SPIRAL SHELL

reading the inscription on your tombstone

an abandoned road soon becomes impassible
except on foot or horseback

dumplings, broiled, steamed, and fried involving pork, chicken,
Chinese cabbage, tofu. more ginger and any amount of
garlic, scallions, bamboo shoots, and water chestnuts

a bronze bespattered snake
coils elegantly
through an alligator-skin sandal

nothing funny about us, just practical and direct

“maker dressing toe,” she

she was so bold

a mechanical hand made of maps and a yardstick
SHAKE

Edward Steichen’s portrait of Leopold Stokowski in profile

a human heart just one shade redder

a place to savor and crave

mechanical dancing dolls
shaving pennies

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

REEL, IF YOU WILL

What opens with a dance tune perchance deflects into the reaction to a blow or injury, to a fly fisherman’s reel, the canisters of a movie, or even a soaring eagle. These poems span experiences of touch and coupling, however chaste at times, and of flight and emerging lightness. To be light on one’s feet, then, and light-hearted in the end, if not a little dizzy.

~*~

EXTENDED FLOURISH

First, the snow a sheet of ice
shiny as cake frosting.

Then the Asian dental hygienist greets me:
“Sorry to make you waiting.”

Maybe it’s all in the skin.
A flourish we extend. A touch or care.

Excellence in a small thing, somewhere,
a note of gratitude or worship

placing everything in the larger context
of conception, especially through its monotonous stretches.

A few hours later, lavender mountains at sunset:
the Monadnocks, viewed from my studio window,

incredibly purple, even more than blue.
That night:

Sing. Dance. Fiddle. Doodle.
And away I go.

Poem copyright 2017 by Jnana Hodson
For more, click here.

Poetry
Poetry

IN THE FINE PRINT

oh, stranger
you seem to expect a believer will forgive anybody

you seem to think a devotee must forgive everybody

you seem to presume a saint can forgive all

but it’s nothing you attempt in return

*   *   *

oh, stranger, there are conditions
according to Jesus

if you ask
we can begin

and if you express regret
and if you turn course
and do good actions
we can truly begin

if you want any forgiveness between us
we can begin gently working
according to Jesus

*   *   *

but if you think forgiveness is a license
to come back
the way you were, to continue harming
and hurting others
you’re mistaken
oh, sinner

forgiveness begins by admitting the mirror

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

WHY HAVE THE YOUTH GONE?

Quakers are not alone in this regard, but what we’ve been enduring is that no matter how much effort we put into raising our children within the faith community, they disappear somewhere in their junior high years. For decades, we’ve been hoping they’d reappear as they started raising their own families, but we’re seeing little of that, and again, we’re not alone.

It’s all too easy to blame competition with Sunday morning soccer leagues and the like, although we might also argue that the values the kids learn in their athletic competition more closely fit those of the larger, secular society than those they are taught in religious settings. Rabbi Michael Lerner makes an extended argument in his 2006 The Left Hand of God: Taking Back Our Country from the Religious Right, as he contends that too often our children see all too clearly the dichotomy between what we say we believe in faith and what we actually do in a dog-eat-dog marketplace. It’s a harsh criticism. No wonder religion is losing.

As I gaze around our mostly graying worshiping circle, I wonder just where the young adults are today – not just within religious communities, but just about everywhere I venture. Maybe they’re all hidden away working multiple 24/7 jobs trying to make ends meet. I don’t envy them the economic scene they’re contending with.

But I also wonder about the message they carry about faith itself. If the teaching among youths growing up “under the care” of Quaker Meeting has been to build a hopeful, optimistic foundation of values, how do we help them survive the brutal struggles they’ll encounter in the wider world? How do we instill an awareness of the importance of religious community and shared discipline in maintaining a drive toward a more loving and just society?

Perhaps we’ve been too comfortable in our safe, middle-class, largely professional upbringings and neighborhoods and expectation of college and career.

In my own thinking, I keep returning to the concept of the two seeds, one of Christ and the other, call it what you wish – the point is, we face not just “that of God within each person” and its potential, but also a counter element to challenge. It was a line of thinking at the time the Quaker movement erupted in Britain. Think of the parable of the wheat and the tares.

Contending with the two may be what’s been missing in our teaching and example.

~*~

More of my own reflections on alternative Christianity are found at Religion Turned Upside Down.

SAGELY, SAGGITARIUS

Why wait for the dust to settle? Here are 10 bullets from my end.

