Looking afresh at a personal foundation of reading

Living in the family I do, my TBR stack of books is well larded with Christmas and birthday presents – things others think I’ll like or should at least tackle, as well as volumes they’ve already enjoyed and wish to tempt me. I’m not complaining, mind you, though I can be perplexed by their choices, at least until I’m moved to open the cover and dig in.

Sometimes it takes me several years to get around to that, which was the case with The Fellowship: The Literary Lives of the Inklings, by Philip Zaleski and Carol Zaleski.

The tome surveys the Inklings, a literary circle established at Oxford University by the likes of J.R.R. Tolkien and C.S. Lewis, an affiliation that lasted their lifetimes and paralleled the more progressive Bloomsbury elite.

As I read of the budding authors’ early years and passions, my eyes were opened to how different their reading habits and expectations were from mine. They were steeped in a desire to recover a mythos of elves and other realms arising in ancient Britain but lost over time to the teachings from the Continent. There was also a fascination with invented alphabets and languages and secret communications. In contrast, apart from an early round of Tom Sawyer and English shipwrecks, my tastes ran to non-fiction – biographies, histories, and science, especially – and to visual arts and classical music. I still love to read maps, by the way. As for language, English still holds plenty of room for exploration, and Spanish and French are challenging enough.

Fiction returned to my lineup my senior year of high school via an essentially political route – Animal Farm, Brave New World, and 1984 on the leading edge. Besides, that was the time when I was finally getting serious about writing and editing, too.

In short, I read to learn things, and still do, for that matter. Rarely would I admit to reading for pleasure, as such.

But the first years after graduating brought a change, including The Lord of the Rings (which struck me as a rehashing of Wagner’s Ring Cycle material), Samuel Johnson, and Virginia Woolf before getting to Tom Wolfe, Vonnegut, and Kerouac and, after college, Brautigan.

My preference soon settled on contemporary and American, here and now, even if I have a fondness for baroque twists and long sentences.

I have to admit having little in common with the Inklings. Even our religious leanings veer in opposite directions – their thick Catholic and Anglican wrappings versus my Zen and Quaker ascetic.

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At that point, while cleaning a very dusty bookshelf, I chanced upon Becky Gould Gibson’s Need-Fire, a poetry chapbook elaborating the life of Hild, a 7th century abbess who founded a monastery for men and women in Whitby, North Yorkshire but at the time Northumberland. It was a time when some women had more authority in the Catholic church than would be the case later. That, in turn, led me to learn more of the history of Britain in that period, including the reality that much of the land was openly pagan perhaps into the 9th century, much later than I’d assumed.

With another leap of thought, I realized that much of what I’ve found puzzling in the English folksongs, mummers’ plays, and the Abbots Bromley and Morris dances  I’ve encountered through Boston Revels is thinly veiled pagan tradition living on, part of the deeper culture of the land and its earlier peoples.

Well, as we say, the plot thickens.

My next question returns to these shores and an awareness of what this land means to its inhabitants. For me, that’s a blending of science, economics in the broadest sense, spiritual awareness, and the arts.

So how would you define the grounding of your own reading habits and interests? Has it changed over time?

Ten categories I’ve collected

  1. Fossils and rocks.
  2. Butterflies and beetles.
  3. Classical LPs.
  4. And then tapes and CDs.
  5. Paper clips. The colorful ones.
  6. Concert programs. Add to that theater, opera, ballet playbills.
  7. Books by the ton.
  8. Correspondence and rejection slips.
  9. Welcome brochures from visits to Quaker meetinghouses.
  10. Tearsheets and clippings … graphics.

~*~

What about you?

It’s surprising to see how much early morning commuter traffic there is here

As a line in one of my poems goes, New Hampshire is for the most part a daytime state. The thought arose in downtown Portsmouth around six o’clock on a Tuesday or Wednesday evening around  this time of the year nearly three decades ago, and it still holds.

For added perspective, let me add that Portsmouth was – and until Covid – continued to be the place with the most nightlife in the Granite State, yet the center felt deserted that evening, save for a few furtive figures dashing from doorways and down the sidewalks.

Well, tourist season had long passed and the weather was definitely frigid. I imagined that everybody was already huddled inside somewhere.

Lately, I’ve been thinking there’s a good reason for that daytime state observation. The bulk of the populace in the state has a long daily commute to and from the workplace.

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When I lived in Manchester, my apartment was only a few miles from the office. I had backways to zip from home to work and back.

In moving to Dover, things changed. My hour-long daily commute over Manchester involved part of the afternoon rush hour, which blessedly was headed mostly in the opposite direction. For the late-night return, the roads were nearly empty.

Working the vampire shift or weekends definitely gives you a different view of a certain subculture of society. You can shop or run other errands when so many others are locked away on their jobs.

One thing I learned to avoid in my free time was trying to head south, meaning toward Boston, any earlier than 9 a.m., when the bottleneck at the Great Bay bridge would finally clear out. (After years of construction, that problem’s finally been alleviated. Hooray!)

Other than that, I haven’t thought much about rush hours, but recently, given repeated opportunities to dash across the state in the morning on behalf of my elder daughter’s business, I’ve been retracing my former daily commute plus a little more, just at a much different hour.

Hoping to avoid the morning rush hour, I’ve set forth as early as 5:30 but been surprised by the amount of traffic already on the road, significantly more than I’ve been seeing at 8 or 9 in the evening. By 6:30 a.m., the headlights streaming out of seemingly rural locales (what we call towns or others might consider townships) is quite steady – in one direction. Many of them, I’m guessing, are headed toward jobs in Massachusetts, ones that might start at 8 or 9.

