After the death of her father in my novel What’s Left, Cassia and her mother grow emotionally distant. Perhaps a rivalry for his attention had already been festering or perhaps it’s a natural development for many girls at the onset of adolescence, but Cassia, at least, senses something is missing in their relationship.

She even blames her mother for not preventing her father from departing on the trip that ends in his accidental death. In the aftermath, Cassia wonders if she can fully trust anyone to stick around or if she must guard herself on all sides.

Her mother, Diana, is outwardly reserved, unlike her innately effusive sister-in-law Pia. Much of her time is also focused on her successful career as a small-press publisher and performing in a respected string quartet.

Cassia’s aunt Nita subtly begins channeling the girl’s desire for her father’s presence into a long-term project of examining and organizing his vast photographic collection, including thousands of negatives that were never made into glossy prints. In effect, this is one place Cassia has him largely to herself. Here, as she surveys the world through his eyes and mind, she moves from grief to discovery and insight, especially as his unseen guidance leads her more and more into her own extended close family, which he had so vibrantly joined.

~*~

Somehow by the final version this line was no longer needed:

As you’ve seen, Manoula’s family is a whole other story.

~*~

Well, for one thing, he arrived as an outsider, so he did have a fresh perspective from which to view his new relations. They introduced him to a much different set of experiences and, ultimately, accomplishments.

Like him, I moved away from my native corner of the world and encountered much my parents never did. Just joining living in a yoga ashram or later joining the Society of Friends (or Quakers) altered my perceptions.

How do you see the world differently than your parents? Or, for that matter, other people who’ve been around you?

~*~

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