~*~

  1. Crows – dozens upon dozens – all over town, roosting together somewhere. Rook, as they say.
  2. Late afternoon driving: so much glare, not just the low sun, either, but blazing up in reflections. Wet pavement or a waterway I’m crossing.
  3. Midnight here now really fits around 10:30, unlike 12 in the summer, calculating midway from sunset to sunrise.
  4. Cranberries, so quintessentially New England, remind me of driving to Cape Cod and passing all the bogs where they’re grown.
  5. When it comes to Friends, we need new blood.
  6. Eastern Orthodox Advent starts on the 28th and continues to the Feast of the Epiphany, Jan. 6 or 7, not our more widespread Christmas Day! Since we’re taking this up voluntarily, rather than under church discipline, we make some adaptations. Thanksgiving, for one, and ending Advent on Dec. 25, for another. Does it make us look like wimps?
  7. Poetry as a heroic journey. Holy, my voice. Or gritty.
  8. Where am I NOW? Where’s my HEART?
  9. Good to be reminded of ACTIVE WAITING, especially through periods when you feel suspended, on hold until others make a decision or act or all the pieces to fall into place. Drawing from James Nayler, Brian Drayton sees a sequence in spiritual response. The waiting prompts a response, which requires prompt obedience. Next is suffering, perhaps as embarrassment or upheaval. And then public witness – telling others, even if only in a small circle. Throughout, small steps count, however tentative.
  10. How much of being a public figure is a matter of being a performer, too – someone who needs a circle of fans?

~*~

It's always an honor for our choir to perform a set for the lighting of the huge Christmas tree at Faneuil Hall in Boston. The 80-foot tree is an annual gift from Halifax, Nova Scotia, expressing gratitude for relief given its citizens after the 1917 harabor explosion that killed an estimated 2,000 people. The tree is adorned with 30,000 lights.
It’s always an honor for our choir to perform a set for the lighting of the huge Christmas tree at Faneuil Hall in Boston. The 80-foot tree is an annual gift from Halifax, Nova Scotia, expressing gratitude for relief given its citizens after the 1917 harabor explosion that killed an estimated 2,000 people. The tree is adorned with 30,000 lights. Here’s the stage before we make our entrance.

IN ADDITION TO SHOVELING SNOW

yes, they lived in a small city where he would

Pull maple seedlings, in spring
Mow the lawn, in summer
Rake the leaves, in autumn
Watch out for falling ice, in winter

they should be celebrating
all this wonder,
opportunity, unacknowledged ritual,

never-wrapped presence
now, light another candle
looking ahead, then, and looking back

Poem copyright 2015 by Jnana Hodson
To read the full set of squirrelly poems,
click here.

WANT DO YOU WANT FOR QUARTERS?

All the fat girls in town
had congregated in this Laundromat
to giggle at a skinny hippie.

When they sat, mouths agape,
stomachs bulged more than their breasts.
Everywhere, there’s a pecking order.

The manager in her blue scarf and coat
fluttered in to chase neighborhood children out.
“They mess the place up. I don’t want them.”

Kids, kids, kids, she muttered
raking in quarters – all this bitterness
robed in garments of honey and bees.

As for me, another day,
another dollar, down the drain.

To continue, click here.
Copyright 2015

A MISCELLANEOUS TENDRIL OF LITERARY ADVICE

Why wait for the dust to settle? Here are 10 bullets from my end.

~*~

  1. De-racinated, “no root system,” a criticism Tony Hoagland makes regarding so much contemporary American poetry. Also, he notes our fiction is far less diversified than our poetry, in its many tribes.
  2. Don’t know who described Franz Wright as not a formal poet yet “the structure of his poems develop organically, driven by music, rhythm, and symmetry.” Not a bad model!
  3. For that matter, who wrote, “Their humor often depends on a single word: in fact the whole laugh can rest on a single word choice,” before quoting Mark Twain: “The difference between any word and the ‘right’ word is the difference between a lightning bug and the lightning.”
  4. TONE as the angle of sensibility toward the subject. Looking, too, for the fractional element – the bit that counters the previous.
  5. As far as the persona of the writer, think of that time before World War II and the larger-than-life characters who were largely self-created: the conductor Leopold Stokowski or movie star Cary Grant as examples who wound up as caricatures of themselves, or at least strangers. It was, after all, a Sol Hurok era. As for our own obsession with “celebrities” rather than “doers”?
  6. Czeslow Milosz: “The purpose of poetry is to remind us how difficult it is to remain just one person.”
  7. Denise Levertov corresponding with William Carlos Williams: “I have been honest in what I’ve written – but with what hypocrisy I have selected what I wrote!”
  8. To which Williams replied: “You know yourself better than anyone else can ever know you. … Perhaps you will never be able to say what you want to say … deep feeling that would reveal you in what may not want to be revealed … In that case, the loss will be great.”
  9. John Berryman: “You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise, you’re merely imitating yourself, going nowhere, because that’s always easiest.”
  10. “And these bottles of wine, which we filled, were new; and, behold, they be rent: and these our garments and our shoes are become old by reason of the very long journey” (Joshua 9:13, KJV).

~*~

OLYMPUS DIGITAL CAMERA
The Boston Public Library, left, faces Copley Square in Boston’s Back Bay. How many other landmarks, by the way, can you name that give honor to an American painter? At the right is the 1873 Venetian Gothic Revival style Old South Church. They are seen here from the steps of famed Trinity Church, whose shadow reaches across the green.