An author’s real hope in offering books for free?

Besides fame and fortune? The fact remains that writers – at least the ones I know – really want to engage with readers. The kind who will then post short reviews and tell their friends they really should read this.

That won’t happen, of course, unless we get our writings in the hands and eyes of readers.

Well, I would love for that to happen here.

Remember, you still have time to pick up two of my ebooks for free as well as two others at half-price during Smashwords big July-long sale. Just visit my Jnana Hodson author page. Pretty please?

On former girlfriends and lovers

For me, this is ancient history, back before my second marriage more than two decades ago. Still, I get questioned about my deep past, and sometimes that has me looking at my previous romances and adventures collectively, rather than individually.

Here’s the latest take.

  1. None of them were like my mother, as far as I can see. There are good reasons for that.
  2. I was attracted to potential. As in “promise,” which was the original title of my novel now standing as Nearly Canaan.
  3. I put them up on pedestal. Up there, beside mine.
  4. Most were intelligent, though not always of a scholarly bent, as well as attractive.
  5. I am having trouble seeing deep mutual interests. Spirituality, especially along Quaker lines, classical music, and literature are central pursuits of mine, and being with someone who shared even one of those felt like Eureka. Contradancing worked as a connector for several of them. But for the rest?
  6. There are now questions of just exactly what I offered them. How often was I trying to be the white knight coming to their rescue?
  7. They were all younger than me. (Not that I’d advise that.)
  8. Were they all crazy, one way or another? That has been suggested. And, no, I don’t see myself as a victim.
  9. Except for a couple of them, I doubt they’ve ever visited this blog or read anything else I’ve written in the years since we were together.
  10. These things rarely end well. As in happily ever after.

Acid test novelist: Jonathan Lethem (1964- )

Another of the circle of novelists I treasure who began writing after I graduated from college is Brooklyn-born Lethem.

“Genre bending,” used to describe Lethem, is a new term for me, but hardly a new concept. It’s something I’ve long pursued, if only in resisting genres outright. His multigenerational Dissident Gardens, especially its unconventional structure, even gave me a key for redirecting the material I had been gathering for what emerged as my novel What’s Left.

His essay describing the underground Schemerhorn station in Brooklyn is my nominee for the finest writing about the New York City subway station, period. Remembering, this is coming from the author of Subway Visions.

Some of my friends had resided near his locations in Motherless Brooklyn and The Fortress of Solitude, so the novels had some familiarity for me in addition to his takes on growing up in a hippie environment. I was especially intrigued by his treatment of his father, an outstanding contemporary painter and personal friend, as an eccentric videographer.

Now, to add Lethem’s earlier books to my TBR pile …

‘This is not New York’

was so surprised
in rush between breakfast
and boarding the Peapod for shore trip
to find in my pillbox this wasn’t Tuesday but Wednesday

when did I lose a day?

On Isle au Haut pier

I salute the shopkeeper for thanking
Justice Roberts for Obamacare
and explaining to him
why it was so important to her

to us