisions seem to be far rarer than we’d like.) We can also imagine that Eide Henry knew sorrow, in the death of his first wife or young children, and perhaps in the separation from his homeland. He must have known loneliness, too, in those times when he lived apart from his family in order to earn an income. We can look at the portrait your grandmother has collected and see all of these things in his face.

He also opens us to the pervasiveness of German civilization on American life, something that World War I erased from public awareness. Actually, I can speak of two major streams of German influence, the first being what we would consider Pennsylvania Dutch and including the Anabaptist traditions most visible now among the Amish, and a second, which settled largely in Midwestern cities and carried a deep sense of “good living,” meaning learning and progress. Eide Henry would have been part of that second movement, while many of my father’s ancestors were part of the first.

Sometimes we will glean background for our story from the most unexpectedly sources. One of my wife’s favorite books, for instance, is Stand Facing the Stove: The Story of the Women Who Gave America “The Joy of Cooking.” While Anne Mendelson is writing about her mother and grandmother, her opening chapter examines “The Golden Age of St. Louis,” which did “indeed – at least in a brief and glorious interval after the Civil War – seem one of the finest spots on earth to dwell … “ She then turns to Lebenskunstler, “as untranslatable as any word in the German language, which is saying a good deal. It implies a civilized command of living as an art form like singing or painting. German-English dictionaries lamely offer explanations like ‘one who appreciates the finer things in life.’ ‘Life artist’ is the baldly literal rendering, and perhaps as good as any.” Mendelson then goes to present the story of her genealogy in a thoroughly engaging manner, one that can be seen as a model for this enterprise. What interests us most, however, is the points where it overlaps on our own story. For instance, she mentions “Thousands of poor Irish had also come to the region, especially after the potato famine of 1845-46. They competed for work as laborers, artisans, and servants with large numbers of Germans fleeing comparable poverty.” And then she notes “a very different community brought by the abortive stirrings of liberal German nationalism after 1830 and more markedly 1848. They were articulate professionals, or sometimes minor nobility, who rejoiced in a particularly German marriage of cultural ideals, consciously enlightened convictions, and creature comforts.” At this point, it seems more likely that Eide Henry was one of those “fleeing comparable poverty,” yet he still would have been part of that mixture of German life in the city, with its “life artist” influence. While my mother probably had no idea of her Hopke ancestry, she always spoke of St. Louis in almost reverential tones; meanwhile, her mother – who married a Hopke descendant – strikes me as one who hungered for that “life artist” ideal, even though she had not been born into it.

Maybe you forget that St. Louis was once the largest and most important city west of the Appalachian mountains, after supplanting Cincinnati for the honor. Chicago took the lead only later. By 1860, Mendleson writes, St. Louis “had a population of nearly 161,000, and supported a small handful of theaters and a large handful of music societies (well populated with Germans), a library, the new St. Louis Academy of Sciences, Washington University, several foundries, the Pacific Railroad (stretching a magnificent 176 miles westward), a noisy range of political opinions, and sundry German- and English-language newspapers.”

She relates that a “traveler reaching St. Louis by steamer saw first the broad man-made plateau of city levees, swarming with teamsters’ wagons and lined with warehouses. The land rose to a modified grid of streets, orderly enough on paper but at most seasons of the year fed by an inexhaustible supply of mud reputed not to differ greatly from the St. Louis drinking water.” As a teamster, Eide Henry may well have been one of those with a wagon waiting at the wharf; we can imagine, too, what he said of the water.

Much of what I know about Eide Henry is thanks to your grandmother’s generous sharing of material she’s gathered for you. Along the way, she has also filled in large gaps in my knowledge of Eide Henry’s son-in-law, David W. Ward, and even my Munro ancestors from Scotland – all of which somehow come together in Pike County, Missouri, in what can be seen as the northern shadow of St. Louis. None of these people are among her own bloodlines, either, yet she has been faithful to the larger task of bringing their lives to the light.

How it all comes together is largely up to us. Jeremy, I hope you find much in this legacy that will inspire you, add perspective to your own life decisions, and give you an appreciation for the blessings we have because of their efforts.

I’ve spoken of Eide Henry as a remarkable character. I think we can add Patsy Lynn to that list, as well.

Best wishes in all you undertake, Cousin.

AN UNFOLDING GREEK TRAGEDY

For past several weeks, the hottest news story across New England has been over what will no doubt be a textbook case of how to kill your own golden goose in corporate America.

