One musician admiring another

a bass in the Balkan choir has a low C securely
or lower depending on the day, so he admits

what he’s hitting today is three steps below
my best rumble
with luck
or even two, on good fortune

the singers warm up on a modal scale
those two telling flats against a major
rehearse in three locations across the state
and come together at events like the one I’m at

and then dance, in lines not quite Greek

Charles Ives saw music ‘as the lens through which we can glimpse the divine’

For him, that also shook up the universe.

The 150th anniversary of the birth of the American maverick takes place Sunday, the 20th, and despite his relative obscurity, he was a giant as an uncompromising modernist classical composer and as an innovative executive in the insurance industry.

Born in Connecticut and a graduate of Yale, Charles Ives’ musical transformation was certainly one of the most extraordinary cases in history, made all the more remarkable by the fact that he was forced to compose largely without hearing many of his adventurous works played by an orchestra or soloists until a half-century or more after their composition. Even the sonatas, songs, and chamber music suffered from widespread neglect.

As a matter of confession, I am quite fond of his music, from the wonderfully rich late-Romantic scores of his youth to the craggy, thorny modernist fireworks of only a few years later. I am among those who feel scandalized by the fact that this season orchestras aren’t playing even one of his symphonies in celebration, much less all four. Two of them did win Pulitzers, by the way, once they were finally aired, and riotous cheers often break out at the conclusion when the works are performed.

For a biographical overview of this American original, turn to my post, “Thoughts while listening to Charles Ives,” of November 5, 2013, at my blog, Chicken Farmer I still love you.

Today, I’m offering a Double Tendrils. Let’s start with ten quotations about music.

  1. You goddamn sissy… when you hear strong masculine music like this, get up and use your ears like a man.
  2. It is more important to keep the horse going hard than to always play the exact notes.
  3. Please don’t try to make things nice! All the wrong notes are right. Just copy as I have – I want it that way.
  4. In “thinking up” music, I usually have some kind of a brass band with wings on it in back of my mind.
  5. The possibilities of percussion sounds, I believe, have never been fully realized.
  6. There is more to a piece of music than meets the ear.
  7. Music is the art of thinking with sounds.
  8. Beauty in music is too often confused with something that lets the ears lie back in an easy chair. Many sounds that we are used to do not bother us, and for that reason we are inclined to call them beautiful. Frequently, when a new or unfamiliar work is accepted as beautiful on its first hearing, its fundamental quality is one that tends to put the mind to sleep.
  9. The beauty of music is that it can touch the depths of our souls without saying a single word.
  10. Good music is not just heard; it is felt with every fiber of our being.

~*~

And here are ten Ives quotes about life itself.

  1. The word “beauty” is as easy to use as the word “degenerate.” Both come in handy when one does or does not agree with you.
  2. An apparent confusion, if lived with long enough, may become orderly … A rare experience of a moment at daybreak, when something in nature seems to reveal all consciousness, cannot be explained at noon. Yet it is part of the day’s unity.
  3. Awards are merely the badges of mediocrity.
  4. Every great inspiration is but an experiment – though every experiment, we know, is not a great inspiration.
  5. Expression, to a great extent, is a matter of terms, and terms are anyone’s. The meaning of “God” may have a billion interpretations if there be that many souls in the world.
  6. You cannot set art off in a corner and hope for it to have vitality, reality, and substance.
  7. The fabric of existence weaves itself whole.
  8. Vagueness is at times an indication of nearness to a perfect truth.
  9. The humblest artist will not find true humility in aiming low — he must never be timid or afraid of trying to express that which he feels is far above his power to express, any more than he should be in breaking away, when necessary, from easy first sounds, or afraid of admitting that those half-truths the come to him at rare intervals, are half-true; for instance, that all art galleries contain masterpieces, which are nothing more than a history of art’s beautiful mistakes.
  10. Most of the forward movements of life in general … have been the work of essentially religiously-minded people.

Acid test novelist and poet: Richard Brautigan (1935-1984)

Fairy tales for adults. That’s what I first thought on encountering Brautigan weeks after I graduated from college. More accurately, playful children’s stories for young adults of a hippie leaning.

With his surrealistic or perhaps warped vision taking a simple voice, and his fondness of simile and imagery, his was a unique voice that amused many of us and annoyed many others.

Trout Fishing in America barely touched on fishing of any sort. Confederate General at Big Sur and In Watermelon Sugar were about, well, shyness and innocence as much as anything.

His usually very short poems were mousetraps of longing and loss.

Their freshness still beat 99 percent of the literature that surrounded them.

If only his sweet sadness weren’t soured by the pressures of success.

The Tennesseans

Continuing the history of our old house:

In September 1983, Elwood Stackwood Richardson and Mary Blanche Richardson of Smithville, Tennessee, took possession for use as a summer home. They already owned and operated the Dennys River Inn, a B&B in neighboring Dennysville, Maine. A decade later, the house was conveyed to Mary Blanche’s daughter and son-in-law, Wayne Henry and Mary Jo Warner of McMinnville, one county south in Tennessee. The move was essentially to handle the details of selling the site.

This stage of occupancy centers on Mary Blanche, who was born in 1916 in Puyallup, Washington, to a family of transplanted Maine lumbermen. After 1976, she married widower Elwood Richardson, born in 1907 in Bristol, Pennsylvania, and relocated with her daughter, Mary Jo, to Philadelphia. That’s where Wayne Henry Warner, born in 1941, enters the picture. He married Mary Jo, born in 1943, and became a high school football, track, and baseball coach in Tennessee.

Thus, they all would have been adults in their times in Eastport.

For them, Eastport was a summer home, one not rented out in winter, in part because of its rundown physical condition, as Mary Jo told me. Her mother had relatives in Maine, either in Whitney or Whitneyville, neither one far from Eastport. She also loved antiquing. Guests during the family’s summer often liked to tour the Franklin D. Roosevelt estate across the water in Canada, causing her to quip that she visited Campobello more than Eleanor had.

Elwood, meanwhile, enjoyed fishing.

Bicycling and taking nearby ferries were other summer activities.

Mary Blanche was responsible for having the shingles put on the exterior and would have appreciated our raising of the roof upstairs. “It was something she wanted to do,” I was told. The move was apparently inspired by New England author and illustrator Tasha Tudor. Mary Blanche did have a cat named Tasha, reflecting the fondness.

Mary Jo also confirmed that the beams in the front parlor existed at the time, along with the “rather basic” kitchen and its Montgomery Ward stovetop. The property across the street also a house trailer blocking a direct view of the ocean. The modular home came later. And she remembered how small the only bathroom was.

She also asked about the sewage situation in the cellar. What?

And then about our contractor, quite surprised that he shows up on time and sticks to his promises. No comment there.

She was equally delighted to learn that the downtown is no longer boarded up and that the arts scene has emerged. Her stepfather, Elwood, took up painting in his summers in Eastport and was part of a circle that had outdoor shows in town.

Eastport did look quite different that recently. It was a time when the population was sinking and many of the remaining but vacant canneries and their piers lining the downtown were falling into the sea, one by one.