Journalist? Perhaps a very special secretary, in the old aristocratic sense of personal aide, except on behalf of the people …
An unexpected travelogue from three random loose-leaf pages
First entry had dateline of New York but was from Upstate enroute to Montreal. I’m thinking this was from a family trip taking the Thruway to Syracuse and then I-81 due north to the Thousand Islands region. Pittsburgh, Toronto, and Cleveland were likely on an earlier trip.
Big, bossy women with rough, powdered faces. Big cars. Big-nosed men. The resorts, once elegant, rambling, now crowded, rundown, shabby. Poor cottages deface the landscape. Everywhere cheap tawdriness of sightseeing boats, lying pamphlets, expensive everywhere: highways, bridges.
And then MONTREAL.
Busy, cosmopolitan, the women proud to be women, they carry their heads high, proud, elegant, fashionable. Men handsome, dark, longish [styled] hair – many artsy, with sandals. Both sexes seem to enjoy themselves, full of life. The center of the city is vast, exciting, filled at night with people. The Place Ville-Marie is the most beautiful large-scale design I have ever seen: four tall office towers with a plaza, under which is a gallerie de boutiques, small but expensive shops that stretch under the street to the central subway station and the Queen Elizabeth Hotel, the city’s proudest. Everywhere construction of clean, modern glass-wall offices. But driving is nervous, quick, dangerous. Most cars are dented and crushed in, somewhere. Everybody parks in “no parking” zones. Little wonder so many take the legions of taxis or numerous buses (fare just 20 cents). Live theater abounds, as well as cinema. Visiting cultural events abound: New York Philharmonic, La Scala Opera, Hamburg Theater.
The city’s filled with apartments, many with outside stairs leading to the second and third floors. Everything in French, one finds difficulty in common communication. It is like being in Europe or some obscure corner of New York City.
We see the Expo area tomorrow. [Was it under construction? The fair took place over the summer of ’67.]
Sorry, janitor, restroom writers have struck again.
Montreal was the first city I encountered that wasn’t awash in suburbs.
~*~
Western Quebec/Eastern Ontario: Flat country that must be cruel in winer. Woods of birch, maple, and pine. Houses of brick, steep-roofed, and without ornamentation. The land is sparsely settled, with many unpainted, storm-beaten frame houses graying into ruin.
My guess this was the summer of ’66, perhaps at the end of summer. Our last family vacation?
~*~
From Spiralbound Years with commentary from now.
Naturally, I’ve collected tips on writing over the years
Often, writers’ advice can be extended to life beyond writing itself. Here’s a sampling.
- “Trust your idea, and just start writing. It can seem like a huge task, especially if you have had your work commissioned and there is a relatively fixed deadline, but once you start putting words on the page it will come together, and there is always someone you can ask for a little bit of support.” – Jaime Breitnauer
- “Don’t tell me the moon is shining; show me the glint of light on broken glass.” – Anton Chekhov
- “Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose. If you have the knack of playing with exclaimers the way Tom Wolfe does, you can throw them in by the handful.” – Elmore Leonard
- “It has become increasingly plain to me that the very excellent organization of a long book or the finest perceptions and judgment in time of revision do not go well with liquor. A short story can be written on the bottle, but for a novel you need the mental speed that enables you to keep the whole pattern inside your head and ruthlessly sacrifice the sideshows … I would give anything if I hadn’t written Part III of Tender Is the Night entirely on stimulant.” – F. Scott Fitzgerald
- “[S]tay focused and write what you enjoy writing. Don’t write for money or follow the trends of what might be selling at the time. Write something that you cannot only be proud of, but also enjoy the process of writing.” – Christopher J. Moore
- “Read it aloud to yourself because that’s the only way to be sure the rhythms of the sentences are OK (prose rhythms are too complex and subtle to be thought out—they can be got right only by ear).” – Diana Athill
- “Write what you love, what truly piques your curiosity every day. I’ve met authors who have told me they were sick of the subject matter in their books by the time they came out. I’m so glad I don’t feel this way!” – Haley Shapley
- “Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.” – Jonathan Franzen
- “Looking back, I imagine I was always writing. Twaddle it was, too. But better far write twaddle or anything, anything, than nothing at all.” — Katherine Mansfield
- “How do you write? You write, man, you write, that’s how, and you do it the way the old English walnut tree puts forth leaf and fruit every year by the thousands. … If you practice an art faithfully, it will make you wise, and most writers can use a little wising up.” – William Saroyan
Largely from an advanced writing course
So how is it my Dick Allen notes from Wright State were in an Indiana University 3-subject divider book? Or that it ended with apparently Nashville [Indiana] observations? Did we visit campus first? Not that I remember! Or was it a gift from someone? Now I must wonder about my first sight of the campus.
A gift from Fay, I suppose. No, I rather assume now. She had, after all, gone off to school at Purdue in another corner of the Hoosier state. Besides, she had a devilish sense of humor and could have given me one of those instead. The two schools were Big Ten rivals, after all.
My notes included advice on five-paragraph examination-essay model and counsel to use the prof’s keywords in it.
Symbolic logic notes, too, which I no longer understand yet still admire.