The business is a family-owned chain of 71 supermarkets that has somehow managed to carve out the region’s highest profit rate in a notoriously thin-margin field while simultaneously paying its workers more than its rivals — along with profit-sharing and bonuses — while keeping its prices well below those of the other grocers. (You can imagine, for one thing, that the pilferage that undermines many groceries is nonexistent at Market Basket. Its workers are loyal, at least to the executive responsible for the success — a man who seems to know not just each of them but their family members as well.) Add to that a great deal of flexibility for store managers to respond to customer requests and you can understand the wide variety of ethnic foods found on the shelves; consider the fact that our local Asian restaurants choose to buy their tofu supplies at Market Basket rather than the wholesalers, and you get a sense of how that policy pays off all the way around.

In recent years customers have turned in droves away from the competition, and their loyalty is palpable. Lately, I’ve found parking spaces are always available right by the front doors of those underpopulated stores, unlike Market Basket, where the parking lot and aisles are always overflowing.

Given the win/win/win realities of the still growing Market Basket chain, nobody was prepared for the directors’ decision to ax its successful president. Well, half of the board’s decision.

The half that wasn’t prepared for the impassioned backlash from the public or its own workers, who have essentially shut down the operation.

The board’s decision, as far as anyone can see, was based more on lingering bad blood in the Demoulas family that had previously erupted in a notorious 1990 lawsuit that nearly forced the sale of the company, this time apparently heightened by greed. Seems there’s  a $300 million reserve fund, for one thing.

But if the side that ousted Arthur T. Demoulas and his top aides thinks it can manage the company better than he did, it’s produced no evidence to date. Indeed, each day brings another public relations debacle that has gone unchallenged and signs the victorious side of the board is unaware of what’s happening on the streets. Brand loyalty, as the lore goes, is priceless. And it’s hard to win back. If they’re hoping to sell the chain, its value is plummeting by the hour. How often, after all, have you seen managers and workers stand together in solidarity as they are now?

The daily drama is not subsiding.The region’s newspapers, led by the Boston Globe, have been covering the details thoroughly, and I’ll point you in that direction.

For now, there are the petitions to sign and emails to send.

Here’s one example that was sent to the independent board members:

~*~

Dear All,

I have shopped at Market Basket for 30 years. I appreciated the low prices as well as the availability and quality of ethnic foods. When I learned that the employees were also the highest paid of any grocery in New England, that cemented the choice. I’ve barely walked through the door of a Hannaford or Shaw’s in 15 years.

Yesterday, I went to my local Market Basket, but only to sign the petition and cheer on the workers. I then I bought my groceries at Shaw’s and planned a trip to Costco.

You have had a business model that serves customers, employees, and owners. That this model would be thrown over for no discernible reason except personal animosity and greed is beyond me. I do not know or care if ATD is a good or terrible human being. I do believe he is a supremely competent one. He has run a business that gives customer the lowest prices, employees the highest compensation, and  the owners considerable profit, while maintaining zero debt and ensuring the stability of the company. I have paid close attention to every news report I can find to see if there was any substantial reason for ATD”s removal. Nothing I have heard or read has indicated that new management has better ideas, or for that matter any ideas at all. That, in addition it cared so little for the loyalty and dedication of its employees that made the model work is the final straw.

You’ve lost another customer.

JUST A ROLLING STONE

Lately, thanks in part to a great yard-sale find, I’ve been revisiting a lot of Bob Dylan and realizing how many phrases that pass through my head originate in his lyrics. Or at least the ones that also have a musical line. I came to him in late ’62 or early ’63 and was a loyal fan until he went electrified and left the activist and folk scenes. Count me among the contingent that felt betrayed.

OK, I’ve come to recognize and even admire a lot of significant material he wrote in the years since. The man could turn a phrase, for certain, even when he was drawing heavily from others.

The line, “Like a Rolling Stone,” had me wondering about its relationship to the naming of the band and the rock magazine, all three products of the ’60s. Did the song prompt the other two?

Turns out the band was formed in ’62; the song, ’65; and the magazine, then a tabloid newspaper, November 9, ’67. But, in another twist, the band took its name from Muddy Waters’ 1950 “Rollin’ Stone.”

As for the popular phrase, “A rolling stone gathers no moss,” the line points to John Heywood’s 1546 translation of the Roman-era Pubilius Syrus. So it’s been rolling around for some time.

~*~

Also from the ’60s was my discovery of the common Pennsylvania road sign, “Beware of Rolling Rock,” along with the brew. I suppose looking at the connection between those two would be like asking which came first, the chicken or the egg. Or even why the chicken crossed the road before or after.

 

SUMMER CRAFT

Boats are tied up in a row along one dock in Newburyport, Massachusetts. The harbor opens into the Atlantic.
Boats are tied up in a row along one dock in Newburyport, Massachusetts. The harbor opens into the Atlantic.
It's a great place to take off on a whale watch.
It’s a great place to take off on a whale watch.
It's a working harbor with treacherous currents, yet mooring comes at a premium.
The working harbor has treacherous currents, yet mooring comes at a premium. The mouth of the Merrimack River is on the horizon.

