Among my greatest accomplishments

Not to toot my own horn.

  1. Remarriage after years of wandering. Not that I’m anywhere near a mastery of intimacy yet.
  2. The novels and poems. They really are a record of my pathway to here, as well as my deepening skills in the craft of writing.
  3. A week on the Appalachian Trail. I was 12 and survived under a heavy backpack, unlike the lightweight gear available these days.
  4. Making it to retirement in a shrinking profession.
  5. Becoming a Friend, building on my ashram experience.
  6. Working with future Nobel laureate Elinor Ostrom.
  7. Landing a job in the Pacific Northwest. I got to explore a dream landscape, including the trek to Camp Muir on Rainier and the mountain’s ice caves in the mouth of a glacier.
  8. Singing in an extraordinary choir. There were times in rehearsal where just listening to the others would blow me away. Public performances were always a revelation.
  9. Genealogy, connecting my line back to North Carolina, initially, and then all the way back to 1500s Cumbria, England.
  10. Blogging. It’s simply been personally satisfying. I never expected to be communicating with readers on six continents.

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But who am I to say? What are you especially proud of in your own life?

You better be good to toads

If you’re a writer, you no doubt know the dictum, “Write about what you know.” It remains sound advice. Another side, though, is equally valid — write about what you don’t know. It’s a means of exploration and discovery.

What’s Left takes that approach more than any of my earlier works. As an 11-year old, Cassia’s living in a financially secure extended family quite unlike any I’ve known intimately. She suffers a tragedy that prompts the action of the novel, again quite different from my own experience. Cassia tells most of the story in her teen years as she investigates the central questions in her life.

For me, this also required constructing a back story beginning with her great-grandparents and moving to the present. What do I know about running a restaurant, managing a family business, being Greek-American or Greek Orthodox, for that matter?

Well, as she advised me (and you readers) at one point, “You better be good to toads.”

I simply recorded what she dictated to me.

Read the book and you’ll see why.

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I thought about “correcting” that to “You better be kind to toads,” but my sense is that it’s closer to what an 11- or 12-year-old may say under the circumstances.

To be honest, I don’t remember much from when I was that age. There may be good reasons I keep blotting it out.

Give me some help!

What do you remember of being age 11?

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Ribbit!

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Ten ‘First World’ problems

So many modern annoyances seem minor when you look at a more global perspective. I know, it’s become a cliché over the past few years, but it’s true.

For instance.

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  1. My refrigerator is too full but there’s nothing I wanna eat.
  2. I lost the remote. How do you turn the thing on?
  3. My wallet’s too small.
  4. Why does my favorite take-out close so early?
  5. None of the ten outfits I tried on for the weekend quite do it. I’ll have to buy something new.
  6. There’s no dip for the chips.
  7. I can’t decide whether to take the trip to Paris with my sister or Hawaii with my mother. They’re both the same week.
  8. My Fitbit doesn’t have a heart rate monitor.
  9. The cleaner couldn’t make it last week. My bin’s almost full.
  10. My toilet paper roll is too big for the holder.

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My, aren’t we spoiled. What would you add to the list?

 

Hey, Figaro!

How is it the young Figaro, in “The Barber of Seville,” is so worldly-wise, especially in the ways of attracting women, while a few years later, in the “Marriage of Figaro,” he’s so confounded by the Count’s moves toward his own beloved? And, oh, yes – what happened to all that business savvy?

Well, it was a French theater comedy series originally. One obviously without a continuity editor.

I’ll give the author, Beaumarchais, some slack, since he was busy on many other fronts. And give him lots of credit for knowing how to cut satirically to the quick.