Every sentence is either true or false.
Of the 1,750 dailies in U.S. in 1967, 75% had circulations of less than 25,000; 30% of readers bought the paper for sports.
Women as accessories: disposable.
When sex doesn’t deliver the goods?
Essayists must write from minority viewpoint.
Self-doubt: YOU WRITE FROM YOUR GUT.
WRITER SHOULD HAVE AN OPINION, RIGHT OR WRONG.
[what a contrast to neutral, objective journalist!]
“You can never write a perfect sentence. The perfect sentence does not exist. If you spent all your time trying to perfect your writing, you’d never publish.”
Bev Strampher: “I’m getting sick and tired of reading about all these neurotic people with weird hang-ups who do nothing but fight and argue.”
What kind of effect to I want? Who is my ideal reader and how will I hit him? (Him? It’s HER! Maybe Nicki was my ideal reader, at least with my Indiana Daily Student newspaper column.)
BECOME AN AUTHORITY … so I have, Quaker!
Build career on chain of interests.
Writers are NOT discovered … it’s politics.
Journalism not conducive to good writing/reading, does not know what to do with art writing; love of words is taken away from readers; most people are not asked to become involved.
Writers are sex-obsessed (sez our prof).
Writer should have an opinion, right or wrong.
Few professors are intellectuals.
Allen: “In 20 years, you will be better than Tom Wolfe. … You’ll be wasting your time in newspaper work.”
Transitions are artificial.
Forbidden subjects are usually the funniest: sex, politics, religion.
INSTANT HISTORY.
My ballpoint-pen ink bleeding through the pages.
[Incinerated]
~*~
From Spiralbound Years with commentary from now.
Kinisi 227
oh, baby, here they come
perambulator
praeambulum
permutations
Who are they besides their latest book?
Contributors’ notes at the back of a literary quarterly or toward the beginning of a glossy magazine can sometimes be among the most entertaining reading in the entire volume.
Or they can be among the most deadly, as I’ve been thinking while scanning those in the Paris Review, where they run along the line of so-and-so is the author of the new insert-title-here book of poetry or fiction. It’s so one-dimensional.
Don’t know about you, but I definitely want to know what makes a writer tick – unique details help. Hopefully, something more than where they’re also teaching.
Yes, I know as writers we’re all hustling our books, but ultimately, we’re the brand, like it or not. (God, it hurts to admit that, but it’s true.)
The celebrity Proust Questionnaire at the closing of Vanity Fair magazine issues is a great prompt.
So here I am, pushing a whole lineup of volumes while hoping at least one of them jumps out at you and makes you get it, free or at a price – yes, I’m shy about asking for money – but still!
This matter of self-identity came into play with my poetry collection Hamlet, a village of gargoyles, which built on exercises where I found it much easier to say who I’m not than who I am.
So here I am, with a few potential contributor notes I may have sent out:
- As a youth, Jnana admired crystals grown from supersaturated solutions. Deep blue copper sulfate was his favorite.
- Jnana has found landscapes evolving into an awareness of spirituality and space, as well as settlement and wildlife.
- In addition to reading and writing, Jnana enjoys hiking and camping, birding, New England contradancing, classical music, opera, jazz, visual arts, genealogy and history, theology, Quaker practice, homebrewing, and a cappella part-singing. If there were only more time, he contemplates.
- Jnana Hodson never expected a film literature course under Harry Geduld would influence his poetry as much as college writing class under poet Dick Allen. But it did: the clash of thesis and antithesis producing an unanticipated synthesis in reaction.
- When Jnana first began reading contemporary poetry (for pleasure, independent of classroom assignment), he sensed that often the poem existed as a single line or two, with the rest of the work as window dressing. Now he reads the Psalms much the same way, for the poem within the poem, or at least the nugget he is to wrestle with on this occasion. Psalm 81, for instance, has both “voice in thunder” and “honey from rock.”
- Elk move through Jnana’s mind, its memory, more as emblem and ideal than creature. He has not tasted elk flesh or stroked the fur. What he’s known has appeared only on the forest floor as track and scat – no ticks on the neck or patchy summer skin. That, and the winter encounters viewed from a distance.
While we’re at it, let’s ponder the faces on back dust jacket or cover.
How few seem like people I’d like to meet. How much anger, hatred, envy, darkness – brooding – comes through? How little serenity, how little joy? Multiplicity of personality. Just who am I? Who are you? Empathy. Discomfort. All the rest.
Who are you in relation to all this?
Sometimes it was like talking to yourself, without the ‘Dear Diary’ label
Here I thought I had thoroughly gleaned these for the fiction and poetry. In my keyboarding and review, I skip over those passages, though there are far fewer of them than I would have predicted.
Instead, here’s a rapid-fire sampling from one early volume.
~*~
Love? Every treasure is guarded by a dragon.
Man’s need to play is justified, and should be. [A revelation for oh-so-serious me, one I would have to rediscover post-Clara.]
Handbook in identity: focusing upon one partner, reaches deeper – seeks rewarding depth, dealing with another self.