FURROW

Like the American bison that dominated the prairie, the continuous ocean of tall grasses, which for so long spread from a corner of Ohio into Montana and Colorado, has been decimated. Homesteaders – seized by a fever to possess farmland of their own – sowed apprehension in their furrows. Inhabitants and land itself now lay open to chronic infection. After each harvest, the Breadbasket of the World, the Interior States of the American Soul, is left vacant, a stubble desert awaiting rebirth. Descendants of those who made this band agriculturally productive bear both its blessing, in economic output, and curse, as if no one can entirely escape the desperation that prompted settlement in the first place. In the recesses of the psyche, inheritors of these spaces must likewise sense themselves to be buffalo-people, and then fear they, too, may be heir to this fate. Pushed to the fringes, the intrinsic beauty and spiritual potential of the heartland are easily overlooked, both by the remnant population and the world’s policy-makers. Today’s farmers are mechanics, first and foremost. Cry, then, for harmony and healing – a proper reentry into Canaan, a taste of balm in manna. Look, ultimately, to the surviving bison and tall grasses with their underlying lavender shadings. Respect the faint drumming, growing louder.

CORNFLOWER EYE

The sky of America’s interior West is a dry eternity – an intense blue I see reflected in the cornflower bloom, or certain other blossoms, such as flax.

Curiously, the flower itself has no direct relationship to the cornstalk or ear. Its naming presents a mystery, to the modern ear, at least.

Now that I dwell under the commonly milky skies of New Hampshire, I find the blooming cornflower celebrates that vibrant blueness in my memory, and locales suddenly overlap in my mind, making me grateful to once again acknowledge that fullness and contrast. By extension, the cornflower blue sky extends to open spaces reaching westward from the Great Plains, with another set of experiences within me.

Gaze, then, into such deep color, undiluted, and its inexplicable essence.

NOTHING NOSTALGIC ABOUT IT

One thing I strive to avoid in my Hippie Trails series of novels in a sense of nostalgia. Admittedly, the music, especially, can bring back groovy feelings. (The close reader will notice how little of it I touch on directly, but rather I try to look at other facets of the experience.) And, yes, it is easy to get wistful with some of the memories – Woodstock, for example, while conveniently overlooking all of the physical discomfort, or for some of the lost social life and friendships – but there are good reasons we can’t and don’t go back. Our youth, obviously, has turned to aging, and our freedom turned to responsibilities, many of them ones we’ve chosen.

We need to emphasize that much was not happy. There was desperation, in fact.

The period and the movement were far from perfect, but we also had glimpses – epiphanies, for some – and their influence is far from completed.

If we wholesale deny the dreams and prophetic directions we experienced in that youthful outburst, we cut ourselves off from our higher nature – and both we and our largely society are impoverished as a consequence.

As I look at the array of problems facing America and the world today, I sense that the more serious currents under the surface of the hippie outbreak may finally provide some much needed direction, if we can be honest with ourselves and our history.

That’s definitely not nostalgia, no matter the anthems and hymns in the music of the era.

~*~

To learn more about my novels, go to my page at Smashwords.com.

SHOT FIRED AND ALL THAT

From a note dated 11 June 2005: Old North Bridge

Dixieland band on a pontoon party boat on the swollen Concord River
passing two Revolutionary War era uniformed re-enactors
on a hot, sweltering day.

(My younger one pointed out to them how their uniforms were wrong.)

Incongruous merriment.
How freely, all the same.

CLASSICS MADE IN THE USA

If classical music’s to find a fuller audience in America, the works of our own composers need to be presented. Especially those I call the Illuminists, after the great painters who finally have found widespread appreciation.

I love the orchestral works of John Knowles Paine, George Whitefield Chadwick, Amy Beach, Arthur Foote, MacDowell, Griffes … and no other composer spanned so much change within two decades as Charles Ives.

We know only the surface. Listen closely, and you’ll find none of them sounds truly German, despite the accusations. Even were it true, we need to remember (a) German was the standard for classical music, so much so that even Dvorak suffered, and (b) German was a central component of American culture at the time, anyway – it was even a required language in many major city high schools.

Acknowledging this puts Aaron Copland within a longer tradition, and all of those who follow.

Now, if our major orchestras would only live up to the challenge. Is it really to much to ask that they play a fourth of their repertoire from their home base?

BREAKING THE STEREOTYPES

She never did drugs, and she married a soldier. She was a faithful mother and wife. She doesn’t even know the smell of marijuana, and she talks to her legislators rather than standing in a demonstration.

But in my book, she’s still a hippie. There’s no question where she falls on the granola-heads to fundamentalist spectrum.

I’d give you my reasons she’s a hippie, as far as I’m concerned. But I bet you know others who are something like her. So I’d like to hear some of the qualities you perceived that help us break the stereotypes, at least when thinking of hippie.