As I ponder the flow, I’m wondering how much heavier it was before Covid and all of the work-at-home shift that’s followed. Did the drivers I’m seeing previously have to leave that much earlier to accommodate the heavier traffic volume?

Still, if you’re among those who have to rise at 4 or 5 to commute four to six hours a day, that leaves little time for evening activities. It strikes me as a high price to pay, but then so is the cost of housing in the Bay State, where most of the good-paying jobs are.

And as the semi-official state religion of today?

Church and synagogue attendance and membership are declining as the population turns gray, but that doesn’t mean many younger Americans aren’t worshiping something. It just might be an unacknowledged idol rather than the God of the Bible.

So what is the idol? One befitting the state, or secular society, rather than what’s more strictly defined as religion?

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The first clue might come it that nemesis for Sunday school programs – soccer and softball leagues, which schedule many of their games and practice sessions on Sunday mornings. (Parental visitation in divorce decisions further affect the youth religious training.) It’s fair to ask just what values are the sports programs are giving our children.

Sports, of course, points to professional athletics, and if you tune into any of the radio sports talk shows, you can get a taste of the ways the players and games are worshiped by adult males. Just listen to the passion and attention. It’s fair to bet few of them have engaged spirituality with such devotion.

Beyond that, consider how much of their identity arises from their chosen team. Where I live, it’s not uncommon for an obituary to list a person as an avid Red Sox or New England Patriots fan (or Celtics or Bruins). Sometimes the following even extends to a favorite sportscaster.

Many of the teams, we should note, play in arenas and stadiums built with taxpayer money or similar concessions.

Sports also points to the cult of physical fitness – people who can find five hours a week to spend at the gym but not an hour a week for worship. Sunday mornings often turn into fundraising walks or races, too.

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Another, but more passive cult idolizes celebrities. Generally, the figures are venerated for their physical beauty or sexual magnetism, which are parlayed into the entertainment or fashion business. Some professional athletes cross over into celebrity status, while a perplexing few more are simply born rich and have no talent at all other than being celebrities, kind of like royalty without the responsibilities. No scientist, surgeon, teacher, corporate executive, senator, governor, or other working leader can match the recognition a typical celebrity possesses.

For much of the envious public, following their contortions occupies a lot of time and brain space.

The whole scene looks to me like a modern-day cyber-Parthenon full of semi-mortals.

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Less obvious is the way art has become a semi-official state religion in America, now that state and federal funding exists. There’s long been the recognition of the fine arts as an adjunct to wealth, for whatever reasons. Many sense an abstract “goodness” in the products of art – chamber music, art museums, Shakespeare festivals, opera, poetry, the “book” that so many people dream of writing – even if the artist himself/herself remains (often with good reason!) somewhat suspect, a shady character. Perhaps that’s why these big institutions stand between us and the rest of ourselves, as artists and audiences.

Something abstractly “good” even when they themselves admit they don’t know much about the field. Contrast that to the lesser state religions in America: collegiate and professional athletics, Hollywood movies, and rock concerts, wherein no one actually advocates any common wealth.

I raise this to point out the materialism we, even as starving artists, are enmeshed in – one way or another.  It is so easy to hold the artist up in some idealized light – or the product itself – as the object of worship, totally forgetting to turn to the source of all. The dilemma of the news photographer: Should he rescue the victim and lose the opportunity of taking a great photograph? Or remain instead “professional” and observe the world as an outsider? This holds for all artists: at one point are we being selfish in our pursuits? At what point is our solitude essential for the well-being of all?

Gets complicated, doesn’t it.

Cleaning out the pantry

Our Eat Vegan Before 6:00 approach to Advent, adapted from Mark Bittman’s book, has led us to a refreshing side activity. We’re trying to use up a lot of items we already have in our pantry rather than shopping for more.

We’re digging out a lot of legumes and grains and beans that got pushed to the back, for one thing, as well as home-canned fruits and vegetables, for another.

This “use it up” strategy is actually fun, extending to other parts of the household. It’s boosting efforts at decluttering. Do we still need this or that? Do we know somebody who can use it? Does it go into our yard sale now planned for May?

To be honest, we still have a long way to go. Guess I’ll just have to use more jam on my toast in the morning.

Tara, the lover who wasn’t ready to settle down

In my novel What’s Left, Cassia’s aunt Nita personally knew three important non-family members in Cassia’s father’s past.

Tara is one she viewed mostly from a distance, the lover who matched him best before meeting Nita’s sister.

~*~

Here’s a longer look, one I condensed in the final revision:

If anything, Tara was a lioness. It’s not just her sunburst of hair. It’s the way she moves and regards the universe. The way she even purrs, when pleased, or growls when vexed. It manifests in an insistence on social justice and rails at power-seeking machinations of any kind, public or private. No, she shares our aversion to anything underhanded or sneaky. But the whole time she and Baba are lovers, she’s far from ready to settle down. She’s searching, even probing, for the direction she wants to follow. What Baba never sees is her underlying anxiety or the ways it’s on the verge of explosion. Still, she opens his eyes and heart to so much.

~*~

There have been moments in my life when I ponder how things would have gone when someone like Tara was finally ready to settle down but I was otherwise engaged.

Personally, what do you think of Tara?

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Cassia’s roots included inspiration like Fira, Santorini. (Photo by Rennett Stowe via Wikimedia Commons.)

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