Just what novel were we discussing? As for me, my needs were simple: she must be beautiful, intelligent, and younger than me … and available. In reality, she also needs to know how to steer me, which is why an older girlfriend might have been preferable. Speaking of what-ifs, I keep returning to my psychology lab partner at IU: how beautiful and, what I never saw, how available! But what did I have to offer her? [Boy, did I blow that one!]
Jobs relieved of personality: the sexual side is the only side of life where intimacy exists. Yet sex doesn’t deliver the goods.
Sex used to be one of the few places where you could make a mistake. Today, however, competitive force and efficiency are entering the bedroom …
Don Juan vs Tristan: you can’t have both.
“The last time I was at a Playboy Club, I found the same type that you’d find at a Mantovani concert.”
To the family in Mexico: Dad, Mom, 24 kids. “And since you don’t have TV, radio, movies, books, what do you do for entertainment?” Or now that they do?
Round characters have many qualities that don’t quite fit together.
“I didn’t mean to knock your dress. I like it.”
“What’s that you’re muttering?”
Comedy depends upon distance.
Always remember protagonist and antagonist in story summary.
Symbol goes beyond metaphor.
Reason is impotent to deal with the depths of human life.
Alienation.
League of Freshman Voters.
(Some bad stabs at poetry / song lyrics).
Irving Kolodin re Music Hall in Cincinnati: “I find the sense of emptiness around the orchestra” … ditto, the hall, too. Not that I noticed it in the second balcony, where the acoustics were incredibly clear.
The volume?
[Incinerated]
~*~
From Spiralbound Years with commentary from now.
As a stab at transplanting a sensibility
The Four Noble Plants [and a quest for American equivalents]
- Bamboo, bends but never breaks in a storm = Oak, with its acorns
- Plum blossom = Apple
- Orchids = Sunflowers
- Chrysanthemums = Dandelions
- Now, to play with those starting with classic Japanese or even Chinese poems and substituting the equivalents. This could be weird.
Too bad those book collections are still in storage.
As for “noble,” in America? Even that needs an equivalent.
The past doesn’t have to be haunting
It’s a good thing I backed off from my nearly impetuous move last June to simply burn the spiralbound notebooks unread in the face of so much dross. Instead, I plodded onward, surprised by a few gems as well as how little I had gleaned from these pages in drafting my poetry and, especially, fiction. Perhaps I had much more than I thought in my long-vanished correspondence.
Do we ever, truly, escape our past?
~*~
One thing I’m noticing is how often my journals review corrects timelines from the way I’ve constructed them in memory.
As do the facts I recorded versus details as I’ve recalled them.
It’s like seeing a photo in full color rather than out-of-focus black-and-white.
Or, as I find, God exists in the details. As does the devil. Knowing the difference can be crucial.
~*~
One thing I’ve learned in the years since is the importance of composting as a gardener.
Combine that with the joy of tasting fresh food – say, strawberries – when the season rolls around again.
The past can enrich the present.
Maybe even turn grief into gratitude.
Why we really dig Fedco seeds
In my household, like many others in northern New England, the Fedco seed catalogue and ordering from it are something of a fond ritual this time of year, even a devotion.
Here’s some background.
- The company is a co-op founded in 1978 by back-to-the-earth followers of self-sufficiency gurus Scott and Helen Nearing, who had moved to Maine from Vermont in the mid-‘50s.
- At first, it functioned as a resource for food coops and sold to no one else.
- Heirloom apple trees were added in 1983 and autumn bulbs the following year. Seed potatoes came next,, and in 1988 Fedco took over the organic supplier role of the Maine Organic Farmers and Gardeners Association. (Many people know MOFGA for its big, hippie-infused Common Ground Fair every September. You may have read about that here.)
- In its first year, with a one-page mail-order page in a food-coop newspaper, Fedco and its part-time staff handled 98 customer requests. The initial list had 81 items, mostly vegetables, some herbs, liquid seaweed fertilizer, and no flowers. These days it handles more than 38,000 orders from all 50 states for an estimated $4 million revenue.
- The catalogue is funky, black-and-white on newsprint or similar stock, rather than the glossy photos of big commercial garden retailers. The illustrations lean toward sketches and 19th century printers’ images. It carries more than a thousand seed listings alone, along with a host of other things gardeners and small-farm operators find useful. The descriptions reflect careful study, helping buyers make reasoned decisions, especially regarding what’s new. It’s inspirational. You can also order online, using a catalogue that does have color photos and is easy to navigate.
- Legalization of cannabis has generated new business, even though Fedco has so far resisted selling its plants or seeds. Much of the business is in organic fertilizer, especially for home growers.
- Rather than growing the seeds itself, Fedco repackages from 100 to 150 seed growers, and other suppliers, mostly in Maine. Other products are more widely sourced.
- Fedco concentrates on a unique niche, mostly in the Northeast, and deliberately stays small, out of direct competition with large corporations.
- Its 60 full- and part-time employees own 40 percent of the company, while the consumers own the remaining 60 percent and get small discounts on their orders.
- The company’s charter aims at pay-level equity, preventing wage extremes between high and low.
Details from the company’s website and from Jeffrey B. Roth in Lancaster Farming.
Jnana's Red Barn 